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Emily Yahr The Washington Post
Kacey Musgraves, winner of the awards for best country album for "Golden Hour," best country song for "Space Cowboy," best country solo performance for "Butterflies" and album of the year for "Golden Hour," poses Sunday in the press room at the 61st annual Grammy Awards at the Staples Center in Los Angeles. [Contributed by Chris Pizzello/Invision/AP]

You can never really guess what will happen at the Grammy Awards, but when Kacey Musgraves won for best country album Sunday night, that seemed fairly predictable. Although she was also nominated for album of the year, the most prestigious trophy, it was logical that voters would award her in the genre-specific category — and then the big prize could go to a superstar such as Drake, or the critically lauded Brandi Carlile, or even the soundtrack to the billion dollar-grossing "Black Panther" film.

And then, in the closing moments of the nearly four-hour ceremony, host Alicia Keys announced album of the year: "'Golden Hour,' Kacey Musgraves!" Musgraves — who won over Drake, Carlile, the Kendrick Lamar-curated "Black Panther" soundtrack, Post Malone, Cardi B, H.E.R. and Janelle Monáe — looked shocked.

"Oh my God. Oh my God! I don't even know what to say," Musgraves said, and immediately got choked up. "It was unbelievable to be even in a category with such gigantic albums, really brilliant works of art. It's really crazy. But I'm very thankful. And I know that winning this doesn't make my album any better than anybody else's in that category, they're all so good."

Musgraves, 30, walked away with four trophies overall, tied with Childish Gambino for the most of any artist: she also won best country song ("Space Cowboy") and country solo performance ("Butterflies.") It's the first time a country artist has won album of the year since Taylor Swift's "Fearless" in 2010 — so how did Musgraves break out of the country music bubble to capture enough mainstream attention for the Grammys' biggest award?

Since the Texas-born Musgraves released her first single in 2012, she stood out in Nashville. When so many singers were leaning toward the pop and rock-leaning, party-centric songs that commercial radio programmers craved, Musgraves's first effort was pure country: "Merry Go Round," a breathtaking, sharply written track, was a bleak look at feeling suffocated in a small town. It's still her highest-selling song to date, and earned enough acclaim that people outside the genre took notice; she was nominated for best new artist at the Grammys. In early 2013, Musgraves told USA Today that one thing she heard all the time was, "I don't like country music, but I love you."

A version of that label, the "country singer for people who don't like country music," has stuck with Musgraves for years. Her debut album, the Grammy-winning "Pageant Material," was also a hit, and her third single, "Follow Your Arrow," became an instant classic among her steadily-growing fanbase. The references to marijuana use and same-sex kissing were unusual for a country artist; Musgraves was also a vocal supporter of LGBT rights, which only brought her more attention outside Nashville.

However, "Follow Your Arrow" proved too controversial for country radio —and although Musgraves seemed a bit frustrated by the radio snub, she appeared uninterested in playing the typical industry games. That included speaking out against country radio, which is normally taboo for Nashville artists, as airplay can often make or break stars.

"I just hate that people are scared of it," Musgraves told the Guardian about "Follow Your Arrow." "But I don't want to be begging. I don't want to be at the mercy of country radio with it. It's gonna have its own life regardless, so I don't really want to ask their permission."

All of Musgraves's singles since "Merry Go Round" have received little attention, including from her second Grammy-nominated album, "Pageant Material." Yet it didn't really matter. She sold tons of albums and concert tickets, and took her career to another level last March with the release of "Golden Hour." The dreamlike album was a risk, sonically, as Musgraves worked with new producers and mixed everything from pop to disco into country. As it turned out, critics loved it, and Nashville industry types also appreciated her unique sound.

REMINDER: Kacey Musgraves used to live in Austin