The crowd nodded solemnly as speakers praised the tiny, exquisite Oakwood Cemetery Chapel, recently restored to its early 20th-century glory.
The city of Austin cannot consecrate, but it can dedicate.
And it did so with grace and feeling during this celebration on Friday. Designed by Charles Page of the distinguished architecture family and built in 1914, the chapel combines some of the best of European and Texan traditions in limestone and wood, almost on a child’s imaginary scale.
It was built, however, on the city cemetery’s “Colored Grounds” and remains of 38 bodies were exhumed from under the chapel during the recent construction process. They have not been identified and will be reburied elsewhere with dignity.
Nearby: A new Confederate monument rises at Oakwood.
Council Member Ora Houston, in whose district the cemetery lies, spoke forcefully about how the land brought together the city’s “blended family,” since Latinos and Anglos were buried among African-Americans in the “Colored Grounds.”
The Parks and Recreation Department is responsible for uplifting this chapel with its crenelated tower, Gothic arches and modern air-conditioning (thank you!), as it is for an award-winning master plan for five of the city’s historic graveyards. Save Austin Cemeteries spent years advocating for this game-changing project (we hear new gates and fences are next).
Parks and Rec’s Kim McKnight contributed her mighty historical sensibility and Kevin Johnson his project management for the work designed, we surmise from this drawing, by Hatch + Ulland Owen.
At one point near the end of the ceremony, I snuck through the crowd to use the facilities. The gleaming white, tiled restroom was large and attractive enough to house a small party.
Turns out it was where the mortician did his job.