Earlier this evening at the Long Center,
Austin Opera unveiled its most inspired and innovative season in a long, long time.

Start with the 
Opera ATX project, which reaches out to new audiences with fresh material in unexpected venues. The first effort will be "Soldier Songs"
by 
David T. Little. This multi-media experience mixes video, rock, opera and theater to tell the stories of veterans of five wars. It is produced
by 
Beth Morrison Projects, a leader in contemporary opera.

Not content with this edgy endeavor, General Manager and CEO 
Annie Burridge also announced that the Austin company would produce the Pulitzer Prize-winning "Silent Night," based on the 2005 film "Joyeux
Noël," which reimagines the famous Christmas Eve truce during World War I. Hometown hero 
Kevin Puts wrote the music; 
Mark Campbell the libretto; the same team that created "The Manchurian Candidate," which won multiple prizes from the 
Austin Critics Table last season.

In addition to these two new pieces, Austin Opera has committed ever more resources to the more traditional repertoire. First
up is 
Giuseppe Verdi‘s tumultuous Shakespearean tragedy, "Otello," which hasn’t been seen in Austin in decades. The sets come from Cincinnati
Opera and the costumes from Portland Opera, while the lead roles will be taken by 
Issachah Savage, Marina Costa-Jackson and 
Michael Chliodi.

Late in the season, we’ll be treated to 
Giacomo Puccini‘s "La Boheme" in a lavish production from San Francisco Opera by way of Michigan Opera Theatre, starring 
Kang Wang, 
Elizabeth Caballero, 
Noel Bouley and 
Susannah Biller.

This is how Austin opera got its groove back.