I recall a downtown Austin leadership luncheon near the turn of the century that was populated chiefly by men and women in business suits. Out pops performer Boyd Vance — lithe, fearless, radiant, scampy — to sing an adapted version of “Hello, Dolly,” as if he were positioned at the top of a staircase dressed in red sequins and flanked by a dozen men in show tuxedos. At various points, he sat in the laps of men and women to sing directly to them.
Nobody else could have done that.
Austinites remember Vance, a graduate of St. Stephen’s Episcopal School and the University of Texas, for many things. His undeniable charisma. His unforgettable performances. His leadership of the African-American arts community. And more.
No wonder when the new Carver Museum and Cultural Center opened in East Austin, its lively little theater was named after Vance. He died in 2005 at age 47.
Around 5:30 p.m. on Thursday, June 22, the Austin City Council will salute Vance’s memory with a proclamation. Now you know that the timing of these honors is never exact — I recently accepted one in the name of the Austin Critics Table and heard first some thoroughly fascinating speeches on plumbing regulations and flood abatement — but I imagine the scene will be something like Old Home Week in chambers. All are welcome.]]