LONDON, ENGLAND – MARCH 02: Kazuo Ishiguro meets fans and signs copies of his new novel ‘The Buried Giant’ at Waterstone’s, Piccadilly on March 2, 2015 in London, England. (Photo by Ian Gavan/Getty Images)

The Harry Ransom Center has acquired the archive of British novelist Kazuo Ishiguro, whose best known novel “The Remains of the Day” (1989) won the Booker Prize and was adapted into a Oscar-nominated 1993 movie starring Anthony Hopkins and Emma Thompson.

Born in Nagasaki, Japan, in 1954, Ishiguro has lived in Britain since 1960 and published his first novel, “A Pale View of Hills,” in 1982.

He has published seven novels in all, including  “An Artist of the Floating World,” (1986), “The Unconsoled” (1995), “When We Were Orphans” (2000), “Never Let Me Go” (2005), which Time Magazine named the best novel of 2005.

His most recent book is “The Buried Giant” (2015).

The Center paid $1.1 million for the materials from the Gift Collection Revolving Fund, which will be paid in four installments of $275,000. The 21 boxes of material includes thousands of notes and drafts for each of his novels, songwriting efforts, and a draft of a never-published Western.

In addition to writing fiction and short stories, Ishiguro collaborated with George Toles and Guy Maddin on the screenplay for “The Saddest Music in the World,” a melodrama set in the 1930s. He also wrote the screenplay for “The White Countess,” a Merchant Ivory film; and two original screenplays for Channel 4 Television, “A Profile of Arthur J. Mason” and “The Gourmet.”

“For many years, I’ve been in the habit of keeping a large cardboard box under my desk into which I throw, more or less indiscriminately, all papers produced during my writing that I don’t want to file neatly and take into the next stage of composition: earlier drafts of chapters, rejected pages, scraps of paper with scribbled thoughts, repeated attempts at the same paragraph, etc.,” Ishiguro said in a statement.

Ishiguro has included explanatory comments with the archive, including a document he titled “How I Write,” which reveals his drafting process, and pagelong documents titled “Archive Notes,” which often take the form of yellow sticky notes attached to the front of materials or drafts, with Ishiguro’s own annotations providing personal commentary.

Ishiguro’s archive will reside at the Ransom Center alongside the archives of Julian Barnes, Penelope Fitzgerald, Doris Lessing, Penelope Lively and Ian McEwan.

Materials from the Ishiguro archive will be accessible once processed and cataloged.