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Pepperoni soup and soba shoelaces: Questions for chef David Bull

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By Mike Sutter

AMERICAN-STATESMAN RESTAURANT CRITIC

Updated: 11:56 a.m. Wednesday, March 23, 2011

Published: 11:35 a.m. Wednesday, March 23, 2011

Congress Austin's David Bull is no longer the baby-faced 28-year-old who made his mark at the Driskill Grill as a Food & Wine magazine Best New Chef in 2003. The game changed when he joined a list that includes Thomas Keller of the French Laundry, David Chang of Momofuku and Tom Colicchio of everything. "Once you're part of that Food & Wine family, the pressure all of a sudden becomes much more intense, and you've got a reputation to uphold and things start to change," Bull said.

But instead of wearing the burden of the giant new project on his face at age 36, he's become angular and energized. Maybe it's just the goatee. "I just decided to take better care of myself," he said. "I knew what was coming. I knew that the requirements physically and mentally were going to be extreme." Even more extreme than keeping up with five kids ranging from a 1-year-old to teenage twins with his wife, Fawn. We talked by phone between day-care sorties.

American-Statesman: No matter where you've been, you've always been the new, young guy coming in with the big ideas. At what point in your career does this become more like a job than the eternal launch of a gigantic enterprise?

It's never really been a job to me. It's always kind of been part of my life, part of who I am. This is the first time that it's really been mine. I'm part-owner in this, and certainly when it's time to get something done, then sometimes I'd rather be there myself.

What kind of hours are you keeping?

Pretty extensive since the opening, for sure. It's been 9 or 10 in the morning until 12 or 1 at night.

You've got three properties there, three identities. High-end at Congress, more casual at Second. And Bar Congress seems like its own animal. Why not just one big Congress that's open for lunch and dinner?

Originally, it was going to be just one concept. But when that location became available, and just the sheer space … we felt as though that if you were just to do a high-end restaurant that the risks were just too high with the economic turn. We knew from our research that value-driven concepts with reasonable food and a social, community gathering place was the right thing to do. Then Bar Congress kind of got developed on its own. It was originally just a bar to serve Congress, but it turned out to be its own identity and its own logo.

What made you think a prix fixe, or fixed-price, menu would work at Congress?

It was a very similar format to what we ended up with at the Driskill. It really creates the experience. We ask the customers to have a multicourse meal. It's a progressive process that allows us to dive into the extensive wine categories; it allows us to do one course after another.

The food seems to be well-dressed, but not overly dressed for the party.

This is food I want you to be comfortable with, that I want you to understand. The goal is not to shock or confuse. It's food that makes perfect sense.

I like the soba shoelaces on the hamachi.

The care that we would take to tie a nice knot in soba noodles is about as extravagant or dressy as we're going to get and still leave it subtle and simple. If you walk away, and you get it, and you're like, "Wow, that was the best scallop I ever had," that's better to me than you saying, "What was that? Do you even remember what that was?"

Brussels sprouts with escolar at Congress. You don't see that with fish that often. Love Brussels sprouts, by the way.

I've never heard that more than in the last two months of my whole career. We've got Brussels sprouts at Second with brown butter and béarnaise, too. I've loved it for a long time, but man, people come out of the woodwork, and they've got very strong opinions on Brussels sprouts.

I recognized pepperoni soup at Second from your Twitter feeds at the Stoneleigh.

It's one of those feel-good dishes that's really a tribute back to my family and what they represent. It was THE soup for 20 years at my grandparents' restaurant, and it's my token of appreciation back to them. My little version to say, "Thanks, Grandma, for starting me out." It's rustic, it's comfort, it's spicy. It's almost an Italian-type chili. It's 95 percent Grandma's recipe.

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