Recent arts coverage:
- Evolutionary biology. Aesthetic determinism. Live action role playing. The Rude Mechs are making a new play again
- Suburban battlefield: Women fight invisible foe in Amie Siegel’s ‘Black Moon’
- In eerie paintings by Ana Fernandez, a house isn’t just a house
More arts coverage | Follow this blog on Twitter @artsinaustin | Read recent arts reviews
Austin360 blogs > Austin Arts: Seeing Things > Archives > 2009 > November > 08 > Entry
Review: Chaddick Dance Theater’s ‘Freefall
Austin-based dancemaker Cheryl Chaddick’s choreography spans a wide range of performance dynamics.
In Friday night’s performance of ‘Freefall’ — the first of a three weekend run at Salvage Vanguard Theatre — the Chaddick Dance Theater presented an evening of Chaddick’s work, including pieces that seemed made for an audience to watch and others that seemed more about dancers on introspective journeys.
Three musical works by The Lyric Quartet framed “Three for Violin,” the most presentational of the evening’s dances. The all-female cast’s smiles contributed to the sense that they relished the opportunity to spin and leap in their metallic, layered dresses, created by costumer Elizabeth Vowell. Dancer April Mackey centered the piece, performing a calm, but strong solo in the work’s second section.
Program closer “The Watchful Sleeping Heart” featured more somber choreography that suggested women on a never-ending journey. Projections shown as backdrop moved from desert sands to rocky mountains to drenched rain forests. Some of the most striking moments occurred when the dancers ran to the wall, their silhouettes etched into the photograph of expansive landscapes.
Chaddick’s quirkiest piece, “I’m Your Lullaby,” was a welcome respite from the more overtly dance pieces. Four characters, named in program notes as Teena “Teenie” Tahtas, Toni Grover, Nutmeg, and Chanteuse cavorted about the stage doing almost unison with shades of character layered on top. Tahtas and Chanteuse were more likely to flounce. Grover and Nutmeg (Chaddick as a rather convincing drug-addled hippie) were more likely to amble. The tiny variations on a theme were sometimes hilarious, sometimes fascinating.
The program also included Chaddick’s “The Gambit” and Cynthia Chaddick’s photographic montage “Faces and Images of India,”
‘Freefall’
8 p.m. Thursdays-Saturdays through Nov. 21
Salvage Vanguard Theater, 2803 Manor Road
$12-$15
www.chaddickdancetheater.com
Clare Croft is an American-Statesman freelance arts critic.





Comments
When commenting, we ask that you keep things civil and abide by our Visitor Agreement. To report comment abuse, click here.