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Austin360 blogs > Austin Arts: Seeing Things > Archives > 2009 > October > 11
Sunday, October 11, 2009
Review: ‘Evil Dead, The Musical’
Move over “Rocky Horror.” “Evil Dead, The Musical” has come to town.
The campy musical, based on the 1981 film of the same name, opened Friday at Salvage Vanguard Theatre under the direction of Michael McKelvey. The sold-out show had opening night issues: malfunctioning microphones made some of the songs unintelligible over the live band. But even with the gaps, the show clipped along hilariously.
Like the movie, “Evil Dead The Musical,” follows five Michigan State college students as they try to make it through a night at a remote cabin surrounded by woods possessed by demon spirits.
Unlike the movie, “Evil Dead The Musical” parodies horror movie conventions, using goofy songs, one-liners, and physical gags to make fun of the characters’ misfortunes and idiotic choices. Somehow singing the ridiculous dialogue so familiar from horror movies transforms scenarios like deserted homes with only one escape routs and middle-of-the-night solo journeys into unknown woods into comedy.
Committed performances keep the constant humor fresh. David Gallagher plays the story’s hero Ash with over-the-top earnestness in even the most ridiculous predicaments. As Ash’s friends, Christopher Skillern, Kelly Bales, and Macey Mayfield played their characters’ stereotypes, frat boys and ditzy blondes, with laugh-grabbing excess. As Ash’s little sister Cheryl, Corley Pillsbury has a strong presence, even though her early zombie turn relegates her to performing most of the evening from underneath the stage. You can’t hide a good actor or a little sister gone zombie in the cellar forever.
Ginger Morris’s choreography brought the group together into odd, funny pairings, particularly in Ash and Scott’s tango “What the …?.”
The show is a whole lot of fun and looked to be even more entertaining for those brave enough to sit in the audience’s splatter section, where the show’s many gallons of fake blood first squirted, and then rained down from the stage.
‘Evil Dead, The Musical’ continues 8 p.m. Thursdays-Saturdays, 5 p.m. Sundays through Oct. 31. Salvage Vanguard Theater, 2803 Manor Road, $12-$22 www.salvagevanguard.com
Clare Croft is an American-Statesman freelance arts critic.
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Review: Conspirare ‘A Time for Life’
“Remember” the chorus breathed at the end of Robert Kyr’s ‘A Time for Life,’ a 90-minute piece for eight voices and a string trio.
Friday’s presentation at St. Louis Catholic Church was the second of four Conspirare performances of Kyr’s oratorio (it was premiered in 2007 by Portland, Oregon’s Cappella Romana).
Kyr plucked from myriad texts for his elegiac libretto. Native American prayers, Orthodox Church writings, portions of the Old Testament - it was all mixed together in an invocation for humankind to renew its commitment to the care of the planet.
Likewise, Kyr layered modalities that hinted at non-Western musical traditions as well as those from earlier eras of Western music in stunning blend. Wafts of medieval chants mixed with complex canons and contrapuntal harmonies or tender moments of sheer lyricism.
Conspirare director Craig Hella Johnson collaborated with Kyr (the composer was in town and offered pre-performance talks at each show) to stage ‘A Time for Life’ in the active manor Kyr intended. Tenor David Farwig walked slowly down the center aisle to the stage as the music began, pleading with us in quiet song to recall how the planet is dying. The other singers joined from the outer aisles before talking their places in front.
Farwig’s clear and present tenor commanded in his many prominent moments. Soprano Abigail Lennox deftly combined luscious tone with captivating drama.
The oratorio journeyed from dark and almost woeful to deeply thoughtful to an almost - though not entirely - celebratory end.
The Farwig proceed down the aisle followed be the remainder of the singers.
“Remember” they told us.
