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Austin360 blogs > Out & About > Archives > 2009 > November > 30

Monday, November 30, 2009

‘Me and Orson Welles’ Austin red carpet with Zac Efron

Masses of Austinites, old and young, pressed forward under the Paramount Theatre marquee Monday night at the premiere of Richard Linklater’s new film, “Me and Orson Welles.”

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One glance revealed why: post-teen idol Zac Efron walked the red carpet.

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Efron, sporting a black leather jacket and a fitted T-shirt, spent most of his time signing autographs and charming cameras and fans with his mega-watt smile.

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Co-star Christian McKay was more glib, joking: “I’m the only actor in the world who had to lose weight to play Orson Welles.”

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Perfectionist director Linklater said the creative process was comparatively painless. “It only took three years from optioning the book to finishing production,” he said. “‘Scanner Darkly’ took six years.”

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Proceeds from the premiere, hosted by the Austin Film Society, will benefit the Texas Filmmakers’ Production Fund. “Orson Welles” opens nationwide on Dec. 11.

Photo by Larry Kolvoord. Reporting by St. Edward’s University entertainment journalism students. (I set them up, then headed to the Andy Roddick event

Permalink | Comments (3) | Post your comment Categories: Movies

Open Source Bar Guide: East Seventh Street

Austin’s nightlife changes from night to night. It’s tough keeping track of all those bars, clubs and restaurants where we all socialize. Help us update our annual bar guide through this series of open-sources lists by micro-district. Send updates to mbarnes@statesman.com. The guide will be published alongside interviews with bar regulars on Dec. 10. (Thanks to readers who have already helped!)

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EAST SEVENTH STREET

Beauty Bar. 617 E. Seventh St. 391-1943

Colors. 403 E. Seventh St. 482-9002

Creekside Lounge. 606 E. Seventh St. 480-5988

Driskill Bar & Grill. 604 Brazos St. 391-7162

Emerald City. 403 E. Seventh St. 482-9002

Firehouse Lounge. 605 Brazos St. 478-3473

Fuel. 607 Trinity St. 632-0568.

Lovejoy’s. 604 Neches St. 477-1268

Mike’s Pub. 108 E. Seventh St. 479-6424

MugShots. 407 E. Seventh St. 236-0008

Red 7. 611 E. Seventh St. 476-8100

Rusty Spurs. 405 E. Seventh St. 482-9002

Side Bar. 602 E. Seventh St. 322-0697

Stephen F’s Bar & Terrace. 701 Congress Ave. 457-8800

Permalink | Comments (0) | Post your comment Categories: Nightlife

Austin Celebrity Roundup: Robert Rodriguez, Sandra Bullock, Luke Wilson

Hungarian director Nimród Antal may prefer full sets and live action to CG animation, but he and Austin producer Robert Rodriguez (a CG fan) remain in sync on the Austin-shot “Predators.” “(Rodriguez) is involved in the screenplay and we’ve had a lot of conversations, and any big decisions I want to make, I always speak to him about,” Antal told Coming Soon. “But he’s been very gracious and he’s been letting me do my thing. He’s really let me perform and he’s let me dance, so again, I’m grateful to him for that.” While using Rodriguez’s local crew, Antal brought along director of photography Gyula Pados, who worked with him on “Kontroll.”

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That Rodriguez crew is one of reasons Austin is attracting the state incentive money faster than other cities, according to the Houston Chronicle. Along with Dallas, which hosts two television series, Austin is leaving Houston and San Antonio in the cold. Texas has spent $17 million of the $60 million in tax and spending incentives since April. During that time, Austin took in $74 million in production spending, Dallas $48.6 million, Houston $13.8 million; San Antonio $581,000. “One of the reasons that Austin and Dallas are the busiest places is because that is where the crew bases are,” Texas Film Commission director Bob Hudgins said.

Now they are talking Oscar. That’s right, for Sandra Bullock in “The Blind Side.” Say what you will, the Austin actress is proving box office gold this year. She landed “The Proposal” in part because she works cheaper that Julia Roberts, but it scored $164 million. Critically punished “All About Steve” only made $34 million, but “The Blind Side” has already grossed $100.3 million and is likely to top $200 million by the end of the year. That would mean Bullock’s films could reap almost $400 million for three fairly low-budget films.

Another Austin-linked name is enjoying a huge comeback. Frequent visitor and AT&T map pitchman Luke Wilson is involved in a “big-bucks marketing battle that’s already threatening to make the cola wars look like child’s play,” says industry follower Advertising Age. The combatants this war: Verizon Wireless and AT&T, the No. 1 and No. 2 U.S. wireless carriers. Wilson’s amiability has been drafted in the feud between the nation’s second-largest advertiser (Verizon’s marketing war chest is $3.7 billion) against the third largest (AT&T spent $3.1 billion last year).

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