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Stephen Sondheim: Broadway’s Greatest Artist, Part 5
For more of “Stephen Sondheim: Broadway’s Greatest Artist,” scroll down to previous posts, or link at Part 1, Part 2, Part 3 and Part 4.
The Essential Stephen Sondheim
10 shows every Sondheim beginner should get to know.
‘West Side Story’ — (1957) Leondard Bernstein’s music and Jerome Robbins’ direction/choreography received more attention, but Sondheim’s colloquial lyrics for New York gangbangers anchor this Romeo and Juliet retelling on the street level.‘Gypsy’ — (1959) The ultimate backstage musical, with music by Jule Styne and book/direction by Arthur Laurents, it has also burnished the careers of Ethel Merman, Rosalind Russell, Angela Lansbury, Tyne Daly, Bette Midler, Bernadette Peters and Patti LuPone. Sondhiem’s lyrics are fresh today as when it premiered.
‘Company’ — (1970) Modern, urban singledom, dating and marriage received this up-to-the-minute treatment, later stripped down and emotionally magnified in the John Doyle revival.
‘Follies’ — (1971) The twilight of memory, marriage and show-business excess intertwine in this fantastical musical, which also gave the gift of ‘Broadway Baby’ to every belting singer.
‘A Little Night Music’ — (1973) Based on an Ingmar Bergman romantic comedy, this shifting musical belongs among Sondheim’s masterpieces, but has lacked proper revivals. Trevor Nunn’s upcoming Chekhovian transfer from London to Broadway will tell if the show has more chapters to tell.‘Sweeney Todd’ — (1980) Almost every staging of this electrifying melodrama — Brechtian, operatic, microscopic, even Tim Burton’s eccentric movie — about a 19th-century serial killer has triumphed.
‘Merrily We Roll Along’ — (1981) The show Sondheim believes will find a wider audience. Melodic, personal, endearing, it asks what happens to youthful idealism. It must overcome a tale told backward.
‘Sunday in the Park with George’ — (1985) At first misunderstood, this Pointillistic contemplation of artistic inspiration has proved one of Sondheim’s most enduring achievements.‘Into the Woods’ — (1987) One of Sondheim’s biggest hits reworks fairy tales with Bruno Bettelheim’s insights into personal development. (One of three collaborations with James Lapine.)
‘Assassins’ — (2004) Some Sondheim fans might think that the romping ‘A Funny Thing Happened on the Way to the Forum,’ pensive ‘Passion,’ skittery ‘Anyone Can Whistle,’ or translucent ‘Pacific Overtures’ belong in this last place. Yet John Weidman and Sondheim’s rip on presidential assassins looks deep into the American soul. Nobody ever forgets what they found.
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