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Ear Candy: Jonathan Sacks, Jon Lord, Cameron Carpenter
Three micro-reviews that don’t fit into any category:
Cameron Carpenter “Revolutionary” (Telarc) Organist as rock star. He’s as devilishly idiosyncratic as Glenn Gould, sometimes more so. All over the map, with a DVD that says “I play.” Somebody learned how to package a career. Which is not a criticism.Jonathan Sacks “Fifth (S)eason” (Navona) I was thinking: This sounds like high-end soundtrack music. Then I remembered Sacks writes for the movies. Craggy and spare at times, orchestrally fulsome at others. The seriousness of the packaging is a little off-putting.
John Lord “Boom of the Tingling Strings” (EMI Classics) The Deep Purple artist pulls from whatever disparate sources — musical and emotional — that his life has provided. The title composition and accompanying “Disguises” pull more from classical than blues/rock.
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