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Rude Mechs party at Holzbach-Friis-Hansen home

Social relationships can alter cultural landscapes. Mark Holzbach is board president for the Rude Mechanicals, the rough-and-tumble theater troupe that stages, then tours original work. He’s also a high-tech pioneer and partner to Dana Friis-Hansen, executive director of the Austin Museum of Art.

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Danise Rogers, Amy R. Smith, Lori Lynn

So when the Rudes previewed Sherry Kramer’s new play, “When Something Wonderful Ends,” on Thursday, the crowd included heavies from the worlds of contemporary art, photography and dance, not just theater.

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Michael Breen, Stephanie Hunter

The pre-preview party at their light-kissed condo off West Sixth Street reminded me of the event at the home of John and Julie Thornton for Ballet Austin’s “The Cult of Color,” minus the big-gun New York contingent. In other words, the ongoing integration of the performing and visual arts audiences in Austin has been nurtured by personal, indeed intimate connections, as in the Holzbach-Friis-Hansen liaison.

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Meg Schwartz, Louis Singh, Jessica Maher of Spoon & Co. Catering, which provided the savory and sweet nibbles

Kramer’s solo memory play, starring many-voiced Barbara Chisholm at the Off Center, mixes observations about Barbie culture (a blast) with a portrait of the author’s kind, deceased mother (poignant) and a lecture on American oil dependence (deftly handled, given the natural dissonance).

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Philanthropist Tom Green and his fiance, Laura Gilbreath (they marry Saturday!)

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Latest comments

Hi there Pam! Stephen did stay home last night and I know this because I was with him -- however, hmmmm . . . don't know exactly how much beauty rest he got :-)). Unfortunately, I was not able to attend tonight -- am heartbroken that I couldn't. XO Stephen

... read the full comment by Patricia Paredes | Comment on Stephen Moser Live Read Stephen Moser Live

Oh my god this event was the bomb! I cant wait until this group does another event-It was just to fun. How cool was it to see mostly white folk pay homage to such incredible black talents in the music industry. It makes my heart feel good

... read the full comment by Kass Mason | Comment on Weekend heat wave at Victory Grill Read Weekend heat wave at Victory Grill

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Stephen Moser benefit at Antone’s

The ironies deepen. Once again, there was Stephen MacMillan Moser at the pinnacle of his Austin celebrity, toasted by socialites, fans, musicians, artists, designers, retailers and just plain readers of his Austin Chronicle column, “After a Fashion.” Moser frolicked on the stage, blessed the musicians, hugged and kissed almost every guest at the “Stephen Is One in a Million” benefit at Antone’s on Wednesday. As one old friend put it: “This is where Stephen always wanted to be,” meaning, of course, at peak of his game, a streaking comet of glamour.

And yet, just as at this 50th birthday party last October, an inevitable gloom crept in. Seabrook Jones’ life-documenting slide show and animations made me bite my lip with sadness, even as Moser himself towered right in front of me, as full of lust and life as ever. It’s inconceivable that this blinding personality will be snuffed sooner rather than later.

Meanwhile, many thousands of dollars were raised by Stephen’s Angels, the group captained by his sister Margaret, for a family trust to care for Moser as cancer encroaches. The family and close friends put up a brave front, but nerves frayed and at times the bright expressions dropped from their faces. After four hours, I departed into the night to walk off my mixed feelings.

Habit kept me snapping shots of guests at the benefit.

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Chris Ronemous, Awilda Ronemous

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Edward G. Vorman, Vickmay Quinn, Eric Groton, Maria Groten

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Phil Daily, Shirley Watson (with Flowers by Design)

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Lisa Trahan, Jamie Broadhurst, Jennifer Carnes, Lauren Gremillion

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Sheila Bal, Gavin Kilduff, Eliot Walker, Molly Stephens

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And the band played on …

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Weekend Out

Where you might find me this weekend.

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Thursday: “When Something Wonderful Ends” preview starring Barbara Chisholm at the Off Center (pre-show at the home of Mark Holzbach and Dana Friis-Hansen; post-show at Peacock Lounge); Heart House and Keepers Men’s Store Fashion Show at Pangaea

Friday: National Tourism Luncheon at the Hyatt Regency; Austin Symphony Orchestra plays Beethovan at the Long Center; new clubs: Orchid, The Ranch, Deja Vu

Saturday: Midcentury Modern Tour for Heritage Society of Austin; 5x7 Opening at Arthouse; Gala for Paramount and State Theatres with Kris Kristofferson

Sunday: “Indiana Jones and the Kingdom of the Crystal Skull” press preview; Tina Marsh Benefit at Laguna Gloria

Tuesday: Pink Martini at the Paramount Theatre

Wednesday: Rumba at Cuba Libre

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Your A-List: Best Place to Get Married

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Wedding Day: For many readers, the most important 24 hours in their lives, whether legally sanctioned or not. Best to choose a place that embraces the party with grace and beauty. And in Austin, that most often includes natural or historical settings.

No. 1 on the A-List ballot for best place to get married: Laguna Gloria, the cove on Lake Austin once owned by Stephen F. Austin, then later Clara Driscoll, the Alamo savior and founder of seed organizations for Austin Museum of Art and Arthouse. AMOA still operates her modest villa on the sumptuous lakeside grounds, site for concerts, sculpture exhibits and fairs, as well as weddings. It took 20 percent of the vote.

Green Pastures, the historic restaurant and former farm on Live Oak Street in South Austin, came in No. 2 with 20 percent (one vote less than Laguna Gloria), while the Zilker Botanical Gardens on Barton Springs Road placed third with 12 percent. Barton Creek Resort in Southwest Austin got 8 percent, while the near-campus Mansion on Judges’ Hill earned 7 percent.

Taking 5 percent or less were Vintage Villas, Mount Bonnell, One World Theatre, Umlauf Sculpture Garden, Plantation House, Caswell House, French Legation and (sweetly) City Hall.

Photo: Brian K. Diggs

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Your A-List: Best Newspaper

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My fellow A-List blogger, Matthew Odam, could not conceal his delight when I drew the assignment to write about your vote for best newspaper. He knew, whichever way it went, the results would be awkward for somebody we knew.

And, indeed, the Austin American-Statesman, parent of this entertainment Web site and our employer, won with 49 percent of the vote. In its favor, the Statesman is the city’s only comprehensive daily newspaper and, despite periodic criticism from all directions, ranks high among publications its size for journalistic quality and business soundness.

Backers of The Austin Chronicle, which came in second with 28 percent, will probably say, “well, the vote took place on a Statesman-owned site,” and they’d have a point, but the city’s venerable weekly publication is no stranger to the vagaries of reader-driven polls. Since the early 1980s, the Chronicle has remained one of the strongest independent weeklies in the country and is generally unswerving in its point of view.

The Onion, a newcomer to the local scene, although familiar through its Madison, Wis.-based national spoof, came in third with 12 percent. The recent observation that audiences wouldn’t laugh at “The Daily Show with Jon Stewart” if they didn’t already get the news also applies to The Onion. You almost have to be a newsy hound to get its satirical jibes. The addition of local entertainment coverage just enriches an already crowded field.

The local edition of a national chain, the Austin Business Journal earned 3 percent; the Round Rock Leader came close behind, while taking 2 percent or less were Ahora Si, Westlake Picayune, San Marcos Daily Record, Lake Travis View and Bastrop Advertiser.

(In the interest of full disclosure, we should note that Cox Newspapers, the Statesman’s parent company, also owns the Leader, Ahora Si, the Picayune, the View and the Advertiser.)

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The ‘Kitten with a Whip’ philosophy

Years ago, University of Texas undergraduates, as students do, attempted to improve their scores for the Introduction to the Theater class by employing an inventive range of arguments. As the teaching assistant and therefore keeper of the grades for hundreds of theatrical novices, I responded with observations about the quality of analysis, interpretation or evaluation in their essays.

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When rational points failed, I’d indicate the lurid poster that hung in the spidery, basement office I shared with another graduate student, saying that, like Ann-Margret in “Kitten with a Whip,” a good essay should be: “All out for kicks … and every inch spells excitement!”

I have no idea how many students were scarred by that experience.

These days, I field standard questions about Out & About with a similar blend of patience and puckishness. When asked, “How do you choose which revelers to photograph for the column?” I may reply: “I select the people with least symmetrical features.” Or perhaps: “I start due north and shoot only those who hover at cardinal points of the compass.” Which criteria do I really use? Bottom line: They must make me — and hopefully our readers — curious.

Now, that could be related to their celebrity status, and there’s an inherent hierarchy of curiosity about the famous. Despite overexposure, Matthew McConaughey’s six-pack is more interesting than an Average Joe’s lack of one, for instance.

Novelty helps. Ricki Vincent, the gentle giant who runs Geppetto Dreams Puppet Theatre, looks like an exhaust-breathing biker. Yet a short conversation leads to a much more intriguing personal story about long-distance love, tattoos and the appeal of felt. Variety is an alluring spice. Luckily, most Austin socializing is far from monochromatic. So everywhere I turn, there’s somebody not like the other.

(One exception: A loosely associated group of women, ages 18 to 48, who all plainly patronize the same salons, spas, boutiques and, especially, hair colorists. Help! I can’t tell them apart!)

Otherwise, if you want to see your face in Out & About, make sure you’re: “All out for kicks … and every inch spells excitement!”

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Weekend heat wave at Hilton Austin

Did the short, brutal weekend heat wave alter Austin socializing? Not at the Hope Ball at the Hilton Austin on Saturday. The Juvenile Diabetes Research Foundation packed the ballroom with at least 700 nattily attired gala-goers, netting more than half a million dollars. The tall, crisp rooms were well stocked with beverages, including $50 martinis, which copped the buyer a raffle ticket as well as refreshment.

Again, my iPhone keyboard was on the fritz, so help with IDs is much appreciated…

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Heather Parsons, Pat Stewart

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Tina Fernandez, Frank Fernandez, Gina Shishiria

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Beth Unite, Sel Unite

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Jennifer Ransom Rice, Don Rudy, Sarah Bagwell

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Weekend heat wave at Mellow Johnny’s

Did the short, brutal weekend heat wave alter Austin socializing? Not at Mellow Johnny’s Bike Shop on Saturday. Lance Armstrong’s gigantic retail outlet on Nueces Street behind La Zona Rosa doubles as a party palace, and the patio out back — broken in after the cool front passed through — is likely to host a number of events like this VIP opening. Most Austin parties are decorated with pretty, pretty people, but this exquisitely healthy crowd simply radiated good looks.

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Charlie Tames, Greg Euckert, Salma Manzur, John Fantauzzi

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Mike Hall, Amy Creed, Chris Adels

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Help

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Help

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Help

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Weekend heat wave at Victory Grill

Did the short, brutal weekend heat wave affect Austin socializing? Not at the Stax Night at the Victory Grill on Friday. Although the venerable venue’s air-conditioning system could barely keep up with the capacity crowd, everyone remained in high party mode for T-Bird and the Breaks, which played to benefit the Stax Music Academy in Memphis. Couldn’t stay for the band, but cheered the fringe-skirted Funk Peepshow dancers, who shimmied to the DJ’s tunes.

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Funk Peepshow Dancers: Aryn Sullivan, Kim Domanet, Christina Mason, Gloria Fuentes

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Ben Frederick, Theresa Herbst

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Dr. D.D. Faye; Evelyn J. Faye

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Stephen Moser Live

We are waiting for the arrival of the Grand Style Avatar. Excitement in the newsroom fairly bubbles. (OK, at my desk anyway, for this first live interview, with your participation.)

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Weekend heat wave at Geppetto Dreams

Did the short, brutal weekend heat wave affect Austin socializing. Not at the Geppetto Dreams studio on Friday. Granted, it wasn’t easy finding the puppet troupe’s open house on Pedernales Street, because the studio is tucked behind the Peacock Lounge. There, master puppeteer Ricki Vincent, who looks like a fierce biker with piercings and ink, gently brought his creations to life, while his chief backer, Steve Spencer of Seguin, checked the progress of the troupe, recently transferred from Fort Worth.

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Ricki Vincent

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Squeak, Mimi, Steve Spencer, Camille DePrang

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Weekend heat wave at Tierra del Fuego

Did the short, brutal weekend heat wave affect Austin socializing? Not at Tierra del Fuego on Friday. Opened with a hush a month ago by the owners of Sampaio, this urbane refuge on Second Street could become a regular haunt for downtowners heading to other events. Tapas and wines from Bethany Shelton and Bob Brown (an urban planner by day) kept the idling customers satisfied in South American fashion.

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Marcus Sanchez, Deanna Pepka

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Edgar Figueroa, Paula Tait

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Bethany Shelton, Bob Brown

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Weekend heat wave at Imperia

Did the short, brutal weekend heat wave hurt Austin socializing? Not at Imperia on Thursday. Glazed with cool in any weather, the Asian restaurant on Colorado Street is especially inviting for event impresario Tre Dotson’s Sanctuary parties. Not many customers lingered in the main dining areas, but the bar area popped with bottomless edamame and chilly cocktails while managing partner C.K. Chin described the new sushi bar planned for the restaurant’s north wing.

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Tara Kohler, Sia Jahadi

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Lupe Valdez, Kristal Stine

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Patrick McDonald, Rob Ducroz, Gabe Perez

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Weekend heat wave at Buzios Room

Did the weekend’s short, brutal heat wave hurt Austin socializing? Not at the Buzios Room on Thursday. The spanking new ultra-lounge above the Copa on Congress Avenue immediately relaxes the weather-weary with dark, low furniture and sea-themed sculptures (it’s named after a Rio de Janeiro beach). Manager Silvio Ramos promises a thoroughly grown-up experience for tourists at the planned hotel that will embrace the cozy 19th-century building, as well as residents from the Austonian, rising high across the street.

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Kristin Reno, Jackie Lapid, Rachel Paguio

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Alan Gabriel, Ashley Sauft, Amy Bauer, Gus Gabriel

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Patrick Byrd, Ashley Johnson

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Weekend heat wave at the Congress Avenue Bridge

Did the short, brutal weekend heat wave affect Austin socializing. Not at the Ann Richards Congress Avenue Bridge, where batwatchers massed on the greens at either terminus, or bunched, dangerously on the walkway. (Must a child die before the city builds the long-shelved pedestrian amenities for the bridge?)

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Aiding the batwatchers with crucial information is Jeff Zick, owner of Zickster.com and purveyor of T-shirts, stickers and other batty accessories at a booth outside the Radisson Hotel’s walls.

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Austin’s Pat McCann solos at Bush-Hager rehearsal dinner

We heard from a peerless source that Austin guitarist Pat McCann played the rehearsal dinner for the Bush-Hager party Friday in Salado. We don’t know much about McCann, who appears to play ambient and jazz music. He may be the only Austin musician without a prominent MySpace page. And we can’t confirm a reliable image for him. But we’ll keep trying.

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Weekend heat wave at United States Art Authority

Ninety-seven degrees. Near 100 percent humidity. It affects socializing, but not always in the way one might expect.

Over the weekend, the lava-like conditions punished partygoers, then turned it a little heavenly by Sunday, with cooler winds offering respite from a dreaded early summer.

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Mike Wiebe, Meagan Smith, Megan Baird

The former weather painted sweat on participants at almost every event and made progress on foot almost impossible. The latter encouraged flocking to festivals, restaurant patios and athletic events.

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Jessica Fox, Lain Penny, Minty Phresh

Our weekend began and almost ended at the United States Art Authority, the still-new campus-area hangout on 29th Street, next door to Spiderhouse Cafe.

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Matt Shepherd. Dylan Rieck

The weekday crowd is quietly hip, convivial, while Saturday’s special event attracted a raucous set for Jackie Beat, the Los Angeles-based drag performer who sings like a canary in naughty spoofs of pop songs.

The USAA’s cabaret stage proved just right for this sort of event. The dark expanses of this red-and-black space also draw the visitor deep into the cool escape from the May heat.

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Chuck Redwire, Gigi Soto

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Save the date: Stephen Moser live interview

Did the article in last Sunday’s American-Statesman about Stephen Moser make you hungry to know more about Austin’s Style Avatar? You’re in luck: Moser has agreed to participate in the first Out & About live blog interview, which will operate something like a chat room at noon Tuesday, May 13. So return to this space at that time, and ask him any question about his full-lived life, as well as the fashion industry, media and social circuit. Don’t forget the benefit for Moser’s medical trust at Antone’s on Wednesday, May 14.

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Old Antone’s on Guadalupe to become blues club

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Spiderhouse Cafe co-owner Conrad Bejarano — also teamed with John Dorgan operating the nearby I Luv Video and the United States Art Authority — confirmed their planned re-opening the old Antone’s venue on Guadalupe Street as a blues club. Bejarano said he is in discussions with Susan Antone about making sure it doesn’t interfere with the downtown club that bears her late brother’s name. Bejarano even suggested a name for the Guadalupe location: Clifford’s.

We were chatting with Bejarano (pictured) at the USAA, which opened for regular business (6 nights a week) recently. The combination bar, performance space and art gallery, formerly a plasma collection center — has worked well for special events, but now is destined to become an campus-area hang-out. (Seriously, there are so few. And with the Showdown heading out the door…)

We’ll profile USAA for Out & About: Cafe Society, the periodic XL feature that premiered this week with a look at Kick Butt Coffee. Other fresh spots on our list to dig into include Buzios Room, a neat, laid-back ultra-lounge managed by Silvio Ramos that just opened above the Copa, and Orchid, which takes the place of the Black and Tan on Seventh Street. Last night, while snacking at Imperia with managing partner C.K. Chin, we heard of two more new clubs, one on West Sixth Street and another on San Jacinto Boulevard. Looks like Cafe Society will be busy through June on new social gathering places.

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Tina Marsh, Austin Arts Hall of Fame inductee

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There is something quintessentially Austin about Tina Marsh’s music. It’s informed by the environment and is often performed either out of doors — Laguna Gloria is a favored spot — or in site-specific buildings, all bathed in local color. Although often labeled avant-garde jazz, her music genre-busting, yoking influences and instruments from electronica to world roots. Marsh is the ultimate collaborator, another Austin trait, working closely with longtimers and newcomers in the Creative Opportunity Orchestra, or with visual and performing artists on some city’s most memorable projects. And in a city that values originality, CO2 has premiered more than 100 completely fresh compositions, many by Marsh herself.

Marsh’s induction into the Austin Arts Hall of Fame, made formal June 2 at Cap City Comedy Club, reflects not only these attributes, but her several decades of cultural leadership. Many will know her best from contributions to Hall of Famer Sally Jacques’ epic and ethereal dances in warehouses, empty pools, shells of partially completed buildings and other visually distinctive locations. Her haunted soprano has graced many recordings and concerts, including Alex Coke’s jazz suite “Iraqnophobia.”

Marsh contributes regularly to the Austin social scene, appearing at benefits and lending her artistry to worthy causes. Already inducted into the Austin Music Hall of Fame, Marsh founded the New Jazz Series and sometimes broke away from her big-band work to produce minimalist albums such as “Inside The Breaking: Volume I.” She has performed with such greats as Carla Bley, Hamiett Bluiett, Vinny Golia, Dennis Gonzalez, Billy Hart, Roscoe Mitchell, Steve Swallow and Kenny Wheeler.

If Austin had an official soundtrack, Marsh’s voice could be heard in the harmony.

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Video: Weekend Out

Thanks to good sport Thomas Gohring for helping to create our first Weekend Out video. We know, we know, the open mike sound is messy, but it was a first try…

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