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SXSW announces fresh round of music panels
Amidst the haze of bands and beer that is the South by Southwest Music Festival, the panels often get overlooked. Maybe that’s why the festival took the unique approach of crowdsourcing its 2010 panels, allowing the community to vote on the various proposals online.
Today the fruits of that labor were announced as the festival released a batch of 40 panels selected through the new process. The results are intriguing — the panels address everything from digital distribution to the resurgence of vinyl to spirituality on the road. If you can tear yourself away from the substantially less orderly world of day parties and nightly showcases, there should be some interesting discussions.
Surf on over to SXSW’s Web site for the full list, or check it out after the jump.
1,000 Digital Tools & Strategies: Which 3 Work?, Michael Feferman, C3 Presents
A&R and the Indie Label, Stephen Brower, Vanguard Records
Budgeted Tour Planning: Free and “Must Have” Resources, Jordan Glazier, Eventful Inc
Creating a Music Town, Jared Bailey, AthFest
Creative Capitol: Music, Culture and Policy under Obama, Michael Bracy, Future of Music Coalition
The Cultural Significance of Direct-to-Fan Marketing, Ian Rogers, Topspin
DIY or Sign with a Label, Richard Bengloff, A2IM
Does Rock and Roll Belong in a Museum?, Jim Henke, Rock and Roll Hall of Fame and Museum
Effecting Social Change via Music and Technology, Andy Bernstein, HeadCount Inc
Ethics in the Music Business, Nancy Fly, Nancy Fly Agency
Evolution of Concert Bookings and Programming, Jeff Chabon, Spurs Sports & Entertainment/AT&T Center
The Future of Music PR, Andy Adelewitz, Paradigm
The Future of Online Music Videos, Nick Stahl, Brightcove
Get Your Music Licensed in a Commercial, Sarah Gavigan, Hanka & SG Consulting
Global Music Marketing: How to Reach Fans Worldwide, Adam Rabinovitz, IODA
The History of Music Recommendations, Michael Papish, MediaUnbound
How to Make Money with Vinyl, Jay Millar, United Record Pressing
How to Take Your Music to Market, Erik Gilbert, IODA
How Will We Listen to Music in 2020?, Jonas Woost, heute:pop:blog
It’s So Big! Packaging Design from CDs to Vinyl to Merchandise, Susan Tanner, Righteous Babe Records
Jumping into the Kiddie Pool: Diving for Dollars, Tor Hyams, Kidzapalooza
The Library of Congress: Music for Generations, Butch Lazorchak, The Library of Congress
Making Something Outta Nothing, Howard Wuelfing, Howlin’ Wuelf Media Inc
Marketing 21st Century African Music, Ngozi Odita, Society HAE
Music in the Cloud, Geoff Ralston, Lala.com
Online Marketing Platforms of the Now and the Future, Lou Plaia, ReverbNation.com
Paper Cuts in the Plastic Age, Frank Mauceri, Smog Veil Records
Record Club, Danny Benair, Natural Energy Lab
Recording Industry vs. People, Ray Beckerman, Ray Beckerman PC
A Social Media Case Study of L.A.’s Sunset Strip, Kyra Reed, MarKyr Media
Socialize Your Network: Tech Tips That Rock, Brad King, Ball State University
Spirituality for Nomads, Merrill Wade, St. Matthew’s Episcopal Church
Sustainable Ad-Funded Music Is Not a Pipe Dream, Clive Gardiner, We7
Synch or Swim: Keeping Your Head Above Water, Steven Scharf, Steven Scharf Entertainment/Carlin America
Tax Tips for Musicans and Songwriters, Shane Cook
This Note’s For You, Mike Boris, McCann Erickson
Three Strikes You’re Out: The ISP Debate, Steven Masur, MasurLaw
Too Much Information! Does Interacting Kill Rockstar Mystique?, Ian Heath, SONY BMG Music Canada
Women Write Women’s Experiences in Music, Holly George-Warren, Jackalope Press
Working The Press: Intellectual Intercourse & Interviews, Ali MacLean, Ali on the Air
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