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SXSW Review: Sam Amidon
(Friday, 18th Floor of the Hilton Garden Inn)
Sam Amidon doesn’t write his own songs, but instead rearranges traditional folk numbers. The result is a somber, sobering trip to centuries past, where life’s hardships and heartaches seem slightly removed from today’s.
If that sounds heady and slightly depressing, it is. But at Amidon’s Friday performance at the top floor of the Hilton Garden Inn, the twenty-something musician offset the seriousness of his music perfectly with a bizarre brand of deadpan humor.
Amidon began the set with his somber acoustic version of “Wild Bill Jones,” a usually upbeat bluegrass number about a murder committed in cold blood out of jealousy for another’s love. At the peak of the song, just as Jones is shot down, Amidon sang, “He let out a dreadful moan.”
“EEEEEEEEEEEEEEEEEEEEEEERRRRRRRRRRRRRRRRRRRRRRRRRRRRRR,” he then screeched with a straight face for a good minute. When he finally dove back into the song, the befuddled audience erupted in laughter and applauded.
The set was full of similar surprises. During a bluesy banjo number, Amidon repeatedly asked, “Whaddya say, banjo?” before his smooth-moving solos. At the end of the song, he walked to the back of the stage and asked, “Whaddya say, pushups?” Then he did twenty or so. Again, the audience ate it up.
Humor aside, the music and the stories behind it were captivating. In “Saro,” an immigrant to the United States pined for the love he left behind, while in “O Death” the speaker pleads with his inevitable end to “Spare me over just another year.”
To wrap things up, Amidon enlisted the audience to help him sing the words to “Relief” by R. Kelly: “Isn’t it a relief/That we are one/The war is over/There’s an angel in the sky/Love is still alive.”
“It’s not true, but I guess it’s a nice thought,” he said.
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