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SXSW Directors Interviews
March 13, 2007
- SXSW Interview: Stephen Kijak, 'Scott Walker: 30 Century Man'
- SXSW Interview: Eli Roth, panelist and director of 'Hostel Part II'
- SXSW Interview: Michael Lehmann, 'Flakes'
- SXSW Interview: Ry Russo-Young, 'Orphans'
- SXSW Interview: Monty Miranada, 'Skills Like This'
- SXSW Interview: Mike Woolf, 'Life is Marbleous'
Director: Stephen Kijak
Film: “Scott Walker: 30 Century Man”
Category: Documentary Features (North American Premiere)
Sites: Official | SXSW
Screenings: 1:45 p.m. Thursday, March 15 at Alamo Downtown
Film synopsis from SXSW.com: Scott Walker achieved a fame rivaling the Beatles and the Rolling Stones in Britain in the mid-’60s and had the looks and the voice to be one of the biggest singing stars of all time, on par, some believed, with Tony Bennett and Frank Sinatra. But instead of turning to Las Vegas for fame and fortune, Scott turned for inspiration to the films of Ingmar Bergman, the existentialist novels of Sartre and the tortured chanson of Jacques Brel and morphed into one of the most influential and enigmatic figures in rock history and is revered by critics, musicians and a die-hard cult of fans as one of the most astonishing and important sound-makers of the last 30 years. Four years in the making, ‘Scott Walker: 30 Century Man’ is and in-depth look at a man who turned his back on fame to follow a very singular and uncompromising artistic path, something all too rare in today’s accelerated pop culture. In addition to a rare interview with the reclusive Walker himself, the film features interviews with an impressive roster of his famous fans and collaborators (Bowie, Radiohead, Jarvis Cocker, and legendary arranger Angela Morley, formerly known as Wally Stott!) And the filmmakers were granted exclusive access to observe the recording of Walker’s latest album “The Drift” (one of the most critically acclaimed albums of 2007); sessions which featured giant wooden cubes, a percussive side of pork, a braying donkey and an entire orchestra directed to sound like WWII bombers.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
My last film,”Cinemania,” played SXSW, but I couldn’t make it so I’m really excited to be joining my film at this excellent festival.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I’m arriving on the 11th, when I suspect many fest-goers will already be pumped up on good films, beer and BBQ. So, I’ll have to wait to answer this one but the impression I get is that this is one of the most audience-friendly fests on the circuit. It’s not about VIP b.s., it’s about good movies and meeting your colleagues and your audience on the same level.
What do you hope to take away from your time at the festival?
I just want to know that we’ve converted a new legion of Scott Walker fans.
Why should audiences be excited to see your film?
Because I managed to make a film about one of the most reclusive and mysterious men in rock - a man looked up to by Bowie, Radiohead, Brian Eno, Jarvis Cocker, Damon Albarn, Goldfrapp, Marc Almond, Richard Hawley (and more) as a hero and inspiration, and they’re all in the film. If you have a creative bone in your body, he’ll inspire you too. It’s not just a film for musicians, his message is universal - and the music will blow your mind.
Are there any other films screening that you hope to see?
I’m on a mission to see every midnight movie at the festival.
Any restaurants, parties or tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I’ll be hanging at the Beggars Group/4AD label showcase at Emo’s on the 14th (Scott Walker’s new album “The Drift” is on 4AD)
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Giant” (1956) directed by George Stevens, starring James Dean, Elizabeth Taylor and Rock Hudson. Classic!
Director: Eli Roth
Film: “Hostel 2”
Category: Roth took part in the “Panel of the Dead: Horror Films of Today” and screened clips of his new yet-to-be-released film, “Hostel Part II.”
Site: SXSW
Screenings: 3 p.m. Sunday at the Austin Convention Center
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I first went to SXSW in 2003 with my film “Cabin Fever.” We had a screening at the Alamo Drafthouse, and I can honestly say it was one of the best screenings that I’ve ever had. The whole theater was going crazy from start to finish. I had been coming to Austin and watching movies at the Drafthouse and am very friendly with the owners Tim and Karrie League, so it was a great honor to have a midnight movie play there. Not only that, Elvis Mitchell was in the crowd and gave me a superb writeup in the New York Times. This review really helped give the studio confidence in the film. They never expected such reviews from a horror film, let alone from a critic as influential as Elvis Mitchell. Lionsgate had bought the film a few months back at another festival, but this screening reinforced they had made the right decision. It was a big turning point for the movie. I also got to do a panel with Harry Knowles, which was a blast. I met Robert Rodriguez for the first time at SXSW. It was a very, very important festival for me.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Austin has a great, warm vibe, and they really appreciate anyone who tries to be creative for a living. I love the whole atmosphere of the city - it’s very, very different from Los Angeles. I actually feel much more home in Austin than in L.A. It’s the same feeling I get from a city like New York City or San Francisco, where people appreciate the material, not how much money it made or did not make. SXSW is so unique in that it combines both music and film, which is a very potent combination. There’s so much creativity in the air, and you feel like your possibilities of what to do at night are endless. At most other festivals people are all cramming into one party just looking to see which celebrities showed up, but at SXSW there’s an endless possibility of people to meet and places to go at night. You really feel like the whole town is there enjoying the festival, and that it’s not just this thing that takes over a town for a week.
What do you hope to take away from your time at the festival?
I love meeting other filmmakers, discovering new movies, and making new friends. You tend to have a group of “festival friends” that you bond with right away, spend all your time with, and then maybe see again in a few months at another festival. This, for me, is the most important part of the festival, the bonding with other filmmakers. It’s the only chance you really get to check in with other people and exchange information and see just how crazy you are.
Why should audiences be excited to see your film?
I think I’m making horror films with more care and attention to detail than most other filmmakers. With my horror films I’m guaranteeing that it will be a unique experience and that you’ll see things you’ve never seen before. It may not be to everyone’s taste, but I’m not trying to make films that will appeal to everyone. I like when the audience walks in the door expecting a certain thing, and the film goes far beyond their expectations.
Are there any other films screening that you hope to see?
I really want to see Chan Wook Park’s new film about the Cyborg. I first saw his film “Sympathy for Mr. Vengeance” at the Sitges Film Festival in 2002 and have been a huge fan of his ever since.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Hmmm… Definitely, without a doubt, they have to go see a movie at the Alamo Drafthouse downtown. Preferably a bad one. And make sure you drink lots of sangria. It’s how all movies should be viewed. My favorite restaurants are Magnolia, Chuy’s, places like that. Places open late where you can order anything at any hour. I like to go jogging down to Barton Springs and swim in the springs. It really wakes me up.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Cowboys. Cattle. Chuck Norris. Then again Chuck Norris is on my mind pretty much all the time, so that may have nothing to do with Texas.
Director: Michael Lehmann
Film: “Flakes”
Category: Narrative Features (World Premiere)
Site: SXSW
Screening: 9:45 p.m. Saturday, March 17 at Alamo South
Film synopsis from SXSW.com: The slacker manager of a New Orleans cereal bar must face his adulthood when a rival cereal shop threatens to steal his business and his girlfriend.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time at SXSW, and I’m very much looking
forward to it.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
My impression is that this festival is less ‘Hollywood’ than others of its kind, that it celebrates regional filmmaking, and that there is a great interplay between music and movies here. Austin has had a film community for quite some time, of course, with some of my favorite filmmakers living in the region. It’s been many years since I’ve been to Austin, but I remember it well from the first time I visited in 1975, when I felt that my days there were the best part of a cross-country trip.
What do you hope to take away from your time at the festival?
Like just about everyone else, I’m hoping to see some great movies and hear some great music. I also hope to tell Rick Linklater how much I enjoy his films.
Why should audiences be excited to see your film?
My film is fun to watch, has excellent performances by, among others, Zooey Deschanel and Aaron Stanford, and celebrates something we all love to eat. That’s exciting, isn’t it?
Are there any other films screening that you hope to see?
I’m going to try to see “When A Man Falls In The Forest” if at all possible.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Tell me where to go and I’ll be there!
When you think of Texas and the movies, what is the first thing that comes to your mind?
I’m old enough to have a Western come to my mind first, and that would be “Rio Lobo.” But once I shake off the cobwebs, I’m more likely to think of Robert Rodriguez and Richard Linklater.
Director: Ry Russo-Young
Film: “Orphans”
Category: Narrative Features World Premiere
Sites: Official | SXSW
Screenings: 1:15 p.m. Wednesday and 4 p.m. Friday at Austin Convention Center
Film synopsis from SXSW.com: Two estranged sisters reunite five years after the death of their parents. Now in their early 20s, Rosie and Sonia each struggle to make it on their own. When the anticipated party is not what Rosie expects, Sonia’s true agenda is revealed. The sisters begin to revisit their treacherous history. As Sonia slugs vodka and Rosie eats pills, their journey becomes dark and dangerous.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I was at SXSW last year with my short film, “Marion.” It won best experimental film at the festival. I found SXSW to be incredibly friendly. Austin was like a big playground for cinematic adventures.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
In Austin you get the sense that everyone is going to movies because they know they will enjoy the films, not because they feel they should go. The audience is supportive and giving while also somewhat laid-back. As a filmmaker, this is an ideal environment to screen a film because you don’t feel like people are going to chop your head off if they find a flaw with your movie. Austin has its own funky character that is evident in every film I’ve seen at SXSW weather it be a delightful documentary about summer camp or a rock ’n’ roll narrative about conjoined twins.
What do you hope to take away from your time at the festival?
Similar to last year, I hope to meet many special people who appreciate film. Also, I’m sure I will see movies that widen my perspective and get me to think. I always hope to be somewhat changed by movies.
Why should audiences be excited to see your film?
“Orphans” is unique because of the way it looks at a sibling relationship. These two sisters go on tragic adventures, and I think the audience will want to journey with them. The movie is about how you grow up with a person and love them unconditionally for years, then you figure out who you are only to find that maybe you don’t have so much in common with that person anymore. Maybe you and your sibling are not alike at all. How do you deal with that?
Are there any other films screening that you hope to see?
Oh yes! I acted in a funny and poignant film called “Hannah Takes the Stairs” by Joe Swanberg. I certainly want to see that one! Several friends of mine have films in the festival, and I can’t wait to see their new works including Bryan Poyser’s short film “Grammy’s”, Aaron Katz’s “Quiet City” and Mike Tully’s “Silver Jew”.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I definitely want to attend the party for ORPHANS and HANNAH TAKES THE STAIRS at the Peacock. Also, Austin has amazing thrift stores, so I want to hit as many as I can. Suggestions are welcome!
When you think of Texas and the movies, what is the first thing that comes to your mind?
I think about the beauty of the landscape mostly — the bigness of the sky and the color of the terrain. “PARIS, TEXAS,” cowboy boots and “Don’t Mess with Texas!!!”
Director: Monty Miranada
Film: “Skills Like This”
Category: Narrative Feature World Premiere
Sites: Official | SXSW
Screenings: 4 p.m. Friday at Paramount
Film synopsis from SXSW.com: Three friends have their lives turned upside down as soon as one of them realizes that larceny might be his best skill.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Yes, First time. I am excited and nervous.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Well I was in Austin years ago for a short trip, and I loved it. It seems like there is a lot of buzz around the SXSW FILM FESTIVAL. I have been following it for a few years now, and it seems to be growing in a good independent way getting bigger without becoming elitist or crassly commercial.
What do you hope to take away from your time at the festival?
I am sure I will never forget my first World Premiere for my first feature I will have that.
I am really excited to see the films. I have seen fewer movies this year than normal as I have been working on my film every day for a long time.
Why should audiences be excited to see your film?
It’s a really fun film with a great story and a great cast.
Are there any other films screening that you hope to see?
“The Lookout,” “Manufacturing Dissent,” “Disturbia,” The Thom Yorke music video, “Curt Cobain About a Son,” “Forfeit,” “Elvis and Anabelle,” “What Would Jesus Buy?.” As many as I can, actually.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I know there will be so much to do that I will be overwhelmed, I will, for sure try to check out these panels: Robert Rodriguez, Richard Linklater, Eli Roth, Morgan Spurlock. I am also really looking forward to checking out The Good, The Bad and the Queen at SXSW MUSIC.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Richard Linklater, Robert Rodriquez, Wes Anderson, the Wilson Brothers. I am a huge fan of all of these filmmakers since the film “Slacker.”
Director: Mike Woolf
Film: “Life is Marbleous
Category: Documentary Shorts
Sites: Official | SXSW
Screenings: 5 p.m. Friday and 2 p.m. Saturday at Dobie
Film synopsis from SXSW.com: Another short doc from Beef and Pie. This one meshes music and marbles. There is something about them. Simple. Nostalgic. A perfect sphere. The Marble Lady takes us through her collection and then to the Men ‘s National Marble Shooting Contest. Over a dozen bands provide the original music.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
We’re happy to say this is the fourth short documentary we’ve had premiere at SXSW. The experience is great for two reasons — the first and best is your work is shown in front of a large audience. The second positive thing is getting to walk around with a badge because you made something — not because you bought it.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
There is no party bigger or better than SXSW.
What do you hope to take away from your time at the festival?
Good music, free beer and good conversations where we formulate plans for world domination.
Why should audiences be excited to see your film?
They will not feel like they wasted the 20 minutes of their life they spend with our film.
Are there any other films screening that you hope to see?
Of course, let me check my list …
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Avoid Guero’s.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Giant.”
March 9, 2007
- SXSW Interview: Steven Cantor, 'James Blunt: Return to Kosovo'
- SXSW Interview: Marc Dole, 'The Toll'
- SXSW Interview: Ti West, 'Trigger Man'
- SXSW Interview: Grace Lee, 'American Zombie'
- SXSW Interview: Joe Swanberg, 'Hannah Takes the Stairs'
- SXSW Interview: Aaron Hillis, 'Fish Kill Flea'
- SXSW Interview: Chris Stapp, 'The Devil Dared Me To'
- SXSW Interview: Eric Patrick, 'Startle Pattern'
Director: Steven Cantor
Film: “James Blunt: Return to Kosovo”
Category: Documentary Feature (World Premiere)
Sites: SXSW
Screenings: 4 p.m. Thursday, March 15 at Alamo South
Film synopsis from SXSW.com: In September 2006, Grammy-nominated singer/songwriter James Blunt flew to the UN protectorate of Kosovo where, seven years earlier, he led a tank squadron as part of NATO’s liberation forces. As his jet touched down on the Pristina airstrip, the two worlds of James Blunt (that of international pop star and that of a former British Army Captain) came together for a unique, emotional experience that neither he, nor his fans, will soon forget. In JAMES BLUNT: RETURN TO KOSOVO, the artist reunites with several of the young Albanian interpreters who had worked with his troop during the liberation of Kosovo. Together they retrace their steps, visiting several outlying towns James the solider was charged with protecting, including the site of a mass grave his unit happened upon during his time there. We also see James’ own home video footage of the war-torn Kosovo of 1999. The sharp contrast between Kosovo past and present reveals a country much changed and improved through the efforts of NATO troops, yet remains possessed by a distinct haunting rawness from the still-recent atrocities committed there. During his visit, James also plays for a large crowd of NATO troops still stationed in Pristina, during which we experience a tangible, intimate connection between James and the audience. Expertly captured by Academy Award-nominated director Steven Cantor, James’ signature voice shines and his thoughtful, sensitive lyrics take on new meaning during this truly special show.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I premiered my Pixies movie last year and it was a great experience. The screenings were packed and the crowd was enthusiastic. Plus, I love Austin going back to my days making a Willie Nelson American Masters film, so it’s always great to be there.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
It’s got a cooler vibe than the others, partially due to the music festival connection, but largely to the general hipness of the city and excellence of the barbecue and Mexican food.
What do you hope to take away from your time at the festival?
Well, to be honest, my film is for sale. In all territories. So the business angle trumps any other hopes. The good time is a given.
Why should audiences be excited to see your film?
It is a completely unique rock film and considering that it was paid for and produced by Atlantic Records, it is probably one of the strangest artist-promotional vehicles ever made. James Blunt had significant responsibility in the Balkan crisis, and we revisited the places and people he served, so the film has a sharp social and political edge that most people would not necessarily associate with James.
Are there any other films screening that you hope to see?
Unfortunately, I am in and out this year. But I have to see “Audience of One.” I almost helped produce that and it’s a pretty incredible story told by a talented up and coming filmmaker.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
The after-party to our screening will be great. It’s at Beauty Bar and James is flying in for it. Can’t miss breakfast at Las Manitas.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Roy Rogers
Director: J. Zachary Pike
Film: ‘The Toll’
Category: Animated Shorts
em>Sites: Official | SXSW
Screening: 2:00 p.m. Sunday, March 11; 11:15 a.m. Thursday, March 15; all at Alamo S. Lamar
Film synopsis from SXSW.com: ‘The Toll’ is a character study in the guise of a student project created by fictional film student Harvey Stevens. Harvey delves into the realm of not-so-fantastic myth to interview a troll who lives under a bridge. The troll is aggressive, uncouth, temperamental and has a nasty habit of eating people. His pet is a malicious cross between a dragon, a pug and a Cuisinart. Yet strangely, the troll wants acceptance from the society he preys on, and sees the young filmmaker as an opportunity to clear up the ‘misunderstandings’ that have always plagued him.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This will be my first trip to SXSW but one of our animators and programmers came last year and showed some development work on our film “The Toll” to a small party.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Our film has been to over 30 festivals in the last six months and I have been to about 10 of them and while they were all a lot of fun, all the elements around SXSW will make it our biggest festival ever. From the major panels to the quality of the other films and the venues SXSW is the place to be. And as a filmmaker from the Northeast, heading to Austin in the middle of winter will be a great break from the snow!
What do you hope to take away from your time at the festival?
I hope to leave SXSW with more fans for our films and development interest for our features and TV shows we are developing.
Why should audiences be excited to see your film?
We wrote the film for the festival audience in mind. It’s about a student filmmaker who discovers that trolls are real and he takes his film equipment and tries to do the project solo. There are camera moves that don’t work well, the boom gets in the shot, some shots are out of focus, the audio is too off mike in some parts. We took extra care in adding film grain defocused shots, and adding many props to the background.
Are there any other films screening that you hope to see?
There are so many premieres, I hope to catch many of them.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I plan on hitting a lot of parties.
When you think of Texas and the movies, what is the first thing that comes to your mind?
When I think about movies and Texas I think about Robert Rodriguez. He is a pioneer in digital filmmaking and has cleared the way for others to use many different digital techniques that we have used in the past and made them mainstream and acceptable.
Marc Dole is the producer, editor, compositor of ‘The Toll.’
Director: Ti West
Film: “Trigger Man”
Category: Narrative Features (World Premiere)
em>Sites: Official | SXSW
Screening: 7 p.m. Monday; 7 p.m. Wednesday; 1:45 p.m. Saturday, March 17; all at Alamo South
Film synopsis from SXSW.com: Inspired by true events … The story of three hunters who mysteriously became the hunted.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I have been to SXSW for the last two years. My film “The Roost” premiered at the festival in 2005. It is the best festival in the country by far.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Austin is such a film friendly town. The people and the culture are very supportive of their festival no matter what the budget of the films. It’s great to see independent films and independent filmmakers truly appreciated.
What do you hope to take away from your time at the festival?
A great experience, sold out crowd, distribution and, hopefully, some positive reviews.
Why should audiences be excited to see your film?
Because maybe they will like it…
Are there any other films screening that you hope to see?
“Hannah Takes the Stairs”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I like Ruby’s BBQ.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“The Texas Chainsaw Massacre.”
Director: Grace lee
Film: “American Zombie”
Category: Narrative Features (Regional Premiere)
em>Sites: Official | SXSW
Screening: 9:30 p.m. today; 9:45 p.m. Saturday; all at Alamo S. Lamar
Film synopsis from SXSW.com: Filmmakers Grace Lee (The Grace Lee Project) and John Solomon (Nonsense Man) team up to shoot a documentary about high-functioning zombies living in Los Angeles and their struggles to gain acceptance in human society.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
My documentary ‘The Grace Lee Project’ screened at SXSW in 2005. I was only in Austin for less than 48 hours, but it was a very memorable 48 hours.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
As a film town, I am impressed by the diversity and breadth of the movies available here and the moviegoers, many of who are real cinephiles. I was shocked that at 10 in the morning on a Sunday, I had a packed house coming to see my personal documentary. The vibe is just laid-back and the people are friendly, plus the weather is much more conducive to a festival than a freezing ski resort!
What do you hope to take away from your time at the festival?
Watch movies, meet other filmmakers and audience members, and have fun.
Why should audiences be excited to see your film?
It’s a fresh take on the zombie movie genre and should appeal to anyone interested in personal documentaries, mockumentaries and comedy. I like to call it a personal horror film for a documentary filmmaker.
Are there any other films screening that you hope to see?
“Fish Kill Flea,” “Manufacturing Dissent,” “Hannah Takes the Stairs,” “Kamp
Katrina,” and “Itty Bitty Titty Committee.”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Last time I was in town, I went to Las Manitas and had some excellent enchiladas. I am craving really good barbecue. If anyone has good suggestions, please let me know.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Richard Linklater’s “Slacker” and “Speeder Kills” by Jim Mendiola. I’d like to meet the Texans in both of those films.
Director: Joe Swanberg
Film: ‘Hannah Takes the Stairs’
Category: Narrative Features (World Premiere)
em>Sites: Official | SXSW
Screening: 7:15 p.m. Sunday, March 11; at Paramount
Film synopsis from SXSW.com: Hannah, a recent college graduate and aspiring playright, struggles to find happiness in her life through various relationships.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I had a film called ‘Kissing on the Mouth’ at the Festival in 2005 and a film called ‘LOL’ at the Festival last year. SXSW has been tremendously supportive of my work and it will always be my favorite festival. I will come back every year, whether I have a film showing or not.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
SXSW is the best place to see small personal American films and I think they are influencing a lot of other festivals around the world with their programming. I love Austin. I’m always looking for excuses to visit. I have a lot of great friends in the city and I’m always right on the verge of moving there.
What do you hope to take away from your time at the festival?
I hope to come away from the festival with a few more lifelong friends. Every year so far I have met incredible people who have inspired and influenced me.
Why should audiences be excited to see your film?
Because we made it with love and deep respect for each other and the audience.
Are there any other films screening that you hope to see?
‘Orphans,’ ‘Quiet City,’ ‘Grammy’s,’ ‘Trigger Man,’ ‘Fish Kill Flea,’ ‘The Pipe,’ ‘Murder Party,’ ‘Frownland,’ ‘We’re Going to the Zoo,’ and many others.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I like the Peacock Lounge.
When you think of Texas and the movies, what is the first thing that comes to your mind?
The scene from ‘Pee Wee’s Big Adventure’ where he goes to the Alamo.
Directors:Brian Cassidy, Aaron Hillis, and Jennifer Loeber
Film: ‘Fish Kill Flea’
Category: Documentary Features (World Premiere)
em>Sites: Official | SXSW
Screening: 4:30 p.m. Saturday, March 10; 11:30 a.m. Monday, March 12; 11:15 a.m. Friday, March 16; all at Alamo S. Lamar
Film synopsis from SXSW.com: Once thriving, a dead mall in upstate New York is now home to a ragtag flea market, living proof that the American dream is in perpetual decay. Blending verite with a stylized wit, this heartbreaking portrait raises questions about our disposable culture through the unfiltered lives of its eccentric community.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
A friend of mine was shooting a PBS doc on SXSW when I visited him in 1998, and just following him around for a few days convinced me to move to Austin a few months later. Until I relocated to New York in 2001, I savored the opportunity to see fantastic new films and bands every March.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I work as a film journalist and critic, and of all the fests I’ve attended over the years, none have been as thrilling as SXSW. It’s a party the size of a city! As for Austin itself, I think whoever coined “the third coast of filmmaking” was on the mark, specifically in terms of independent productions.
What do you hope to take away from your time at the festival?
Having access to industry folk is cool and helpful, but I’m most excited to connect with other filmmakers to have a little “you show me yours, I’ll show you mine” exchange. I don’t mean that in a dirty way… not entirely.
Why should audiences be excited to see your film?
Our funny, sad, strange little movie doesn’t cop to the tired formulas of the documentary genre. When we set out to preserve the memory of this eccentric flea market community and the dead mall that housed them, we felt they deserved more than the same old archive footage montages and talking-head interviews. We just hope audiences respond to our unconventional approach.
Are there any other films screening that you hope to see?
Yeah, the line-up’s pretty choice this year. Off the top of my head, I can’t wait for ‘Hannah Takes the Stairs,’ ‘Quiet City,’ ‘Orphans,’ ‘Campaign’, ‘Silver Jew’ and ‘American Zombie.’
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
New York has the lousiest Mexican food, so I plan to eat nothing but Trudy’s, Guero’s, Curra’s, Polvo’s, and pretty much anything with an apostrophe in its name for a week. Then I’ll wash it down with a gallon of Kerbey queso or Mag mud.
When you think of Texas and the movies, what is the first thing that comes to your mind?
I’m reminded of that first shot in ‘The Last Picture Show,’ gliding past that dusty drive-in. The second image that springs to mind is a kegger by the moon tower, and every Austinite better know what I’m talking about.
Director: Chris Stapp
Film: ‘The Devil Dared Me To’
Category: Narrative Features (World Premiere)
em>Sites:Official | SXSW
Screening: 11:59 p.m. Friday, March 16; 11:59 p.m. Saturday, March 17; all at Alamo Downtown
Film synopsis from SXSW.com: Every kiwi lad dreams of greatness. But for little Randy Cambell, the dream is as big as the stunts his not-so-death-defying father died attempting. Young Randy Cambell yearns to be NZ’s greatest living stuntman, much to the chagrin of his aunt and uncle who understand that the petrol running in Randy’s veins is bound to ignite one day. Can the love of a one-legged female Evel Knievel save Randy and break his descendants’ long legacy of fiery and fatal confrontations with the grim reaper?
Is this your first time at SXSW? If not, what has your experience been like in previous years?
First time.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
My understanding is that Austin makes all other festivals look (totally lame).
What do you hope to take away from your time at the festival?
A massive hangover.
Why should audiences be excited to see your film?
Because it rules.
Are there any other films screening that you hope to see?
‘Trailer Park Boys,’ ‘Mulberry St.’ and ‘Hell on Wheels’
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
In town? All of them.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Chainsaws.
Director: Eric Patrick
Film: Startle Pattern
Category: Experimental Shorts
Sites: SXSW
Screening: 5 p.m. Monday, March 12; 2 p.m. Friday, March 16; all at Dobie
Film synopsis from SXSW.com: The interior space of a puppet becomes increasingly reflective, revealing the artifice of his own creation.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my second time. It’s always been good.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
It’s a nice professional festival. There are festivals that are more geared towards building relationships with people. Unfortunately, SXSW isn’t one of these, though it’s great for finding information and generally having a good time.
What do you hope to take away from your time at the festival?
A good time and some good screenings … and a belly full of Mexican food.
Why should audiences be excited to see your film?
Three years in the making.
Are there any other films screening that you hope to see?
Many feature, short, documentary and animations.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I used to live in Austin, so it’s a bit of a homecoming for me. I’ll see many friends, and spend as much time as possible at Curras Grill.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Austin Film Society, Cinemaker Co-op.
March 8, 2007
- SXSW Interview: Lauren Lazin, 'Last Days of Left Eye'
- SXSW Interview: Petra Epperlein and Michael Tucker, 'The Prisoner or: How I Planned to Kill Tony Blair'
- SXSW Interview: Michael Tully, 'Silver Jew'
- SXSW Interview: K. Ryan Jones, 'Fall from Grace'
- SXSW Interview: Andrew Garrison, 'Third Ward TX'
Director: Lauren Lazin
Film: “Last Days of Left Eye”
Category: Documentary Features (North American Premiere)
Sites: SXSW
Screenings: 8 p.m. Tuesday, March 13; 11 a.m. Wednesday, March 14; both at Paramount
Film synopsis from SXSW.com: This 90-minute documentary captures the final month in the life of Lisa Lopes. Lopes rose to fame as the hip-hop voice of TLC, the best-selling female R&B group of all time. She documented her final days in journals and private home movies shot at her mysterious spiritual retreat deep in the jungles of Honduras.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time at SXSW.
What do you hope to take away from your time at the festival?
I am looking forward to screening the film at the festival and in Austin, as there seems to be a real appreciation there for music and music-based storytelling.
Why should audiences be excited to see your film?
Audience should be excited to see “Last Days of Left Eye” because it’s a really unusual, deeply personal film. People who have screened it have told me that it has stuck with them for days afterwards. The film has a lot of feeling to it; it creeps up on you in strange ways.
Are there any other films screening that you hope to see?
I am looking forward to seeing some great documentaries (I am on the jury) and also look forward to being inspired by my fellow filmmakers!
When you think of Texas and the movies, what is the first thing that comes to your mind?
When I think of Texas and the movies the first thing that comes to mind is Pee Wee Herman falling asleep at the Alamo while the tour guide is saying “there are 200 ways to make tortillas — all of which I will explain to you right now …” (from “Pee Wee Herman’s Big Adventure”)
Directors: Petra Epperlein and Michael Tucker
Film: “The Prisoner or: How I Planned to Kill Tony Blair”
Category: Documentary Feature (World Premiere)
Site: SXSW
Screenings: 1:30 p.m. Sunday, March 11 at Austin Convention Center; 11 a.m. Wednesday, March 14 at Alamo Downtown
Film synopsis from SXSW.com: On September 23, 2003, filmmaker Michael Tucker followed the U.S. Army on a house raid in Baghdad. U.S. Army intelligence became convinced that a subsequent detainee was plotting to kill British Prime Minister Tony Blair during his visit to Iraq; Abbas’s employment by British TV in Iraq may have raised this suspicion. After his arrest, Abbas, along with his two brothers, was held at Abu Ghraib and other facilities for nine months and subjected to the full menu of U.S. interrogation techniques. Recounting his experiences of fear, pain and anger, Abbas somehow retains a sense of humor. American commanders finally admitted the Abbas brothers had no intelligence value.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is our first time at SXSW and we look forward to a new festival experience.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Austin and SXSW have a great reputation as a film town and we think SXSW is probably one of the top 3 places to launch a film in the U.S.
What do you hope to take away from your time at the festival?
At any festival, you hope that the audience connects with your work.
Why should audiences be excited to see your film?
“The Prisoner” tells the story of an Iraqi journalist whose capture by U.S. forces MIke filmed in Baghdad. After his arrest, he was charged with planning to assassinate Tony Blair. The film is uniquely intimate in that Yunis, “The Prisoner”, tells HIS story and by extension, the story of 27 million Iraqis who have suffered during the last four years of war and the decades before. He’s also a great storyteller and has a remarkable sense of irony and humor that won’t be lost on this audience.
Are there any other films screening that you hope to see?
“Fish Kill Flea.”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you
suggest out-of-towners visit while in town?
We are simply looking forward to sun and warmth. New York is bitterly cold right now.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Obviously, “The Last Picture Show.”
Director: Michael Tully
Film: “Silver Jew”
Category: Documentary Features (World Premiere)
em>Sites: Blog | SXSW
Screenings: 11:30 a.m. Sunday, March 11; 4:30 p.m. Wednesday, March 14; both at Alamo South
Film synopsis from SXSW.com: Not your typical music documentary, Silver Jew is an intimate portrait of reclusive poet/musician David Berman, the guiding force behind one of indie rock’s most revered bands, the Silver Jews. In the midst of their first ever world tour, Berman, his wife Cassie, and the rest of the group traveled to Israel to play two shows and visit Jerusalem.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is only my second time at SXSW. I was here last year with my debut feature, “Cocaine Angel.” Since I’d never been to Austin and didn’t know if I’d ever make another film, I decided to stay throughout the whole festival. I was skeptical of the music portion of the fest—on Wednesday morning when the sun arose it felt like the indie rock zombies were coming to town—but I had an absolute blast in every possible way.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
SXSW is great because the industry attends, but it still feels more organic and casual than forced and stressful (a la Sundance—which I’ve never actually attended, by the way). It rides that delicate line between big and small with refreshing ease. As for Austin, I don’t know if it’s proper to make a judgment about the town based on one week during SXSW, but I know for myself that any Austin filmmakers I met were very cool, down-to-earth people.
What do you hope to take away from your time at the festival?
Having done this before, those nerves of anticipation are no longer stirring inside me. Though I hope they are for Matthew Robison (producer). We simply hope to have two well-attended screenings and perhaps get some buyer interest along the way. Aside from that, I’m personally more excited to see the films of several friends and appreciate the nice weather and have some good old-fashioned fun.
Why should audiences be excited to see your film?
I’m the last person in the world who should answer that question.
Are there any other films screening that you hope to see?
A ton. For starters: Craig Zobel’s “Great World of Sound,” (which is, for my money, the best new American film of 2007); Nate Meyer’s “Pretty in the Face” (playing with Matthew Ross’s “Lola”); Aaron Katz’s “Quiet City”; Joe Swanberg’s “Hannah Takes the Stairs”; Ry Russo-Young’s “Orphans”; David Redmon and Ashley Sabin’s “Kamp Katrina”; and many more!
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I plan on visiting Barton Springs this time around.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“The Last Picture Show.” “Slacker.” “Dazed and Confused.”
Director: K. Ryan Jones
Film: “Fall from Grace”
Category: Documentary Features (World Premiere)
Site: SXSW
Screenings: 4 p.m. Saturday, March 10; 6:30 p.m. Monday, March 12; 9 p.m. Wednesday, March 14; all at Alamo South
Film synopsis from SXSW.com: The first documentary to explore the hate-filled world of Rev. Fred Phelps and the Westboro Baptist Church of Topeka, KS. The group has spent the last fifteen years protesting America’s lax attitude toward homosexuality, and has most recently targeted military funerals as a venue to preach. This documentary features interviews with Rev. Phelps and other church members, its dissenters, ministers and theologians, and members of the church that have since left it behind.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time at SXSW and it is also my first festival experience.
What do you hope to take away from your time at the festival?
I can’t tell you how excited I am about SXSW. Initially, of course, I was excited about my film screening there, but now I can’t decide if I am looking forward more to that or the opportunity to spend a week seeing great films, sitting in on panels, and meeting other people who share a passion for this art form.
Why should audiences be excited to see your film?
“Fall From Grace” gives the viewer the rare opportunity to see the inner workings of a hate group and what many consider to be a cult. A lot of people have seen these people picketing, but why are they doing it and what are they like outside that arena? The film tries to answer some of these questions, but it also forces us to ask ourselves some tough questions about gay rights, freedom of speech, and the war in Iraq. I can promise you that this is a film that is going to stay with you. In a time when Hollywood is producing remakes and sequels, ‘Fall From Grace’ offers the viewer the rare opportunity of seeing something they’ve never seen before.
Are there any other films screening that you hope to see?
“When a Man Falls in the Forest,” “The Lookout,” “Knocked Up,” just to name a few, but I have a feeling I won’t get to see everything I want to.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I lived in Texas for 7 years, but I have never been to Austin. I plan on just roaming around and discovering the town. I hear it’s a pretty great place!
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Texas Chainsaw Massacre”? “Best Little Whorehouse in Texas”? I don’t know, as a film student, I guess I think about UT and how they have a really great film studies program. I also think of Robert Rodriguez and how much he really seems to be doing to help cultivate the film society down there.
Director: Andrew Garrison
Film: “Third Ward TX”
Category: Documentary Feature (World Premiere)
Sites: Official | SXSW
Screening: 9:30 p.m. Friday; 12 p.m. Thursday, March 15; both at Dobie
Film synopsis from SXSW.com: 1993, a step ahead of city demolition crews, a group of African American artists took over a block of abandoned, condemned, row houses in Houston’s Third Ward. They wanted to bring attention to issues in the neighborhood with a temporary, ‘drive-by’ exhibition. But they set in motion an internationally recognized model for community renewal and personal transformation. ‘Project Row Houses,’ stopped a neighborhood from being a symbol of poverty and hopelessness and made it into a beacon of strength and imagination. After more than a decade of building a community that is safe, livable and desirable, they’ve attracted forces that might destroy what they made — real-estate development and gentrification. Will it survive the blind force of gentrification playing out in Houston and across America?
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Good films. Nice to meet filmmakers. It is always more fun to have a film of one’s own in the festival.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I live here. I can drive to the festival … Which actually makes me a little distracted.
What do you hope to take away from your time at the festival?
Hope that we get strong enough response to “Third Ward TX” that we can build on that to launch the film nationwide. I hope the film gets into some of the other significant doc festivals. But more importantly, I’d like to see word of mouth about the film spread through African American communities, and art circles.
Why should audiences be excited to see your film?
It’s a good doc. I loved shooting the film and being with the people who are the characters in the film. I liked being at Project Row Houses in Houston. It is a powerful experiment in art and community that doesn’t divide the world into elites.
The film has strong characters. It doesn’t preach. It gives you the sense that making stuff, thinking and acting creatively, and in concert with people around you can make your own life more satisfying. I think it speaks to the need we all feel to have connections that we can stay with even if we leave that place geographically. It gets said quietly, even when there is an obvious conflict between the forces of development and the desire to have a connected community that supports and nourishes individuals. But it moves you.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Come to our movie Friday night at 9:30 at the Dobie and then come over to Texas Folklife after for a party.
When you think of Texas and the movies, what is the first thing that comes to your mind?
How big, how vast Texas is —in land and landscapes, in cultures, in people, — even climates it encompasses. There is such a huge potential for telling stories in and about Texas. And the second thing is how iconic Texas is in American culture.