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March 2007
Free De La Soul concert
Quirky superstars of the jazzy hip-hop scene in the late ’80s and early ’90s and prominent members of the Native Tongues Family, New York’s De La Soul will be playing at the Parish on April 16 as part of Scion’s Metro Live Tour. The show is FREE, but you must RSVP. Don’t worry, this isn’t one of those parties that is gonna get shut down. Just follow the link and make sure you get there early on the night of the show, as space is limited and, undoubtedly, more people will RSVP than will be able to get in.
The Rhythm Roots All-Stars open, and there will be a DJ set by DJ Hier.
De La Soul
The Parish
Monday, April 16
FREE
Permalink | | Categories: Music
Damien Rice and Lisa Hannigan end musical partnership
When I reviewed Damien’s latest album, ‘9,’ for Austinist late last year, I noted how Lisa’s role was much smaller than in Damien’s debut ‘O,’ an absence that diminished for me the power and beauty of the latest album.
An official statement read, “After much thought and discussion Damien has decided that his professional relationship with Lisa Hannigan has run its creative course. As a result Lisa will not be appearing at any of the upcoming live shows. Lisa is embarking on her own artistic endeavours and there are no plans for them to work together in the foreseeable future. The current band on tour at the moment are Damien Rice, Joel Shearer, Shane Fitzsimons, Tom Osander and Vyvienne Long.”
Rice’s show at the Bass Concert Hall in May now will be very bitter-sweet for me, as Lisa possesses one of the most powerful and ethereal voices I have ever heard live. Damien and Lisa’s first visit to Austin in December of 2003 at the Paramount was one of the most moving shows I have ever seen. I always promised myself (half-jokingly) that I would ask her to marry me if-and-when I ever met her, but when I finally did get to chat with her briefly in 2004, I couldn’t pull the trigger. Probably a good thing.
It will be interesting to see Damien without Lisa, although I imagine the music will suffer from losing such a rare talent. I look forward to hopefully getting a chance to see her solo work in the near future.
For prosperity’s sake…
Permalink | Comments (2) | Categories: Music
Moviemaker Dialogues: Film Bloggers Are Your Friends
The Internet has become a powerful force in film production, distribution and marketing. From Ain’t it Cool News to Film Threat, the Internet is awash in people discussing, critiquing, dismissing and pimping films. Blogs have become a tremendous resource for filmmakers, especially those living outside of the New York or L.A., to get feedback on their films and promote their projects. “Brick” director Rian Johnson, like many directors, even set up a blog and message board to correspond with fans of his work.
To this end, the Austin Film Society will be hosting a moviemaker dialogue titled ‘Film Bloggers are Your Friends,’ which will cover ‘tricks of the trade and the vital details on how you can navigate the ever-growing world of film blogging and reviewing online.’
The panel discussion moderated by Matt Dentler (producer of SXSW Film and blogger for IndieWire) will include Aaron Hillis (editor, Cinephiliac.com & contributor to Premiere.com, IFC.com, TheReeler.com), Joel Heller (editor, DocsThatInspire.com), Jette Kernion (contributor to Cinematical.com) and Mike Curtis (editor, HDForIndies.com).
Tickets are free. Attendance limited to Austin Film Society Filmmaker-level members and above. Visit AFS’ Web site for more information or click here to register.
Moviemaker Dialogues: Film Bloggers Are Your Friends
Tuesday, April 10 - 7pm
Permalink | | Categories: Movies
MC Rove = Total beating
There are no words. If you can pull a Lane Frost and go a full “8 Seconds” with this video, I’ll buy you a small gelato.
I will now go pluck out my eyeballs.
Permalink | Comments (7) | Categories: Misc.
Yellow Bike Project opens a new location
In honor of their grand opening, they will be celebrating this Saturday from noon to 4 p.m. The first two hours of the event will focus on youth and bike safety and feature a special moment for area youth as the YBP, in collaboration with the Austin Cycling Foundation, match local kids with donated bikes, as well as locks, helmets and light sets. Following that, volunteers will host an “open shop” at their new site, allowing anyone in the community to come by and use tools, get mechanical advice, dig through the bins of used parts or just check out the new shop and get more information on the Project and its current endeavors.
Started 10 years ago as an idea to paint bikes yellow and leave them unchained around town for public use, the YBP has grown to focus on education, community involvement and cycling as transportation.
For shop schedules and more information the Yellow Bike Project site.
Permalink | | Categories: Misc.
SXSW Conspiracy, Part Infinity
As I mentioned yesterday on my post about the hipster selling off bits of the Elks’ Lodge railing that collapsed during the VICE! party, there were a slew of parties that got shut down during SXSW. As with most SXSWs, rumors and speculation abound as to why the parties were canceled? Was it a vendetta by Louis Black? Did the city conspire to end the parties? Was it the work of the underground (and mythical?) Granola Mafia? Or did party promoters simply not understand the law? While many questions remain unanswered, Factory People (clothing boutique and regular party-thrower) owners Thomas and Le Popov sent an open letter to the media offering their take, replete with skepticism and once-bitten-twice-shy anger.
The letter from the Popovs appears below in its entirety:
“As life-long independent music lovers and long-time Austinites (at least one of has lived here since 1989), we have come to love mid-March when the SXSW Music Festival brings Austin to life. After the events of this year’s fest, it’s unlikely we’ll ever feel the same affection for SXSW. On Thursday, March 15th, an inspector of the City of Austin’s Fire Marshal’s Office shut down the FactoryPeople after-party within an hour of the doors opening. He held in his hand a list of 19 other events he would visit that night. Friday night saw a rumoured 26 parties targeted while Saturday saw even more confusion.
“We were ticketed for not obtaining a public assembly permit. As of late last year any gathering of more than 49 people (even on private property) requires a permit to be issued after a visit by a fire inspector. We have since learned that this ordinance was passed as a means of combating out of control frat parties. In applying this ordinance to parties during the SXSW music festival, the city cast a very wide net.
“In the three years that we have had our S. Congress retail store open, we have hosted numerous parties the largest during SXSW and ACL Fest. We have always gone out of our way to create a safe environment that is also law abiding. As such, we employ two off-duty APD officers to monitor such things as crowd control, noise levels, as well as to provide a level of service to our guests like flagging taxis at the end of the night (which we sometimes pay for if the guests have had too much to drink and can’t afford the fare). Two weeks before our most recent event, Officer Tankaksinanukij set up a time to visit us and discuss details. On the day of the event, two other officers stopped by get more information as well. We were never asked once if we were in possession of the public assembly permit. This new ordinance was news not only to us, but to the very professional and informed officers that we hired for our event. Would we have known about this new ordinance if we had been in communication with the Fire Department? We’re not so confident.
“Los Angeles based label-head and promoter Franki Chan made multiple trips to Austin organizing his official SXSW showcase and two after-parties. The fire inspector visited the site of one event numerous times last week and never discussed the ordinance nor did he ever request a copy of any permits (with full understanding of the large-scale event that was going to take place there). The night after our event was shut down, Franki’s party was too for the same reason - lack of permit.
“We might have been two of the biggest events to be shut down, but we weren’t the only ones. Parties in conference rooms, outdoor venues, established party spaces and downtown clubs were all affected. The Fire Inspector had direct orders to shut these parties down, not for safety issues, but for non-compliance to a mystery ordinance. Visitors from all over the world who descend upon Austin every year for the music festival were left wondering, what is going on?
“While the organizers of SXSW would like to believe that these guests come only to buy a wristband and attend their officially sanctioned events, the city and people of Austin know better. They come to eat great Tex-Mex, shop on S. Congress, enjoy world-class hotels and see great bands during daytime and after-hours parties. A lot of record label executives, booking agents, bands, sponsors and music lovers left Austin with a bad taste in their mouths.
“Unfortunately for Austin, they are now looking to spend their money at other festivals next year. CMJ, WMC, Coachella, Art Basel, Fashion Week and Sundance will all happily provide alternatives. Every party that was shut down affected not only the locals who staffed it but also the sponsors, bands and labels that organized it. FactoryPeople will not risk the relationships that we work so hard to build on another event being shut down by the City of Austin. Nor will we lose another dollar (and yes, we lost a lot) on an event that we worked on for over six months only to be shut down in just one hour.
“One would hope that a festival built on the premise of connecting independent bands and major record labels would see the benefit of positive evolution. Without the unofficial events that are thrown during SXSW, many of the bands who come would suffer financially. They depend on being able to play multiple parties not only for exposure but also for income. The reason [that] the Sundance Film Festival is the force that it is and is many times more important than the SXSW Film Festival is the peripheral parties and events that compliment it. The networking that goes on during these events is one of the main reasons for attendance. Ironically enough, FactoryPeople also hosted the after-party for the “Billy The Kid” premiere which won the Best Documentary award during the SXSW Film Fest. Interestingly, that party was not shut down.
“SXSW has sustained a reputation for being imperial and difficult to deal with for years. Whether it’s delaying the 2007 band roster for several weeks or filing multi-million dollar lawsuits for copyright infringement against small companies or appearing to be involved in the shutting down of unofficial events, these are not the actions of people who claim “SXSW is what it is, and we do our best to stay out of its way.” SXSW has not kept secret their frustration with non-sanctioned events. Well-documented efforts on their behalf to shut down private parties and alternative SXSW events were carried out by the Fire Marshal as far back as 1994. Unfortunately, in lieu of open communication, conspiracy theories will abound.
“We have enjoyed SXSW as participants for years, well before we opened our shop. And quite frankly, for a shop that bills itself as one that “sells clothes to listen to music in,” we probably wouldn’t have opened in Austin had it not been for its music-loving reputation. As business owners, we see first-hand the benefits that SXSW brings to Austin.
“This year the City of Austin became an official sponsor of SXSW and waived close to $100,000 in fees for permits, street closures and manpower. Why they choose to support some businesses and actively penalize others disappoints us greatly. In some instances, the Fire Department allowed events to continue this year as long as a department official was on site at $120 per hour. Mayor Wynn even got involved in keeping one business open. Obviously none of these offers were made to us (and others) as we would have taken them.
“Ultimately, FactoryPeople didn’t obtain the permits and we accept full responsibility. We’ve returned all sponsorship checks and apologized to all who were affected. It’s a mistake we won’t make again. We do, however, have the right to know why this happened.
“Someone compiled the list of parties. Someone targeted music-related events during the SXSW Music Festival. We have the right to know who and why. FactoryPeople is filing a freedom of information request for access to any records detailing the communications between SXSW, The City Council, The City of Austin, the Fire Department, and Lt. James Hoad of the Austin Fire Department.
“If you were affected by any of the above, please email thepartysover@factorypeople.com.
“Love,
“Thomas and Le Popov
“FactoryPeople”
Were you at one of the parties that was shut down? What are your thoughts on the closings and the culture of the myriad unofficial parties that take place during SXSW?
Permalink | Comments (27) | Categories: SXSW
Daily Juice opens in a new location
Just a few weeks before the fourth birthday of their Barton Springs location, the proprietors of the natural juice, smoothie and snack store opened up a new location just off of Lake Austin Boulevard — on the east side of Deep Eddy Pool — on Monday.
Co-owner Matt Shook said the idea of expansion had been percolating for a couple of years and that the new location just above the Town Lake hike-and-bike trail was a no-brainer for the health-conscious store.
“This location chose us. There’s a necessity for this product. And with Deep Eddy Pool just feet away, it’s perfect. We seem to pop up wherever there’s a spring,” Shook said of the business, which has its original store just a few hundred yards from Barton Springs.
The newest store is located in the ground floor of what Shook says was the last residential building on Lake Austin Boulevard. After tearing out shrubs, knocking down walls, applying gallons of paint and performing hours of landscaping, Shook got the once-dilapidated area looking like a small oasis, a perfect complement to the flowing springs of its neighboring pool.
Shook sees the location as an excellent fit for health-minded outdoor athletes, many of whom drive by every day on their way to park at Austin High for a jog — or walk — around the lake. The students at Austin High also seem excited about their new neighbor and the outdoor seating offered by the Daily Juice. When I stopped by on Wednesday, a few runners and several high school students had popped in for a little bit of fresh juice rejuvenation.
Daily Juice offers a wide variety of organic vegetable and fruit juices and smoothies. Customers can make their own or order from a broad array of juices and smoothies already devised by the juice masterminds. The store also carries delicious vegetarian and vegan food products, from the Vegan Snicker Doodle to an assortment of treats offered by Baraka Foods Co., a natural food company owned by Daily Juice co-owner Keith Wahrer.
With word of mouth already bringing in more than 100 customers in the first couple of days, Shook and his partners see a bright future for the enterprising juicers who feel a real sense of pride in bringing their customers what they feel are the best juices and smoothies in town.
In the words of Shook, “This ain’t no Tang.”
Daily Juice
2307 Lake Austin Blvd. [map]
628-0782< br />
6:30 a.m. to 9 p.m.
In the interest of full disclosure: During peak season last summer, I volunteered some of my weekend time helping out at the Daily Juice on Barton Springs.
Permalink | | Categories: Food
Stephen Colbert takes on Willie Nelson tonight
Two weeks ago, Ben & Jerry’s released the new flavor Stephen Colbert’s AmeriCone Dream, advertised as “the sweet taste of liberty in your mouth.” Naturally, the satirical pundit was very proud of his new flavor and tipped his cap to the Vermont ice cream company. But the Colbert heart, or gut, as it were, is fickle. Ben & Jerry have recently drawn the scorn of Colbert with their release of the new flavor Willie Nelson’s Country Peach Cobbler, which swirls peach ice cream with cinnamon sugar shortbread pieces.
The übermoralist Colbert responded to the news with predictable outrage. “What is it made out of? Shredded tax forms and hash?”
According to FirstCoastNews.com, 250,000 pints of Willie’s flavor are being recalled “because containers packed on January 23-24 and February 8-9 failed to list wheat as an ingredient, making it dangerous for those with a wheat allergy.”
Colbert and the Red Headed Stranger will go toe-to-toe on The Colbert Report tonight at 10:30 p.m. on Comedy Central. Should be entertaining.
Permalink | Comments (1) | Categories: Television
Everybody trying to profit on SXSW
I mentioned yesterday how the VICE! party got moved from Blue Genie over to the Elks’ Lodge. Apparently the rockin’ hipsters were a little more than that old building could handle. After Against Me!’s set, part of the balcony (that once offered a beautiful view of downtown Austin) collapsed, causing the party to shut down again.
Of course, anytime you have that many ‘brilliant’ hipsters in one spot, especially from NYC, someone is bound to get a wild enterprising hair. Today, we were alerted by a post on Gawker, that some kid from Brooklyn is actually selling pieces of the broken balcony on Ebay. Wow.
This blog (linked via Gawker) has a run-down of the throwdown. Obviously the poster is from New York or somewhere, as they described the Elks’ Lodge location as being “in a distant part of Austin.” Yea, pretty distant, it’s like a whopping 1.4 miles from 6th and Congress. I guess sitting in a car for the 5 mile drive from Blue Genie must seem like crossing 5 burroughs when you’re stuck in traffic and tripping off of 10 Red Bull and vodkas.
Image taken from the Ebay post.
Permalink | Comments (1) | Categories: SXSW
How we gonna kick it? Gonna kick it shutdown!
Well, another SXSW is in the books, but not without a little controversy. I received a harried text from a friend late Thursday night that the after-hours party at Factory People had been shut down. Rumor has it the party was actually just limited to 50 people, which, in effect, is a shutdown. More rumors had the Vice Party shutting down prematurely at Blue Genie and being forced to move over to the Elks’ Lodge. And yet more scuttlebutt had the I <3 Comix party being shut down due to a lack of permits. One promoter told me she had heard that the fire marshal had a list of parties that were going to be shut down. Nobody seems quite sure as to the origin of this directive or why this year’s unofficial late-night festivities appeared to be under much closer scrutiny than in year’s past, but there have been some unhappy campers grumbling about it online, most notably, in the comments section over at Austinist.
The whole ordeal should make for some interesting cat & mouse and red-taping hurdling come this time next year, or come ACL Fest, for that matter.
Party on, party people.
Were you at a party that got busted? Got a scoop?
Permalink | Comments (2) | Categories: SXSW
SXSW Day 2 Highlight: Andrew Bird
When I found out about a month ago that Andrew Bird would be playing SXSW, I was giddy. After being turned on to Mr. Bird’s work a couple of years ago, he has been a mainstay in my car and on my iPod. His multi-instrumental (whistling included) genius has brought me much delight, and after hearing a leaked copy of his forthcoming album last week, I was eagerly anticipating seeing him for the first time and hearing his new tunes played live. Although I would be working during his showcase Friday night, I knew I’d get a chance to see him. Thank you, day parties. And thank you, in particular, to The Onion for having him play their party Thursday at Emo’s.
Bird played a 45-minute set that mostly featured his new material. Bird’s delicate violin fingering, enchanting guitar loops, ethereal whistling and powerhouse voals combine to form a sound unmatched in today’s music. His sound reminds me of a college kid who took a trip to Europe with his guitar, decided to pop over to Tunisia and came back about 10 years later a changed man, bringing with him this surreal music.
Anyhoo…my mission for SXSW ’07 was to see Andrew Bird play. Mission: Accomplished. Check out my photos.
Permalink | Comments (1) | Categories: SXSW
SXSW Day 1 Recap
Check out my photo gallery from Day 1 at SXSW.
I got things started Wednesday with a stop at the Austinist day party at The Mohawk. Despite early rains, the crowd was at capacity when I arrived around 3 p.m.
When I arrived, the campy Apes & Androids were steadily bringing the rock (and the goofiness, with inflatable monsters whipping around near the stage). The singers were decked out in glam fashion that would have made Ziggy Stardust proud. The band lost a little of their tight sound as the set wore on, but the fans stayed with them throughout.
I then popped inside to check out The Hourly Radio from Dallas. You’d never know these boys were from just up the road on Interstate 35, as they displayed a layered atmospheric rock sound, one might have easily attribute to a British band. Architecture in Helsinki closed out the Austinist party with a rollicking set that had the packed house bopping around gleefully with their tunes that seem a marriage of Talking Heads and Rusted Root.
After meeting some out-of-town friends for a quick visit, I headed over to catch The Pipettes and The Rapture at La Zona Rosa. The Pipettes, dressed in polka-dotted dress, with lead singer in a platinum bob, are a British band that tends toward a campy doo-wop sound. Not really my cup of tea, but the large crowd seemed to enjoy the frivolity, and I was a little smitten with the gorgeous lead. Following the fluffy Pipettes, The Rapture took the stage and rocked out to an adoring crowd that was obviously very familiar with the catalogue of this band that featured a sound reminiscent of ’80s electro pop, although the end of their set skewed harder, heavier and louder.
The first six hours of Sx made me long for a brief respite from rock ‘n’ roll, so I headed to the serene sanctity of Central Presbyterian Church, where I was entreated to a beautiful set by the imminently crushable Rosie Thomas. I have enjoyed her music for years but had never had the honor of seeing her live. I was rather shocked to hear her speak in such a squeaky voice, punctuated with Lisa Simpson-esque laughter. Her quirky speaking voice belies a powerful and beautiful voice that would stop the grumpiest of Sx’ers dead in their tracks. The gregarious and inspiring singer reminded me of the cute, funny girl from your poetry 315 class in college who always has a clever remark and is primed for witty banter; then one day you walk into the local coffee shop and you hear the voice of an angel waft over you. You look up, and, “Oh my God! It’s her!” Sweet, smart, hilarious, self-effacing and obviously blessed and thankful to be able to perform live music for a living, Rosie Thomas was just what I needed in the midst of my first day of Sx onslaught.
I finished the night with a set from Merge artist The Broken West at Antone’s. The small liberal arts college crowd was out in full force for this power pop alt-country band. Obvious comparisons to Spoon and Uncle Tupelo obviously rush to mind when seeing these scruffy cats on stage, as well as some nods to bands as far back as The Byrds, but The Broken West really didn’t affect me much in the way those bands have. The lead singer’s voice lacked significant strength, and while the harmonies were nice, they seemed almost an after-thought, especially hidden behind the loud crescendo of strumming on which the band relied. The guitars and keyboards and drums would build on a sound, building anticipation to a nice release, but I was generally left wanting. Maybe it was just time to head home and re-group. So, I did.
This afternoon I hope to check out the following shows:
Peter, Bjorn and John at the Rhapsody party at The Mohawk
Andrew Bird at The Onion party at Emo’s
The Walkmen at the Found Magazine part at Bourbon Rocks.
Tonight:
8 p.m. - The Cinematics at Flamingo Cantina
9 p.m. - New Violators at Emo’s Jr.
10:30pm - Tom Brosseau at Central Presbyterian Church
11 p.m. - Fujiya and Miyagi at Karma Lounge
Midnight - Ghostland Observatory at La Zona Rosa
Permalink | Comments (1) | Categories: SXSW
SXSW Day 1: Let the Madness Begin
Wait, what was I talking about again? Oh yea, SXSW. I was down on Red River this morning helping friends set up for their day party. It is really something down there right now. Rental trucks and vans unloading gear before the streets shut down (from 4 p.m. today until 4 a.m. on Monday, Red River Street will be closed from Fifth Street to 10th Street, and Sixth Street will be closed from Brazos Street to Interstate 35). In a few short hours, downtown will be swarming with New Yorkers and Angelenos and Minnesotans looking to get their party on, and their network on.
I will venture into the madness soon. Here is my intended shcedule for Day 1 of SXSW. If you have any suggestions, by all means, let me know.
1-6 p.m.: Austinist’s Gonna Gonna Get, Get Down II with Architecture in Helsinki, Apes & Androids, Nicole Atkins and more.
(I might sneak over to UT to see a taping of Ghostland Observatory at KEXP’s special broadcast.)
8 p.m. - Future Clouds and Radar at Light Bar
10 p.m. - Rosie Thomas at Central Presbyterian Church
11 p.m. - The Postmarks at Blender Bar at the Ritz
Midnight - The Broken West at Antone’s
12:30 a.m. - Peter, Bjorn and John at La Zona Rosa
1 a.m. - Marc Broussard at The Parish
Photo of Kevin Durant by Deborah Cannon (Austin American-Statesman).
Permalink | | Categories: SXSW
SXSW Interview: Stephen Kijak, ‘Scott Walker: 30 Century Man’
Director: Stephen Kijak
Film: “Scott Walker: 30 Century Man”
Category: Documentary Features (North American Premiere)
Sites: Official | SXSW
Screenings: 1:45 p.m. Thursday, March 15 at Alamo Downtown
Film synopsis from SXSW.com: Scott Walker achieved a fame rivaling the Beatles and the Rolling Stones in Britain in the mid-’60s and had the looks and the voice to be one of the biggest singing stars of all time, on par, some believed, with Tony Bennett and Frank Sinatra. But instead of turning to Las Vegas for fame and fortune, Scott turned for inspiration to the films of Ingmar Bergman, the existentialist novels of Sartre and the tortured chanson of Jacques Brel and morphed into one of the most influential and enigmatic figures in rock history and is revered by critics, musicians and a die-hard cult of fans as one of the most astonishing and important sound-makers of the last 30 years. Four years in the making, ‘Scott Walker: 30 Century Man’ is and in-depth look at a man who turned his back on fame to follow a very singular and uncompromising artistic path, something all too rare in today’s accelerated pop culture. In addition to a rare interview with the reclusive Walker himself, the film features interviews with an impressive roster of his famous fans and collaborators (Bowie, Radiohead, Jarvis Cocker, and legendary arranger Angela Morley, formerly known as Wally Stott!) And the filmmakers were granted exclusive access to observe the recording of Walker’s latest album “The Drift” (one of the most critically acclaimed albums of 2007); sessions which featured giant wooden cubes, a percussive side of pork, a braying donkey and an entire orchestra directed to sound like WWII bombers.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
My last film,”Cinemania,” played SXSW, but I couldn’t make it so I’m really excited to be joining my film at this excellent festival.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I’m arriving on the 11th, when I suspect many fest-goers will already be pumped up on good films, beer and BBQ. So, I’ll have to wait to answer this one but the impression I get is that this is one of the most audience-friendly fests on the circuit. It’s not about VIP b.s., it’s about good movies and meeting your colleagues and your audience on the same level.
What do you hope to take away from your time at the festival?
I just want to know that we’ve converted a new legion of Scott Walker fans.
Why should audiences be excited to see your film?
Because I managed to make a film about one of the most reclusive and mysterious men in rock - a man looked up to by Bowie, Radiohead, Brian Eno, Jarvis Cocker, Damon Albarn, Goldfrapp, Marc Almond, Richard Hawley (and more) as a hero and inspiration, and they’re all in the film. If you have a creative bone in your body, he’ll inspire you too. It’s not just a film for musicians, his message is universal - and the music will blow your mind.
Are there any other films screening that you hope to see?
I’m on a mission to see every midnight movie at the festival.
Any restaurants, parties or tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I’ll be hanging at the Beggars Group/4AD label showcase at Emo’s on the 14th (Scott Walker’s new album “The Drift” is on 4AD)
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Giant” (1956) directed by George Stevens, starring James Dean, Elizabeth Taylor and Rock Hudson. Classic!
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Eli Roth, panelist and director of ‘Hostel Part II’
Director: Eli Roth
Film: “Hostel 2”
Category: Roth took part in the “Panel of the Dead: Horror Films of Today” and screened clips of his new yet-to-be-released film, “Hostel Part II.”
Site: SXSW
Screenings: 3 p.m. Sunday at the Austin Convention Center
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I first went to SXSW in 2003 with my film “Cabin Fever.” We had a screening at the Alamo Drafthouse, and I can honestly say it was one of the best screenings that I’ve ever had. The whole theater was going crazy from start to finish. I had been coming to Austin and watching movies at the Drafthouse and am very friendly with the owners Tim and Karrie League, so it was a great honor to have a midnight movie play there. Not only that, Elvis Mitchell was in the crowd and gave me a superb writeup in the New York Times. This review really helped give the studio confidence in the film. They never expected such reviews from a horror film, let alone from a critic as influential as Elvis Mitchell. Lionsgate had bought the film a few months back at another festival, but this screening reinforced they had made the right decision. It was a big turning point for the movie. I also got to do a panel with Harry Knowles, which was a blast. I met Robert Rodriguez for the first time at SXSW. It was a very, very important festival for me.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Austin has a great, warm vibe, and they really appreciate anyone who tries to be creative for a living. I love the whole atmosphere of the city - it’s very, very different from Los Angeles. I actually feel much more home in Austin than in L.A. It’s the same feeling I get from a city like New York City or San Francisco, where people appreciate the material, not how much money it made or did not make. SXSW is so unique in that it combines both music and film, which is a very potent combination. There’s so much creativity in the air, and you feel like your possibilities of what to do at night are endless. At most other festivals people are all cramming into one party just looking to see which celebrities showed up, but at SXSW there’s an endless possibility of people to meet and places to go at night. You really feel like the whole town is there enjoying the festival, and that it’s not just this thing that takes over a town for a week.
What do you hope to take away from your time at the festival?
I love meeting other filmmakers, discovering new movies, and making new friends. You tend to have a group of “festival friends” that you bond with right away, spend all your time with, and then maybe see again in a few months at another festival. This, for me, is the most important part of the festival, the bonding with other filmmakers. It’s the only chance you really get to check in with other people and exchange information and see just how crazy you are.
Why should audiences be excited to see your film?
I think I’m making horror films with more care and attention to detail than most other filmmakers. With my horror films I’m guaranteeing that it will be a unique experience and that you’ll see things you’ve never seen before. It may not be to everyone’s taste, but I’m not trying to make films that will appeal to everyone. I like when the audience walks in the door expecting a certain thing, and the film goes far beyond their expectations.
Are there any other films screening that you hope to see?
I really want to see Chan Wook Park’s new film about the Cyborg. I first saw his film “Sympathy for Mr. Vengeance” at the Sitges Film Festival in 2002 and have been a huge fan of his ever since.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Hmmm… Definitely, without a doubt, they have to go see a movie at the Alamo Drafthouse downtown. Preferably a bad one. And make sure you drink lots of sangria. It’s how all movies should be viewed. My favorite restaurants are Magnolia, Chuy’s, places like that. Places open late where you can order anything at any hour. I like to go jogging down to Barton Springs and swim in the springs. It really wakes me up.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Cowboys. Cattle. Chuck Norris. Then again Chuck Norris is on my mind pretty much all the time, so that may have nothing to do with Texas.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Michael Lehmann, ‘Flakes’
Director: Michael Lehmann
Film: “Flakes”
Category: Narrative Features (World Premiere)
Site: SXSW
Screening: 9:45 p.m. Saturday, March 17 at Alamo South
Film synopsis from SXSW.com: The slacker manager of a New Orleans cereal bar must face his adulthood when a rival cereal shop threatens to steal his business and his girlfriend.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time at SXSW, and I’m very much looking
forward to it.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
My impression is that this festival is less ‘Hollywood’ than others of its kind, that it celebrates regional filmmaking, and that there is a great interplay between music and movies here. Austin has had a film community for quite some time, of course, with some of my favorite filmmakers living in the region. It’s been many years since I’ve been to Austin, but I remember it well from the first time I visited in 1975, when I felt that my days there were the best part of a cross-country trip.
What do you hope to take away from your time at the festival?
Like just about everyone else, I’m hoping to see some great movies and hear some great music. I also hope to tell Rick Linklater how much I enjoy his films.
Why should audiences be excited to see your film?
My film is fun to watch, has excellent performances by, among others, Zooey Deschanel and Aaron Stanford, and celebrates something we all love to eat. That’s exciting, isn’t it?
Are there any other films screening that you hope to see?
I’m going to try to see “When A Man Falls In The Forest” if at all possible.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Tell me where to go and I’ll be there!
When you think of Texas and the movies, what is the first thing that comes to your mind?
I’m old enough to have a Western come to my mind first, and that would be “Rio Lobo.” But once I shake off the cobwebs, I’m more likely to think of Robert Rodriguez and Richard Linklater.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Ry Russo-Young, ‘Orphans’
Director: Ry Russo-Young
Film: “Orphans”
Category: Narrative Features World Premiere
Sites: Official | SXSW
Screenings: 1:15 p.m. Wednesday and 4 p.m. Friday at Austin Convention Center
Film synopsis from SXSW.com: Two estranged sisters reunite five years after the death of their parents. Now in their early 20s, Rosie and Sonia each struggle to make it on their own. When the anticipated party is not what Rosie expects, Sonia’s true agenda is revealed. The sisters begin to revisit their treacherous history. As Sonia slugs vodka and Rosie eats pills, their journey becomes dark and dangerous.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I was at SXSW last year with my short film, “Marion.” It won best experimental film at the festival. I found SXSW to be incredibly friendly. Austin was like a big playground for cinematic adventures.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
In Austin you get the sense that everyone is going to movies because they know they will enjoy the films, not because they feel they should go. The audience is supportive and giving while also somewhat laid-back. As a filmmaker, this is an ideal environment to screen a film because you don’t feel like people are going to chop your head off if they find a flaw with your movie. Austin has its own funky character that is evident in every film I’ve seen at SXSW weather it be a delightful documentary about summer camp or a rock ’n’ roll narrative about conjoined twins.
What do you hope to take away from your time at the festival?
Similar to last year, I hope to meet many special people who appreciate film. Also, I’m sure I will see movies that widen my perspective and get me to think. I always hope to be somewhat changed by movies.
Why should audiences be excited to see your film?
“Orphans” is unique because of the way it looks at a sibling relationship. These two sisters go on tragic adventures, and I think the audience will want to journey with them. The movie is about how you grow up with a person and love them unconditionally for years, then you figure out who you are only to find that maybe you don’t have so much in common with that person anymore. Maybe you and your sibling are not alike at all. How do you deal with that?
Are there any other films screening that you hope to see?
Oh yes! I acted in a funny and poignant film called “Hannah Takes the Stairs” by Joe Swanberg. I certainly want to see that one! Several friends of mine have films in the festival, and I can’t wait to see their new works including Bryan Poyser’s short film “Grammy’s”, Aaron Katz’s “Quiet City” and Mike Tully’s “Silver Jew”.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I definitely want to attend the party for ORPHANS and HANNAH TAKES THE STAIRS at the Peacock. Also, Austin has amazing thrift stores, so I want to hit as many as I can. Suggestions are welcome!
When you think of Texas and the movies, what is the first thing that comes to your mind?
I think about the beauty of the landscape mostly — the bigness of the sky and the color of the terrain. “PARIS, TEXAS,” cowboy boots and “Don’t Mess with Texas!!!”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Monty Miranada, ‘Skills Like This’
Director: Monty Miranada
Film: “Skills Like This”
Category: Narrative Feature World Premiere
Sites: Official | SXSW
Screenings: 4 p.m. Friday at Paramount
Film synopsis from SXSW.com: Three friends have their lives turned upside down as soon as one of them realizes that larceny might be his best skill.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Yes, First time. I am excited and nervous.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Well I was in Austin years ago for a short trip, and I loved it. It seems like there is a lot of buzz around the SXSW FILM FESTIVAL. I have been following it for a few years now, and it seems to be growing in a good independent way getting bigger without becoming elitist or crassly commercial.
What do you hope to take away from your time at the festival?
I am sure I will never forget my first World Premiere for my first feature I will have that.
I am really excited to see the films. I have seen fewer movies this year than normal as I have been working on my film every day for a long time.
Why should audiences be excited to see your film?
It’s a really fun film with a great story and a great cast.
Are there any other films screening that you hope to see?
“The Lookout,” “Manufacturing Dissent,” “Disturbia,” The Thom Yorke music video, “Curt Cobain About a Son,” “Forfeit,” “Elvis and Anabelle,” “What Would Jesus Buy?.” As many as I can, actually.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I know there will be so much to do that I will be overwhelmed, I will, for sure try to check out these panels: Robert Rodriguez, Richard Linklater, Eli Roth, Morgan Spurlock. I am also really looking forward to checking out The Good, The Bad and the Queen at SXSW MUSIC.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Richard Linklater, Robert Rodriquez, Wes Anderson, the Wilson Brothers. I am a huge fan of all of these filmmakers since the film “Slacker.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Mike Woolf, ‘Life is Marbleous’
Director: Mike Woolf
Film: “Life is Marbleous
Category: Documentary Shorts
Sites: Official | SXSW
Screenings: 5 p.m. Friday and 2 p.m. Saturday at Dobie
Film synopsis from SXSW.com: Another short doc from Beef and Pie. This one meshes music and marbles. There is something about them. Simple. Nostalgic. A perfect sphere. The Marble Lady takes us through her collection and then to the Men ‘s National Marble Shooting Contest. Over a dozen bands provide the original music.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
We’re happy to say this is the fourth short documentary we’ve had premiere at SXSW. The experience is great for two reasons — the first and best is your work is shown in front of a large audience. The second positive thing is getting to walk around with a badge because you made something — not because you bought it.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
There is no party bigger or better than SXSW.
What do you hope to take away from your time at the festival?
Good music, free beer and good conversations where we formulate plans for world domination.
Why should audiences be excited to see your film?
They will not feel like they wasted the 20 minutes of their life they spend with our film.
Are there any other films screening that you hope to see?
Of course, let me check my list …
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Avoid Guero’s.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Giant.”
Permalink | | Categories: SXSW Directors Interviews
On-the-scene with ‘Black Sheep’ director Jonathan King
Waiting for the start of “All the Boys Love Mandy Lane,” I had a chance to chat with Jonathan King, director of the horror/comedy “Black Sheep.”
The New Zealander was sitting next to me sipping a Dos Equis, and we discussed his cinematic influences and first appearance at SXSW.
“Black Sheep” tells the story of two brothers, one who has suffered from a paralyzing phobia of sheep returns home to find his brother performing genetic experiments on the ubiquitous New Zealand livestock. The experiment goes horribly awry, and the sheep develop a thirst for human blood. Can New Zealand survive?
In a land where sheep outnumber humans, they seemed the perfect subject for the director’s first feature.
“It’s what everyone knows about New Zealand; so I thought I’d capitalize on it,” King said.
The director confirmed my assumption that fellow New Zealand filmmaker Peter Jackson was one of the influences on his work and desire to be a filmmaker.
“I was interested in how he (Jackson) made “Bad Taste” and Raimi’s “Evil Dead.” It’s kind of the Robert Rodriquez principle. I wanted to learn how to do everything in case I needed it,” King said.
Living just down the road from Jackson gave King insight into the amount of work required of a successful filmmaker, and that actually becoming a success is attainable if you work hard.
“You can’t lie around saying, ‘I can’t do it — if only someone would give me a break, I’d be a star.’ Who does that happen to?”
“Black Sheep” screens at Midnight on Wednesday at the Alamo Downtown.
Permalink | | Categories: SXSW
‘All the Boys Love Mandy Lane.’ Me? Not so much
Following ‘The Ten’ Friday night, I scampered over to the Alamo South to catch ‘All the Boys Love Mandy Lane,’ the feature debut from director Jonathan Levine. Due to the fact that the film was shot in Bastrop, most of the cast and crew were on hand to make for a packed house.
The film was pretty basic teen-slasher fare with a nice plot twist thrown in at the end to make the otherwise boring film and its stock characters more palatable. In typical fashion of the genre, there was much boozing and pot smoking by the archetypal teen characters.
The film centers on the enigmatic Mandy Lane (Amber Head) and her relationship to this new set of friends into which she has fallen. Although angelically beautiful, all is not what it seems with Lane. As the kids head out to a ranch to spend an idyllic summer weekend, foul pay is afoot and people keep ending up dead. But who is behind the killings? The jaded loner smitten with Lane? The dashing ranch hand? Only time will tell. Sadly, by the time of the big reveal, I was left not caring too much one way or the other.
The highlight of my moviegoing experience was a nice little chat that I had with ‘Black Sheep’ director Jonathan King . That conversation appears in my next post.
Overall grade: C-
Permalink | | Categories: SXSW
SXSW capsule movie review: David Wain’s ‘The Ten’
I got into the swing of SXSW Film with two movies today. My first film of the festival was the absurd new comedy ‘The Ten’ from Stella and The State alum David Wain. Festival producer Matt Dentler explained in his introduction at the Paramount screening that while ”The Ten” may have been a midnight screening at Sundance this winter, it is the type of film that can play any time during SXSW - morning, noon or night.
As the film’s narrator Paul Rudd tells the audience from the outset, the movie is a series of 10 vignettes based on the Ten Commandments. From America’s fascination with idolizing celebrities as false idols, to a prison inmate coveting a fellow inmate’s ”wife,” the stories were not only completely absurd, but also very meta, with tongue-in-cheek irony and self-referential humor sprinkled throughout. Some of the bits achieved much better results than others. I particularly liked a scene in which a delusional Wynona Ryder falls in love with a ventriloquist’s dummy, and another sequence in which a 35 year-old virgin travels to Mexico and loses her virginity to Jesus. Yes, the Jesus. I also enjoyed seeing all of the members of The State, along with a slew of cameos that did not feel too gratuitous, although Jessica Alba’s appearance made me scratch my head.
In between the acts, Rudd’s narrator character engaged the audience with his own moral play, a device that helped break up the pieces nicely. While some of the bits lagged or missed their marks, the movie did not drag as a whole because of the use of the vignettes. Much like long-form improvisation or sketch comedy, if one bit seemed to fail slightly, you could take solace in the fact that another was right around the corner. A few elements and characters reappeared in each story, giving the movie as a whole a bit of a through line. The audience seemed delighted with the absurdist pastiche from the seasoned post-modern sketch comedy veteran.
I guess I will be trite and go ahead and give grades for the films I see this Fest; so, I’ll give ”The Ten” a B. It made me laugh; although there were a few times it just seemed to be trying a little too hard. I don’t know if it is because the wonderful and friendly ushers at the Paramount are all septuagenarians, but it is always freezing in that place. Like, you could hang meat cold, and I’ve had more leg space on a flight from Dallas to Abilene. Just sayin’.
Additional note: For all of you fans of The State, Wain said production of a DVD of the late great show is in the works.
Random celebrity sighting: members of OK Go, who apparently took in a matinee before opening for Snow Patrol tonight at Stubb’s.
Permalink | | Categories: SXSW
‘Billy the Kid’ World Premiere and After-party
SXSW is an amazing synergy of film, music, boozin’ and parties. In that vein, the folks at Eight Films/Isotopefilms, GrandLife & FeralCat Productions are throwing down to celebrate the world premiere of “Billy the Kid,” the touching documentary from director Jennifer Venditti.
Venditti found the subject of her documentary in her role as a casting agent. Her work as an agent had her traveling all over the world, “street scouting” real people for advertising, fashion, and film, enabling her to discover diverse talent otherwise ignored by traditional casting methods. When she came across Billy, she couldn’t resist chronicling the life of this 15-year-old in this coming of age piece.
Synopsis from SXSW.com: By turns humorous and disturbing, this subtle, verite portrait of an underdog challenges the viewer to understand a triumphant teen on his own terms.
Following the premiere of the film at 9 p.m. at the Austin Convention Center, head over to Factory People to celebrate Venditti’s cinematic accomplishment and the life of young Billy.
“Billy the Kid” will also screen at 1:45 p.m. on Tuesday the 13th and Saturday the 17th at the Alamo Downtown.
“Billy The Kid” World Premiere
Austin Convention Center
Sunday, March 11
9 p.m.
After-party
Factory People
Sunday, March 11
11 p.m. - 2 a.m.
Permalink | | Categories: SXSW
Ghostland Observatory: We dare you to sit still
We are thrilled to welcome to Sound Check one of the hottest bands to come out of Austin in quite some time …
In just a few short years, Ghostland Observatory has not only taken over Austin, as evidenced by their sold-out show at UT’s Hogg Auditorium in January, but it has also swept the nation, playing sold-out concerts across the country and opening for the likes of Beck. After cutting their teeth playing gigs at small clubs around town such as Karma Lounge and Momo’s, the duo broke out in a big way last year with much ballyhooed sets at Lollapalooza and Austin City Limits.
This year has seen them play red carpet events in Hollywood and gigs in London, with more festival appearances lined up for the summer, as well as a featured showcase at La Zona Rosa on Thursday night of this year’s SXSW. The sky seems to be the limit for this self-made, humble twosome that always brings the dance party with their thumping, sweaty, sensual Electronica Sex Pop. Move with your lover!
Permalink | Comments (3) | Categories: SoundCheck
SXSW Interview: Steven Cantor, ‘James Blunt: Return to Kosovo’
Director: Steven Cantor
Film: “James Blunt: Return to Kosovo”
Category: Documentary Feature (World Premiere)
Sites: SXSW
Screenings: 4 p.m. Thursday, March 15 at Alamo South
Film synopsis from SXSW.com: In September 2006, Grammy-nominated singer/songwriter James Blunt flew to the UN protectorate of Kosovo where, seven years earlier, he led a tank squadron as part of NATO’s liberation forces. As his jet touched down on the Pristina airstrip, the two worlds of James Blunt (that of international pop star and that of a former British Army Captain) came together for a unique, emotional experience that neither he, nor his fans, will soon forget. In JAMES BLUNT: RETURN TO KOSOVO, the artist reunites with several of the young Albanian interpreters who had worked with his troop during the liberation of Kosovo. Together they retrace their steps, visiting several outlying towns James the solider was charged with protecting, including the site of a mass grave his unit happened upon during his time there. We also see James’ own home video footage of the war-torn Kosovo of 1999. The sharp contrast between Kosovo past and present reveals a country much changed and improved through the efforts of NATO troops, yet remains possessed by a distinct haunting rawness from the still-recent atrocities committed there. During his visit, James also plays for a large crowd of NATO troops still stationed in Pristina, during which we experience a tangible, intimate connection between James and the audience. Expertly captured by Academy Award-nominated director Steven Cantor, James’ signature voice shines and his thoughtful, sensitive lyrics take on new meaning during this truly special show.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I premiered my Pixies movie last year and it was a great experience. The screenings were packed and the crowd was enthusiastic. Plus, I love Austin going back to my days making a Willie Nelson American Masters film, so it’s always great to be there.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
It’s got a cooler vibe than the others, partially due to the music festival connection, but largely to the general hipness of the city and excellence of the barbecue and Mexican food.
What do you hope to take away from your time at the festival?
Well, to be honest, my film is for sale. In all territories. So the business angle trumps any other hopes. The good time is a given.
Why should audiences be excited to see your film?
It is a completely unique rock film and considering that it was paid for and produced by Atlantic Records, it is probably one of the strangest artist-promotional vehicles ever made. James Blunt had significant responsibility in the Balkan crisis, and we revisited the places and people he served, so the film has a sharp social and political edge that most people would not necessarily associate with James.
Are there any other films screening that you hope to see?
Unfortunately, I am in and out this year. But I have to see “Audience of One.” I almost helped produce that and it’s a pretty incredible story told by a talented up and coming filmmaker.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
The after-party to our screening will be great. It’s at Beauty Bar and James is flying in for it. Can’t miss breakfast at Las Manitas.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Roy Rogers
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Marc Dole, ‘The Toll’
Director: J. Zachary Pike
Film: ‘The Toll’
Category: Animated Shorts
em>Sites: Official | SXSW
Screening: 2:00 p.m. Sunday, March 11; 11:15 a.m. Thursday, March 15; all at Alamo S. Lamar
Film synopsis from SXSW.com: ‘The Toll’ is a character study in the guise of a student project created by fictional film student Harvey Stevens. Harvey delves into the realm of not-so-fantastic myth to interview a troll who lives under a bridge. The troll is aggressive, uncouth, temperamental and has a nasty habit of eating people. His pet is a malicious cross between a dragon, a pug and a Cuisinart. Yet strangely, the troll wants acceptance from the society he preys on, and sees the young filmmaker as an opportunity to clear up the ‘misunderstandings’ that have always plagued him.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This will be my first trip to SXSW but one of our animators and programmers came last year and showed some development work on our film “The Toll” to a small party.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Our film has been to over 30 festivals in the last six months and I have been to about 10 of them and while they were all a lot of fun, all the elements around SXSW will make it our biggest festival ever. From the major panels to the quality of the other films and the venues SXSW is the place to be. And as a filmmaker from the Northeast, heading to Austin in the middle of winter will be a great break from the snow!
What do you hope to take away from your time at the festival?
I hope to leave SXSW with more fans for our films and development interest for our features and TV shows we are developing.
Why should audiences be excited to see your film?
We wrote the film for the festival audience in mind. It’s about a student filmmaker who discovers that trolls are real and he takes his film equipment and tries to do the project solo. There are camera moves that don’t work well, the boom gets in the shot, some shots are out of focus, the audio is too off mike in some parts. We took extra care in adding film grain defocused shots, and adding many props to the background.
Are there any other films screening that you hope to see?
There are so many premieres, I hope to catch many of them.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I plan on hitting a lot of parties.
When you think of Texas and the movies, what is the first thing that comes to your mind?
When I think about movies and Texas I think about Robert Rodriguez. He is a pioneer in digital filmmaking and has cleared the way for others to use many different digital techniques that we have used in the past and made them mainstream and acceptable.
Marc Dole is the producer, editor, compositor of ‘The Toll.’
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Ti West, ‘Trigger Man’
Director: Ti West
Film: “Trigger Man”
Category: Narrative Features (World Premiere)
em>Sites: Official | SXSW
Screening: 7 p.m. Monday; 7 p.m. Wednesday; 1:45 p.m. Saturday, March 17; all at Alamo South
Film synopsis from SXSW.com: Inspired by true events … The story of three hunters who mysteriously became the hunted.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I have been to SXSW for the last two years. My film “The Roost” premiered at the festival in 2005. It is the best festival in the country by far.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Austin is such a film friendly town. The people and the culture are very supportive of their festival no matter what the budget of the films. It’s great to see independent films and independent filmmakers truly appreciated.
What do you hope to take away from your time at the festival?
A great experience, sold out crowd, distribution and, hopefully, some positive reviews.
Why should audiences be excited to see your film?
Because maybe they will like it…
Are there any other films screening that you hope to see?
“Hannah Takes the Stairs”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I like Ruby’s BBQ.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“The Texas Chainsaw Massacre.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Grace Lee, ‘American Zombie’
Director: Grace lee
Film: “American Zombie”
Category: Narrative Features (Regional Premiere)
em>Sites: Official | SXSW
Screening: 9:30 p.m. today; 9:45 p.m. Saturday; all at Alamo S. Lamar
Film synopsis from SXSW.com: Filmmakers Grace Lee (The Grace Lee Project) and John Solomon (Nonsense Man) team up to shoot a documentary about high-functioning zombies living in Los Angeles and their struggles to gain acceptance in human society.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
My documentary ‘The Grace Lee Project’ screened at SXSW in 2005. I was only in Austin for less than 48 hours, but it was a very memorable 48 hours.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
As a film town, I am impressed by the diversity and breadth of the movies available here and the moviegoers, many of who are real cinephiles. I was shocked that at 10 in the morning on a Sunday, I had a packed house coming to see my personal documentary. The vibe is just laid-back and the people are friendly, plus the weather is much more conducive to a festival than a freezing ski resort!
What do you hope to take away from your time at the festival?
Watch movies, meet other filmmakers and audience members, and have fun.
Why should audiences be excited to see your film?
It’s a fresh take on the zombie movie genre and should appeal to anyone interested in personal documentaries, mockumentaries and comedy. I like to call it a personal horror film for a documentary filmmaker.
Are there any other films screening that you hope to see?
“Fish Kill Flea,” “Manufacturing Dissent,” “Hannah Takes the Stairs,” “Kamp
Katrina,” and “Itty Bitty Titty Committee.”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Last time I was in town, I went to Las Manitas and had some excellent enchiladas. I am craving really good barbecue. If anyone has good suggestions, please let me know.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Richard Linklater’s “Slacker” and “Speeder Kills” by Jim Mendiola. I’d like to meet the Texans in both of those films.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Joe Swanberg, ‘Hannah Takes the Stairs’
Director: Joe Swanberg
Film: ‘Hannah Takes the Stairs’
Category: Narrative Features (World Premiere)
em>Sites: Official | SXSW
Screening: 7:15 p.m. Sunday, March 11; at Paramount
Film synopsis from SXSW.com: Hannah, a recent college graduate and aspiring playright, struggles to find happiness in her life through various relationships.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I had a film called ‘Kissing on the Mouth’ at the Festival in 2005 and a film called ‘LOL’ at the Festival last year. SXSW has been tremendously supportive of my work and it will always be my favorite festival. I will come back every year, whether I have a film showing or not.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
SXSW is the best place to see small personal American films and I think they are influencing a lot of other festivals around the world with their programming. I love Austin. I’m always looking for excuses to visit. I have a lot of great friends in the city and I’m always right on the verge of moving there.
What do you hope to take away from your time at the festival?
I hope to come away from the festival with a few more lifelong friends. Every year so far I have met incredible people who have inspired and influenced me.
Why should audiences be excited to see your film?
Because we made it with love and deep respect for each other and the audience.
Are there any other films screening that you hope to see?
‘Orphans,’ ‘Quiet City,’ ‘Grammy’s,’ ‘Trigger Man,’ ‘Fish Kill Flea,’ ‘The Pipe,’ ‘Murder Party,’ ‘Frownland,’ ‘We’re Going to the Zoo,’ and many others.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I like the Peacock Lounge.
When you think of Texas and the movies, what is the first thing that comes to your mind?
The scene from ‘Pee Wee’s Big Adventure’ where he goes to the Alamo.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Aaron Hillis, ‘Fish Kill Flea’
Directors:Brian Cassidy, Aaron Hillis, and Jennifer Loeber
Film: ‘Fish Kill Flea’
Category: Documentary Features (World Premiere)
em>Sites: Official | SXSW
Screening: 4:30 p.m. Saturday, March 10; 11:30 a.m. Monday, March 12; 11:15 a.m. Friday, March 16; all at Alamo S. Lamar
Film synopsis from SXSW.com: Once thriving, a dead mall in upstate New York is now home to a ragtag flea market, living proof that the American dream is in perpetual decay. Blending verite with a stylized wit, this heartbreaking portrait raises questions about our disposable culture through the unfiltered lives of its eccentric community.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
A friend of mine was shooting a PBS doc on SXSW when I visited him in 1998, and just following him around for a few days convinced me to move to Austin a few months later. Until I relocated to New York in 2001, I savored the opportunity to see fantastic new films and bands every March.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I work as a film journalist and critic, and of all the fests I’ve attended over the years, none have been as thrilling as SXSW. It’s a party the size of a city! As for Austin itself, I think whoever coined “the third coast of filmmaking” was on the mark, specifically in terms of independent productions.
What do you hope to take away from your time at the festival?
Having access to industry folk is cool and helpful, but I’m most excited to connect with other filmmakers to have a little “you show me yours, I’ll show you mine” exchange. I don’t mean that in a dirty way… not entirely.
Why should audiences be excited to see your film?
Our funny, sad, strange little movie doesn’t cop to the tired formulas of the documentary genre. When we set out to preserve the memory of this eccentric flea market community and the dead mall that housed them, we felt they deserved more than the same old archive footage montages and talking-head interviews. We just hope audiences respond to our unconventional approach.
Are there any other films screening that you hope to see?
Yeah, the line-up’s pretty choice this year. Off the top of my head, I can’t wait for ‘Hannah Takes the Stairs,’ ‘Quiet City,’ ‘Orphans,’ ‘Campaign’, ‘Silver Jew’ and ‘American Zombie.’
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
New York has the lousiest Mexican food, so I plan to eat nothing but Trudy’s, Guero’s, Curra’s, Polvo’s, and pretty much anything with an apostrophe in its name for a week. Then I’ll wash it down with a gallon of Kerbey queso or Mag mud.
When you think of Texas and the movies, what is the first thing that comes to your mind?
I’m reminded of that first shot in ‘The Last Picture Show,’ gliding past that dusty drive-in. The second image that springs to mind is a kegger by the moon tower, and every Austinite better know what I’m talking about.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Chris Stapp, ‘The Devil Dared Me To’
Director: Chris Stapp
Film: ‘The Devil Dared Me To’
Category: Narrative Features (World Premiere)
em>Sites:Official | SXSW
Screening: 11:59 p.m. Friday, March 16; 11:59 p.m. Saturday, March 17; all at Alamo Downtown
Film synopsis from SXSW.com: Every kiwi lad dreams of greatness. But for little Randy Cambell, the dream is as big as the stunts his not-so-death-defying father died attempting. Young Randy Cambell yearns to be NZ’s greatest living stuntman, much to the chagrin of his aunt and uncle who understand that the petrol running in Randy’s veins is bound to ignite one day. Can the love of a one-legged female Evel Knievel save Randy and break his descendants’ long legacy of fiery and fatal confrontations with the grim reaper?
Is this your first time at SXSW? If not, what has your experience been like in previous years?
First time.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
My understanding is that Austin makes all other festivals look (totally lame).
What do you hope to take away from your time at the festival?
A massive hangover.
Why should audiences be excited to see your film?
Because it rules.
Are there any other films screening that you hope to see?
‘Trailer Park Boys,’ ‘Mulberry St.’ and ‘Hell on Wheels’
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
In town? All of them.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Chainsaws.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Eric Patrick, ‘Startle Pattern’
Director: Eric Patrick
Film: Startle Pattern
Category: Experimental Shorts
Sites: SXSW
Screening: 5 p.m. Monday, March 12; 2 p.m. Friday, March 16; all at Dobie
Film synopsis from SXSW.com: The interior space of a puppet becomes increasingly reflective, revealing the artifice of his own creation.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my second time. It’s always been good.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
It’s a nice professional festival. There are festivals that are more geared towards building relationships with people. Unfortunately, SXSW isn’t one of these, though it’s great for finding information and generally having a good time.
What do you hope to take away from your time at the festival?
A good time and some good screenings … and a belly full of Mexican food.
Why should audiences be excited to see your film?
Three years in the making.
Are there any other films screening that you hope to see?
Many feature, short, documentary and animations.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I used to live in Austin, so it’s a bit of a homecoming for me. I’ll see many friends, and spend as much time as possible at Curras Grill.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Austin Film Society, Cinemaker Co-op.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Lauren Lazin, ‘Last Days of Left Eye’
Director: Lauren Lazin
Film: “Last Days of Left Eye”
Category: Documentary Features (North American Premiere)
Sites: SXSW
Screenings: 8 p.m. Tuesday, March 13; 11 a.m. Wednesday, March 14; both at Paramount
Film synopsis from SXSW.com: This 90-minute documentary captures the final month in the life of Lisa Lopes. Lopes rose to fame as the hip-hop voice of TLC, the best-selling female R&B group of all time. She documented her final days in journals and private home movies shot at her mysterious spiritual retreat deep in the jungles of Honduras.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time at SXSW.
What do you hope to take away from your time at the festival?
I am looking forward to screening the film at the festival and in Austin, as there seems to be a real appreciation there for music and music-based storytelling.
Why should audiences be excited to see your film?
Audience should be excited to see “Last Days of Left Eye” because it’s a really unusual, deeply personal film. People who have screened it have told me that it has stuck with them for days afterwards. The film has a lot of feeling to it; it creeps up on you in strange ways.
Are there any other films screening that you hope to see?
I am looking forward to seeing some great documentaries (I am on the jury) and also look forward to being inspired by my fellow filmmakers!
When you think of Texas and the movies, what is the first thing that comes to your mind?
When I think of Texas and the movies the first thing that comes to mind is Pee Wee Herman falling asleep at the Alamo while the tour guide is saying “there are 200 ways to make tortillas — all of which I will explain to you right now …” (from “Pee Wee Herman’s Big Adventure”)
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Petra Epperlein and Michael Tucker, ‘The Prisoner or: How I Planned to Kill Tony Blair’
Directors: Petra Epperlein and Michael Tucker
Film: “The Prisoner or: How I Planned to Kill Tony Blair”
Category: Documentary Feature (World Premiere)
Site: SXSW
Screenings: 1:30 p.m. Sunday, March 11 at Austin Convention Center; 11 a.m. Wednesday, March 14 at Alamo Downtown
Film synopsis from SXSW.com: On September 23, 2003, filmmaker Michael Tucker followed the U.S. Army on a house raid in Baghdad. U.S. Army intelligence became convinced that a subsequent detainee was plotting to kill British Prime Minister Tony Blair during his visit to Iraq; Abbas’s employment by British TV in Iraq may have raised this suspicion. After his arrest, Abbas, along with his two brothers, was held at Abu Ghraib and other facilities for nine months and subjected to the full menu of U.S. interrogation techniques. Recounting his experiences of fear, pain and anger, Abbas somehow retains a sense of humor. American commanders finally admitted the Abbas brothers had no intelligence value.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is our first time at SXSW and we look forward to a new festival experience.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Austin and SXSW have a great reputation as a film town and we think SXSW is probably one of the top 3 places to launch a film in the U.S.
What do you hope to take away from your time at the festival?
At any festival, you hope that the audience connects with your work.
Why should audiences be excited to see your film?
“The Prisoner” tells the story of an Iraqi journalist whose capture by U.S. forces MIke filmed in Baghdad. After his arrest, he was charged with planning to assassinate Tony Blair. The film is uniquely intimate in that Yunis, “The Prisoner”, tells HIS story and by extension, the story of 27 million Iraqis who have suffered during the last four years of war and the decades before. He’s also a great storyteller and has a remarkable sense of irony and humor that won’t be lost on this audience.
Are there any other films screening that you hope to see?
“Fish Kill Flea.”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you
suggest out-of-towners visit while in town?
We are simply looking forward to sun and warmth. New York is bitterly cold right now.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Obviously, “The Last Picture Show.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Michael Tully, ‘Silver Jew’
Director: Michael Tully
Film: “Silver Jew”
Category: Documentary Features (World Premiere)
em>Sites: Blog | SXSW
Screenings: 11:30 a.m. Sunday, March 11; 4:30 p.m. Wednesday, March 14; both at Alamo South
Film synopsis from SXSW.com: Not your typical music documentary, Silver Jew is an intimate portrait of reclusive poet/musician David Berman, the guiding force behind one of indie rock’s most revered bands, the Silver Jews. In the midst of their first ever world tour, Berman, his wife Cassie, and the rest of the group traveled to Israel to play two shows and visit Jerusalem.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is only my second time at SXSW. I was here last year with my debut feature, “Cocaine Angel.” Since I’d never been to Austin and didn’t know if I’d ever make another film, I decided to stay throughout the whole festival. I was skeptical of the music portion of the fest—on Wednesday morning when the sun arose it felt like the indie rock zombies were coming to town—but I had an absolute blast in every possible way.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
SXSW is great because the industry attends, but it still feels more organic and casual than forced and stressful (a la Sundance—which I’ve never actually attended, by the way). It rides that delicate line between big and small with refreshing ease. As for Austin, I don’t know if it’s proper to make a judgment about the town based on one week during SXSW, but I know for myself that any Austin filmmakers I met were very cool, down-to-earth people.
What do you hope to take away from your time at the festival?
Having done this before, those nerves of anticipation are no longer stirring inside me. Though I hope they are for Matthew Robison (producer). We simply hope to have two well-attended screenings and perhaps get some buyer interest along the way. Aside from that, I’m personally more excited to see the films of several friends and appreciate the nice weather and have some good old-fashioned fun.
Why should audiences be excited to see your film?
I’m the last person in the world who should answer that question.
Are there any other films screening that you hope to see?
A ton. For starters: Craig Zobel’s “Great World of Sound,” (which is, for my money, the best new American film of 2007); Nate Meyer’s “Pretty in the Face” (playing with Matthew Ross’s “Lola”); Aaron Katz’s “Quiet City”; Joe Swanberg’s “Hannah Takes the Stairs”; Ry Russo-Young’s “Orphans”; David Redmon and Ashley Sabin’s “Kamp Katrina”; and many more!
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I plan on visiting Barton Springs this time around.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“The Last Picture Show.” “Slacker.” “Dazed and Confused.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: K. Ryan Jones, ‘Fall from Grace’
Director: K. Ryan Jones
Film: “Fall from Grace”
Category: Documentary Features (World Premiere)
Site: SXSW
Screenings: 4 p.m. Saturday, March 10; 6:30 p.m. Monday, March 12; 9 p.m. Wednesday, March 14; all at Alamo South
Film synopsis from SXSW.com: The first documentary to explore the hate-filled world of Rev. Fred Phelps and the Westboro Baptist Church of Topeka, KS. The group has spent the last fifteen years protesting America’s lax attitude toward homosexuality, and has most recently targeted military funerals as a venue to preach. This documentary features interviews with Rev. Phelps and other church members, its dissenters, ministers and theologians, and members of the church that have since left it behind.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time at SXSW and it is also my first festival experience.
What do you hope to take away from your time at the festival?
I can’t tell you how excited I am about SXSW. Initially, of course, I was excited about my film screening there, but now I can’t decide if I am looking forward more to that or the opportunity to spend a week seeing great films, sitting in on panels, and meeting other people who share a passion for this art form.
Why should audiences be excited to see your film?
“Fall From Grace” gives the viewer the rare opportunity to see the inner workings of a hate group and what many consider to be a cult. A lot of people have seen these people picketing, but why are they doing it and what are they like outside that arena? The film tries to answer some of these questions, but it also forces us to ask ourselves some tough questions about gay rights, freedom of speech, and the war in Iraq. I can promise you that this is a film that is going to stay with you. In a time when Hollywood is producing remakes and sequels, ‘Fall From Grace’ offers the viewer the rare opportunity of seeing something they’ve never seen before.
Are there any other films screening that you hope to see?
“When a Man Falls in the Forest,” “The Lookout,” “Knocked Up,” just to name a few, but I have a feeling I won’t get to see everything I want to.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I lived in Texas for 7 years, but I have never been to Austin. I plan on just roaming around and discovering the town. I hear it’s a pretty great place!
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Texas Chainsaw Massacre”? “Best Little Whorehouse in Texas”? I don’t know, as a film student, I guess I think about UT and how they have a really great film studies program. I also think of Robert Rodriguez and how much he really seems to be doing to help cultivate the film society down there.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Andrew Garrison, ‘Third Ward TX’
Director: Andrew Garrison
Film: “Third Ward TX”
Category: Documentary Feature (World Premiere)
Sites: Official | SXSW
Screening: 9:30 p.m. Friday; 12 p.m. Thursday, March 15; both at Dobie
Film synopsis from SXSW.com: 1993, a step ahead of city demolition crews, a group of African American artists took over a block of abandoned, condemned, row houses in Houston’s Third Ward. They wanted to bring attention to issues in the neighborhood with a temporary, ‘drive-by’ exhibition. But they set in motion an internationally recognized model for community renewal and personal transformation. ‘Project Row Houses,’ stopped a neighborhood from being a symbol of poverty and hopelessness and made it into a beacon of strength and imagination. After more than a decade of building a community that is safe, livable and desirable, they’ve attracted forces that might destroy what they made — real-estate development and gentrification. Will it survive the blind force of gentrification playing out in Houston and across America?
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Good films. Nice to meet filmmakers. It is always more fun to have a film of one’s own in the festival.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I live here. I can drive to the festival … Which actually makes me a little distracted.
What do you hope to take away from your time at the festival?
Hope that we get strong enough response to “Third Ward TX” that we can build on that to launch the film nationwide. I hope the film gets into some of the other significant doc festivals. But more importantly, I’d like to see word of mouth about the film spread through African American communities, and art circles.
Why should audiences be excited to see your film?
It’s a good doc. I loved shooting the film and being with the people who are the characters in the film. I liked being at Project Row Houses in Houston. It is a powerful experiment in art and community that doesn’t divide the world into elites.
The film has strong characters. It doesn’t preach. It gives you the sense that making stuff, thinking and acting creatively, and in concert with people around you can make your own life more satisfying. I think it speaks to the need we all feel to have connections that we can stay with even if we leave that place geographically. It gets said quietly, even when there is an obvious conflict between the forces of development and the desire to have a connected community that supports and nourishes individuals. But it moves you.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Come to our movie Friday night at 9:30 at the Dobie and then come over to Texas Folklife after for a party.
When you think of Texas and the movies, what is the first thing that comes to your mind?
How big, how vast Texas is —in land and landscapes, in cultures, in people, — even climates it encompasses. There is such a huge potential for telling stories in and about Texas. And the second thing is how iconic Texas is in American culture.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Jason McHugh, ‘Electric Apricot: Quest for Festeroo’
Producer: Jason McHugh
Film: “Electric Apricot: Quest for Festeroo”
Category: Narrative Features Regional Premiere
Sites: Official | SXSW
Screenings: 3:30 p.m. Friday, March 16 at Alamo Downtown
Film synopsis from SXSW.com: In the spring of 2005 a young filmmaker set forth to make a documentary reflecting an element of contemporary music that had yet to be fully examined. Who he found was Electric Apricot and what he achieved was enlightenment. Unexpectedly in searching for enlightenment, the duality of existence was unveiled.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is actually my second trip to SXSW, the first was with Trey Parker’s “Cannibal: The Musical” back in 1998. It was really cool to be screening Trey’s directorial debut in the big screen and I feel really lucky to be coming back with a brand new film director on the scene named Les Claypool!
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Well obviously were festival whores, our whole film revolves around the very unique festival, Festeroo, which is sort of the Holy Grail of Festivals to us, but SXSW is a very close second! There is no doubt SXSW is the most culturally diverse with its strengths in Music, Film and Technology. As soon as SXSW can add and Art and Book element to its ouevre it will be even that much more ahead of the curve, but Austin may need to build a few more hotels first. And as far as Austin as a film town - there’s no doubt its a major creative oasis for filmmakers that seems to be gaining steam. It certainly helps to have majorly cool directors leading that charge!
What do you hope to take away from your time at the festival?
We’re here to rock and make new friends.
Why should audiences be excited to see your film?
Because it is the Texas Premiere, our director Les Claypool will be on hand for some Q and A and our film won’t be released until the fall.
Are there any other films screening that you hope to see?
I would like to see the film about the Hollywood superheroes, because I live in L.A. and I see those impersonators and street performers all the time and just wonder what it must be like to work that angle in show business.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I am psyched to hit that one restaurant bar that serves the really good chips and salsa and has Abita beer on tap.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Dazed and Confused.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Elizabeth Harrison, ‘Love and Mary’
Director: Elizabeth Harrison
Film: “Love and Mary”
Category: Narrative Features (World Premiere)
Sites: Official | SXSW
Screening: 10 p.m. Sunday, March 11; 4:30 p.m. Thursday, March 15; 11:15 a.m.; both at Dobie
Film synopsis from SXSW.com: Pastry Chef, Mary Wilson, has spent many years trying to live a normal life away from her unconventional family back in Texas. But, with no customers in her bakery, a horrible review and an eviction notice hanging over her head, Mary reluctantly decides to return back home with her fiance, Brent, and collect an engagement gift she hopes will be substantial enough to bail her out of her situation.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Yes, this is my first time as a filmmaker. “Love and Mary”, our movie, takes place in Texas and was filmed there, so we think Austin is the perfect place to premiere it.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I attended the SXSW film festival in 2005. I was blown away at the size of the festival, the spirit the city takes on around the fest, and the quality of movies that were showcased. Austin has a great creative spirit and the people seem to really embrace filmmaking and filmmakers.
What do you hope to take away from your time at the festival?
The festival offers an opportunity to showcase “Love and Mary” with peers, Texans, critics, and distributors. It is our goal to share what we think is a great movie with the city and festival goers. If you haven’t heard of “Love and Mary” before the screening, we hope you’ll be talking about it afterward and tell your friends to come to our other screening.
Why should audiences be excited to see your film?
“Love and Mary” is an entertaining, witty, heartfelt romantic comedy. It is for anyone who has ever been in love, anyone who has suffered from unrequited love, and anyone who has ever been embarrassed by their family. Texas audiences will be excited to see a movie about Texans who are not stereotypical clichés. The movie is inspired by and pays tribute to comedies grounded in the reality of relationship woes, those that recreated the blueprint for the genre like Woody Allen’s “Annie Hall” and Neil Simon’s “The Goodbye Girl”. It makes you laugh and cry and engages you in the fate of Mary and her lessons in love.
Are there any other films screening that you hope to see?
Yes, there are tons of films I hope to see. I’m sure when I get to the festival I will want to see more, but so far I want to see “The Lookout,” “Big Rig,” “All the Boys Love Mandy Lane” and “American Zombie”.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Having grown up in Texas, I love coming back for Mexican food, socializing, and pecan pie.
When you think of Texas and the movies, what is the first thing that comes to your mind?
When I think about Texas and movies, the first thing that comes to mind for me is that I’d like to make more there. Texas has so many interesting characters, and it only seems appropriate to tell their stories there. The first movie that comes to mind is “Giant”. This movie is amazing and it is over 50 years old now. It was shot in Marfa, a city I recently visited and it still looks the same. Well, a few modernizations, but for the most part it hasn’t changed. Of course, the next would be two of my favorite movies, “Terms of Endearment” and “Rushmore” both shot in Houston.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Naveen Singh, ‘27,000 Days’
Director: Naveen Singh
Film: “27,000 Days”
Category: Experimental Shorts
Sites: Official | SXSW
Screening: 5 p.m. Monday; 2 p.m. Friday, March 16; both at Dobie
Film synopsis from SXSW.com: A dying man confronts his estranged family and the remnants of his religion within the confines of his mind.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time here at SXSW. I’ve heard nothing but great things about the festival and needless to say, I’m very much looking forward to the experience.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
My impressions have come both first hand from filmmaker friends who have attended, as well as through the press; Chris Gore’s book “The Ultimate Film Festival Survival Guide” comes to mind as an example of the latter. I get the sense that the festival has a certain kind of energy around it that may not be as present (or is altogether nonexistent) at other festivals because SXSW celebrates not only film and music, but interactive media as well. To me, that creative triumvirate lends itself to a uniqueness that I feel is both cutting-edge and very relaxed at the same time. But perhaps that’s just my perception of Austin as a creative hotbed based on Richard Linklater films and the languid music of Stars of the Lid.
What do you hope to take away from your time at the festival?
Here’s my cheeseball answer: I just want to soak in the experience. That’s an awful cliché, but it’s true. I don’t know if I’ll ever have a chance to attend SXSW again (at least not as an invited filmmaker), so I want my initial experience here to be as memorable (and as low stress) as possible. In addition to the great film and music lineup, I’m looking forward to the seminars and panels, and, of course, there’ll be a lot of people to meet. I’m sure it’ll be chaotic — but of the good kind.
Why should audiences be excited to see your film?
I think “27,000 Days” gives people a different way to experience a story in a meaningful way, especially in the short form. I know there’s an audience out there for a film that merges influences as diverse as Stan Brakhage, Werner Herzog, Bruce Conner, George Lucas and countless others, and blends them into something that is at once fresh — and if I did my job right — emotional, too.
Are there any other films screening that you hope to see?
There’s a ton of ’em! In no particular order: “The Lookout”, “638 Ways to Kill Castro”, “Smiley Face”, “Confessions of a Superhero”, “The King of Kong”, “All the Boys Love Mandy Lane”, whatever little tidbit of info I can get about “Grindhouse” … there are several other movies, but I don’t think it’s feasible to write them all down … Oh, I’m also excited to check out what Deco Dawson has cooked up for us in the Experimental Shorts section.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Hoo boy. That’s a tough question. I’m open to suggestions. I guess my modest sightseeing goals are to catch a movie in the famed Alamo Drafthouse.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Here’s a random assortment of things (only some of which might be related to Texas and/or the movies): I think of Terrence Malick writing “Badlands” in some cloistered room (even though the movie takes place in the Dakotas); Richard Linklater in “Slacker;” people with chainsaws; Spielberg’s forgotten classic “The Sugarland Express”; I think of Westerns, Dubya, NASA’s mission control, and the old-school Houston Rockets team with Hakeem “the Dream” Olajuwon schoolin’ Shaq and the Orlando Magic in the 1995 NBA Finals. There’s always more, but it’s getting late …
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Leland Orser, ‘Morning’
Director: Leland Orser
Film: “Morning”
Category: Narrative Shorts (World Premiere)
Sites: Official | SXSW
Screening: 11 a.m. Saturday; 11 a.m. Monday; 11 a.m. Thursday, March 15; all at Alamo South
Film synopsis from SXSW.com: Four mornings in the life of a man experiencing great loss.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
First time at SXSW. My brother-in-law Jason Ferguson plays regularly at the SXSW music festival though. He’s in the bands Experimental Aircraft and Magnet School, and is one of the best drummers you’ll ever hear.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
SXSW appears to have a decidedly un-Hollywood vibe. And I get the strong impression that these Austin people like to party.
What do you hope to take away from your time at the festival?
The audience reaction will stay with me for a long time I’m sure. To be with them as they experience the 14 minutes of our film for the first time will be a very moving thing. The film now belongs to them and I’m sure they will teach me a lot. This is my first time at a film festival as a director, and not an actor. I am eager to spend time with other filmmakers, see their films, talk about their processes and learn from them too.
Why should audiences be excited to see your film?
I don’t think audiences should be excited to see my film. My film is very quiet and very sad.
Are there any other films screening that you hope to see?
I want to see the other short films. I want to see Ryan Eslinger’s “When a Man Falls in the Forest” and Taika Waititi’s “Eagle vs. Shark.” I watched both of them develop their films at the Sundance Institute
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I want to go back to that swimming hole in the river. I forget what it’s called but it’s a very unusual place. Very retro. I also want to eat fried pies at Jo’s.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“The Last Picture Show”, “Dazed and Confused,” the “Dazed and Confused” soundtrack, Harry Dean Stanton, “Paris, Texas”, “Lone Star”, “Pee Wee’s Big Adventure”, James Dean and “Giant.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Bryan Poyser, ‘Grammy’s’
Director: Bryan Poyser
Film: “Grammy’s”
Category: Narrative Shorts (World Premiere)
Sites: SXSW
Screening: 7 p.m. Monday, March 12; 7 p.m. Wednesday, March 14; 1:45 p.m. Saturday, March 17; all at Alamo South
Film synopsis from SXSW.com: Two brothers have a really bad time on a fishing trip until a stranger makes them a bizarre but lucrative offer.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
SXSW has been very good to me. This is actually my fifth time with a film that I either wrote or wrote-and-directed in the festival. Three years ago, I had my first feature, “Dear Pillow,” play at the Convention Center on the first night in the history of SXSW that the Paramount sold out, for “Bush’s Brain.” And it was raining. But we still got a big, supportive hometown crowd out for the movie, and it was probably the biggest audience in all the 30 festivals where it played. Last year, a film that I co-wrote and produced, “The Cassidy Kids,” premiered to a near-sellout crowd at the Paramount. That was totally surreal.
This time I’m back with a short film. There’s much less attention paid to shorts, but I’m totally fine with that. This film is an experiment in many ways for me — it’s my first straight-ahead comedy, for one. And I co-edited this with Sean Gallagher — the last time I did any editing myself was on a Steenbeck, actually chopping and taping 16mm film. I taught myself Final Cut Pro with this film. So, I’m okay with the idea that maybe 1,100 people won’t be watching on the first night.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Whenever I go out of town for a film festival, I realize just how spoiled we all are to live in a town that has about eight major annual film festivals, plus amazing organizations like the Austin Film Society, Reel Women, the Austin School of Film, Screen Door, the Austin Cinematheque, great video stores like Vulcan and I Love Video and the best damn theater chain in the country, the Alamo Drafthouse. You can gorge yourself on film, from grindhouse to arthouse, literally every night in Austin. You just can’t do that anywhere else, at least that I’ve visited yet.
And SXSW is the biggest event on my social calendar for the year. I’ve developed so many friendships from it, I’m always giddy with excitement when it rolls around because I know I’ll get to see my film friends again from all across the country.
What do you hope to take away from your time at the festival?
To see old friends, make new ones and maybe even find new people to collaborate with.
This movie wouldn’t exist if it weren’t for SXSW. The whole reason I did it was because when I met Joe Swanberg back in 2005 when his film “Kissing on the Mouth” played here, I realized that he and Rusty Kelley would make a great brother duo. It took me about a year to figure out what exactly this brother duo would actually do. I ended up bringing Joe down here in June 2006 for a benefit screening of “Kissing on the Mouth” and “Dear Pillow” at the Alamo to raise money for “Grammy’s.” We started shooting the next day. So, it’s a real thrill to come full circle and show the film at the festival where it was born.
Why should audiences be excited to see your film?
Two words: Rusty Kelley. He is an amazing kid, just a stunning natural performer and he gets to really shine in “Grammy’s” as the worst little brother you could imagine. His performance was impressive enough to Ti West, the director of “Trigger Man” (the feature “Grammy’s” will precede) that he cast Rusty in a major role in “Cabin Fever 2,” the sequel to Eli Roth’s first film. Rusty’s in North Carolina right now shooting. You will definitely be seeing more of this kid in the future.
Are there any other films screening that you hope to see?
Way too many. Joe Swanberg’s third feature in three years, “Hannah Takes the Stairs,” is definitely at the top of my list. One of the actors in that, Ry Russo-Young, has her first feature “Orphans” playing in competition. My friend Kyle Henry edited the doc “Audience of One” and told me some scary/hilarious stories about the demented preacher/filmmaker at the center of the story. Marcy Garriott’s new doc about the B-Boys of Austin called “Inside the Circle” is going to be off the hook. I know I’m going to be enraged by it, but I want to see “Fall From Grace,” the doc about Fred Phelps, the notorious homophobe preacher from Kansas. And, I know the Slamdance Audience Award winning “Murder Party” is going to be some perfect midnight movie action.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Everyone’s gotta have at least one plate of migas at Las Manitas while they’re here. And, who can leave town without taking a dip in Barton Springs?
When you think of Texas and the movies, what is the first thing that comes to your mind?
Austin. Second week in March. SXSW Film Festival. I’ve been there every year since 1995 and hope to still be coming in 2055. But we’ll probably be watching movies on our eyelids by then. Screw it. We’ll still need a beer in our hands and a badge around our necks.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Chiemi Karasawa, ‘Billy the Kid’
Producer: Chiemi Karasawa
Film: “Billy the Kid”
Category: Documentary Features (World Premiere)
Sites: Official | SXSW
Screening: 9 p.m. Sunday, March 11 at Austin Convention Center; 1:45 p.m. Tuesday, March 13 at Alamo Downtown; 1:45 p.m. Saturday, March 17 at Alamo Downtown
Film synopsis from SXSW.com: By turns humorous and disturbing, this subtle, verite portrait of an underdog challenges the viewer to understand a triumphant teen on his own terms.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Yes, first time.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
We hear it’s a hip festival, great vibe, music folks and fun venues.
What do you hope to take away from your time at the festival?
Great contacts for our film “Billy the Kid”, good press and word of mouth for our movie, maybe the prize for best doc?
Why should audiences be excited to see your film?
It’s a totally unique portrait of a young outsider who falls in love… with songs from KISS.
Are there any other films screening that you hope to see?
The Jesus documentary, have to look at the program!
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Salt Lick, Hotel San Jose. We’re having a great premiere party at Factory People on Sunday, March 11, from 11 p.m. to 2 a.m.!
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Giant” with Jimmy Dean and Richard Linklater.
Permalink | Comments (2) | Categories: SXSW Directors Interviews
SXSW Interview: Ronald Bronstein, ‘Frownland’
Director: Ronald Bronstein
Film: “Frownland”
Category: Narrative Features (World Premiere)
Sites: Official | SXSW
Screening: 11 a.m. Sunday, March 11; 1:30 p.m. Monday, March 12; 8 p.m. Friday, March 16; all at Alamo Downtown
Film synopsis from SXSW.com: “Frownland” is a seams-exposed comedy — a melee of a movie, really — about a door-to-door coupon salesman who eats popcorn and eggs off the folded-out door of his kitchen oven.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
First feature, first film.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Well, Austin is sort of infamous for being this low-rent gonzo incubation tank for wayward thinking. SXSW’s programming is, I think, an extension of this.
What do you hope to take away from your time at the festival?
I’m really just hoping to see the work connect with some people in an affecting way. I’ve taken a lot of risks with the project and have worked on it in solitude for way too long, so who knows? My efforts could be ridiculous, useless, a flop. We’ll see. Heh.
Why should audiences be excited to see your film?
Because it’s funny and frayed and spastic and raw and somewhat out of vogue with the kinds of pasteurized indie fare that tends to get distribution these days. I’m sort of groping here to find a filmic corollary to the intimacy of some hand-scrawled typo-laden fanzine. Does that sound attractive?
Are there any other films screening that you hope to see?
Sure. There’s the Scott Walker doc, and the Robyn Hitchock one. “Zoo.” “Whole Shootin’ Match.” “Hannah Takes the Stairs” (very cool that Andrew Bujalski is acting in someone else’s movie this time around; gives the impression of some kind of movement in the making). Oh, and all the films in competition with me, natch.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Well, I have a pretty pinheaded impression of local Austin landmarks, born entirely from movies, records and underground comics. The fountain where Daniel Johnston had his infamous acid meltdown. The bridge that those guys in “Slacker” threw the typewriter off of. A dumpster in the back of Robert Rodriguez’s house filled to the brim with paper-mache stalagmites and other grade-Z homemade props.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Hmm. “Texas Chainsaw Massacre.” Though I wish I could say “Brewster McCloud” came to my head first. For better or worse, it’s the movies you take in as a kid that seem to leave the strongest mark.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Andrew Shea, ‘Forfeit’
Director: Andrew Shea
Film: “Forfeit”
Category:
Sites: Official | SXSW
Screening: 7 p.m. Tuesday, March 13; 12 p.m. Friday, March 16; both at Dobie
Film synopsis from SXSW.com: An armored-car guard’s elaborate plan for revenge is threatened by his relationship with an old friend — a brilliant and unpredictable television preacher.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This will be my first SXSW.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
SXSW has grown to be one of the largest and most prestigious festivals in North America. It reminds me more of Sundance, where my first two features premiered, than the other smaller, regional festivals I have visited over the years.
What do you hope to take away from your time at the festival?
Free stuff. A distribution deal. War stories for my students at the University of Texas.
Why should audiences be excited to see your film?
It has all the pleasures of a genre heist film and has a real sting in its tail.
Are there any other films screening that you hope to see?
I’m especially excited to see the films by my colleagues at UT: “Third Ward, TX”, “Elvis and Anabelle”, and Weaving Worlds.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
The LBJ Library and Museum, Peter Pan Mini-Golf, Zilker Park
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Giant”
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SXSW Interview: Matthew Lessner, ‘By Modern Measure’
Director: Matthew Lessner
Film: “By Modern Measure”
Category: Narrative Shorts
Site: SXSW
Screening: 11:30 a.m. Sunday; 11:15 a.m. Tuesday; 11 a.m. Friday, March 16; all at Alamo South
Film synopsis from SXSW.com: An amateur French sociologist presents his observations on a day in the life of two young Americans who meet by chance outside a Taco Bell on Oct. 8, 2006.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Yes, this is my first time at SXSW. I submitted an earlier film last year, but it was rejected in a soul-crushing blow, which actually makes my acceptance and attendance this year all the more sweet.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Since I’ve never been to SXSW, Austin or even Texas for that matter, my impressions are all based on things I learned from the fantastic MTV show, “The Real World.” From what I gather, though, both SXSW and Austin are supposed to be pretty exciting places. Apparently the entire populous is breathtakingly beautiful, and barbecue food is abundant and completely free. Even though Austin is in the middle of Texas, I somehow imagine that no one has an accent, and that all strangers hug each other upon first meeting. I’ve also heard that it’s best not to “mess with Texas” and that “everything is bigger in Texas.” I plan to do my best to heed both of these dire warnings.
What do you hope to take away from your time at the festival?
In a best-case scenario, I’ll be walking away with several lifelong friendships, a contract with a mid-sized production company, a black eye and several trophies.
Why should audiences be excited to see your film?
Audiences should be excited to see “By Modern Measure” for a number of reasons. First and foremost, it’s short, at 5 minutes and 45 seconds. After seeing it, you’re still going to have time to partake in plenty of other exciting activities. Beyond that, it deals with subject matter that I find to be fairly pertinent; it’s essentially a comment on modern American youth and their role in the current state of the world, particularly in regards to topics such as consumerism, MySpace and YouTube (hopefully without being too heavy-handed or preachy). As a young American, I’m especially concerned with the ways in which my highly self-centered, fame-hungry Generation Y is going to impact the course of history, and I think you should be too. Plus, you’re going to laugh.
Are there any other films screening that you hope to see?
I’ve spent a good part of the last eight months working on preproduction for a feature-length documentary about corn and all of its vast implications. Then just this morning a film entitled “King Corn,” which will be premiering at SXSW, was brought to my attention. I just watched the trailer, and it looks as if I might have been wasting a lot of time over the course of these last eight months. So I think it’s safe to say that I’ll be catching “King Corn,” with friendly gritted teeth.
Last year I made the acquaintance of the kindly folks who made “Silver Jew” and “Hannah Takes the Stairs,” so I imagine I will be checking out those two as well.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I’m just trying to get to wherever those “Real World” cats were always hanging out. I’m looking to get black-out drunk and embarrass myself. The Hard Rock Café is pretty high up there.
When you think of Texas and the movies, what is the first thing that comes to your mind?
When I think of Texas and the movies, I think of Wes Anderson, “Bottle Rocket” and “Rushmore,” in that order. Texas really suits Mr. Anderson; I think he should come back.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Diane Crespo and Stefan Schaefer, ‘Arranged’
Director: Diane Crespo and Stefan Schaefer
Film: “Arranged”
Category: Narrative Features (World Premiere)
Sites: Official | SXSW
Screening: 4:30 p.m. Sunday, March 11 at Alamo South; 4:30 p.m. Tuesday, March 13 at Alamo South; 7:45 p.m. Thursday, March 15 at Dobie
Film synopsis from SXSW.com: Two young women — one an Orthodox Jew, the other Muslim — meet and become friends as first-year teachers at a public school in Brooklyn. Over the course of the year they learn they share much in common, not least of which is that they are both going through arranged marriages.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is our first time at SxSW. We’ve heard only good things and have high expectations.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Again, we’ve heard only good things and made our decision to world premiere our film here because of industry attendance but even more because filmmakers seem to love it - they make strong connections, have a good time, etc.
What do you hope to take away from your time at the festival?
We hope to come away with continued interest in distributing our film, more connections in the film community, having had lively post-screening Q&As, and with enthusiasm for jumping into our next project(s).
Why should audiences be excited to see your film?
It’s very timely and topical. The acting is superb - two great break-out performances from our young leads, Zoe Lister-Jones and Francis Benhamou. This is the world premiere of a film we hope will move on to many other festivals, find distribution and be talked about for years to come.
Are there any other films screening that you hope to see?
“American Zombie,” “The Ten,” among others.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Open to any and all experiences. Haven’t had time to research local attractions — too much last-minute preparation for our premiere.
When you think of Texas and the movies, what is the first thing that comes to your mind?
The John Sayle’s film “Lone Star.”
Permalink | Comments (1) | Categories: SXSW Directors Interviews
SXSW Interview: Ron Mann, ‘Imagine the Sound’
Director: Ron Mann
Film: “Imagine the Sound”
Category: Documentary Features (Regional Premiere)
Sites: Official | SXSW
Screening: 4:30 p.m. Monday, March 12; 1:30 p.m. Thursday, March 15; both at Alamo South
Film synopsis from SXSW.com: “Imagine the Sound” (1981) profiles four musicians who were influential in the evolution of jazz into a free-form musical art. Canadian documentary filmmaker Ron Mann’s first feature documentary, made when he was only 22 years old, was originally released on 16mm, mono optical sound. Considered to be by many critics as one of the all-time great jazz films, “Imagine The Sound” is newly restored and presented on HD and 5.1 stereo sound.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
It’s all a blur — as it should be.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
SXSW is like enjoying a sweet spliff, while most other festivals are on crack.
What do you hope to take away from your time at the festival?
Energy. SXSW totally recharges me.
Why should audiences be excited to see your film?
Because it’s (expletive) good.
Are there any other films screening that you hope to see?
All of ‘em. I’m also a panel junkie and love to hear what people are up to.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Every minute is an adventure in Austin. It really doesn’t matter where you wind up — its all good.
When you think of Texas and the movies, what is the first thing that comes to your mind?
SXSW - like, duh.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Doug Pray, ‘Big Rig’
Director: Doug Pray
Film: “Big Rig”
Category: Documentary Features (World Premiere)
Sites: Official | SXSW
Screening: 10 p.m. March 10 at Austin Convention Center; 2 p.m. March 14 at the Paramount; 1:30 p.m. March 17 at the Paramount
Film synopsis from SXSW.com: “Big Rig” is a broad portrait of modern America as seen through the eyes of long-haul truck drivers. Spanning 21,000 miles, 45 states and dozens of truck stops, director Doug Pray and producer Brad Blondheim (the team who created “Scratch”) went far beyond just the chrome and coffee culture and made a film that delves deeply into the lives and personal struggles of these working-class heroes, who are, literally, carrying the nation upon their backs.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I’ve been to SXSW three times before with my other feature documentaries: “Hype!” which was about the explosion of the Seattle music scene of the early ’90s, “Scratch,” about hip-hop DJ’s, and more recently, “Infamy,” about illegal graffiti writers. Because my first two films were about music, my SXSW Film Festival experiences usually blend heavily with the SXSW Music Festival. It’s all kind of a blur and a lot of fun. My new film, “Big Rig,” isn’t about a musical subculture, but its truck-driving narrative is heavily interwoven with the music of Buck 65. So, as if it were a music movie, we’re throwing a big party on Wednesday the 14th with a rare live-band performance by Buck 65, in which he’ll play his signature folk-country-roots-hip-hop-rap-spoken-word (yes, you heard that correctly) along with scenes and visuals from the film itself. Eighteen-wheelers will be present, naturally.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I love SXSW because, while there’s so much going on film-wise, it’s just very laid-back, and the enchiladas are in abundance. It’s also becoming more recognized as a festival where plenty of film business goes on (a brutal necessity for us independent filmmakers, to get our movies sold and distributed), yet, it’s not a bunch of suits and cell phones and stress. It’s Texas and it remains very do-it-yourself, and you better have fun (or you’re missing the point).
What do you hope to take away from your time at the festival?
Since it’s the world premiere of “Big RIg,” I’m just eager and nervous and excited to find out how it plays in front of an audience, so I guess my answer to your question is that I want to know what this film is, and what it means to people. You get kind of myopic when you’ve just finished a movie, and this one is a significant departure from my previous films. Other than that, I really want to watch as many other movies as I can. Film festivals are about the only time that I actually sit and watch movies in a theater.
Why should audiences be excited to see your film?
Because it’s unlike anything I’ve ever seen: On the surface, it’s the ultimate road trip movie about truck drivers, spanning 45 states, 21,000 miles of highway and dozens of truckstops… but it’s really about the characters we met along the way and their lives. Audiences may be expecting “Convoy” and a wacky hee-haw film about chromed out trucks, speed and CBs, but what we found out there was a hell of a lot more intense, and more reflective of a nation that has completely ignored its working class and its truck drivers, in particular, who are its lifeblood. Though it’s a documentary, it’s actually more like “The Grapes of Wrath.” Even the music invokes Woody Guthrie.
Are there any other films screening that you hope to see?
Just to name a few of the many I’m hoping to see are: Kerri O’Kane’s movie about the Seattle band “The Gits.” That band was in my first film, “Hype!” and I’m eager see the real story of lead singer Mia Zapata (who was murdered in 1993) in a non-“Unsolved Mysteries” type treatment. I’m also dying to see another Northwest-related doc, “Kurt Cobain About a Son.” Plus the Robyn Hitchcock film, and I’ve heard good things about “Steal a Pencil for Me.” There’s a bunch of others too, not including the dramatic features … but I’m sure I’ll run out of time. Oh, well.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Hottie Dogs at 2 a.m. The classic breakfast at Magnolia Cafe at 10. Coffee at Jo’s while Doctari plays live in the back at 1. And when you’re sick of movies and parties and bands, going down to the river and checking out one of those canoes on Town Lake and floating around under the interstate.
When you think of Texas and the movies, what is the first thing that comes to your mind?
I immediately think about Richard Linklater and the film “Slacker.” I still love it and I still feel its presence — for better or worse — when I’m hanging out in Austin. All these years later, it still sets the tone.
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SXSW Interview: Naomi Greenfield and Sara Taksler, ‘TWISTED: A Balloonamentary’
Directors: Naomi Greenfield and Sara Taksler
Film: “TWISTED: A Balloonamentary”
Category: Documentary Features (World Premiere)
Sites: Official | SXSW
Screening: 2:30 p.m. Saturday, March 10; 12 p.m. Tuesday, March 13; both at Dobie
Film synopsis from SXSW.com: With animation narrated by Jon Stewart, “TWISTED: A Balloonamentary” uncovers the world of balloon twisting conventions. Exploring how eight balloon twisters’ lives are dramatically changed by a little piece of latex, this funny and heartwarming documentary is about passion, salvation, love, death, race, religion and a whole lot of balloons.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
“TWISTED: A Balloonamentary” marks our first trip to SXSW. But, we did film a balloon twisting convention in Austin two years ago. Bet you didn’t know that Austin was the birthplace of the world’s first balloon twisting convention!
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
SXSW is known to be the most fun of all the festivals. So we’re expecting a good time. No pressure, Austinites …
What do you hope to take away from your time at the festival?
This is our world premiere, so we’d really like to leave knowing that audiences enjoyed the film. We’d like to take away a growing fan base that will turn us into a cult classic. And a pony … We’d really like to take away a pony.
Why should audiences be excited to see your film?
You will definitely laugh and probably cry. You will be amazed and inspired. This movie is about passion, salvation, love, death, race, religion and a whole lot of balloons — what’s not to like? Oh, and everyone who attends one of our screenings will learn how to make a balloon dog.
Are there any other films screening that you hope to see?
We’re excited to see “What Would Jesus Buy?” and “Knocked Up” — both seem good for a hearty laugh.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
We’ll mostly just soak in all of the festival activities — parties and panels. But if anyone has suggestions, please let us know. We’ll be the ones with the balloons.
When you think of Texas and the movies, what is the first thing that comes to your mind?
How psyched we are to be at SXSW this year. Seriously.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: The Hawkins Brothers, ‘Buttercup’ and ‘Ode to Fredo’
Directors: Zeke and Simon Hawkins
Film: “Buttercup” and “Ode to Fredo”
Category: Narrative Shorts and Music Videos
Sites: SXSW - “Buttercup” and “Ode to Fredo”
Screening: “Buttercup” — 11 a.m. Saturday, March 10; 11 a.m. Monday, March 12; 11 a.m. Thursday, March 15; all at Alamo South. “Ode to Fredo” — 10:30 p.m. Saturday, March 10; 11:30 a.m. Saturday, March 17; both at Dobie
Film synopsis from SXSW.com: “Buttercup” — Craig Tyler had the life he’d always planned. With his wife, Mary Anne, and his daughter, Buttercup, Craig lived a picture-perfect existence in Darien, Connecticut. That is, until Mary Anne fell ill and Jacques the herbalist moved in. “Ode to Fredo” — The last minutes of Fredo Corleone’s life.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
It’s my first time. Never even been to Texas.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
As I understand it, SXSW is one of the best festivals in the country in terms of both industry exposure and having fun. And with the music festival going on as well, there’s just so much to see. I’m looking forward to it.
What do you hope to take away from your time at the festival?
Have fun, show our two films, see some good movies and some good bands, meet some people in the film industry, and maybe meet some girls.
Why should audiences be excited to see your film?
For “Ode to Fredo,” my friend Tom DiMenna wrote a great spoof song taken from the “The Godfather.” And I like it because it’s funny, but also kind of tender, and just a fun song to listen to. And “Buttercup” tells the story of an upper-class family on the verge of implosion. And I think it’s interesting because it really tries to show everyone’s point of view without being judgmental or offering easy solutions. And it looks great. My brother Simon and our DP Nick Wong did an awesome job.
Are there any other films screening that you hope to see?
Definitely all the short film sections and the music video section. Just because it’s harder to see that kind of stuff normally in theaters and it’s mostly what we’re working on right now. Also, “All the Boys Love Many Lane”, directed by Jonathan Levine, and “Knocked Up.” I’m a huge Judd Apatow fan, especially “Freaks and Geeks.”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
To be honest, I don’t really know that much about Austin. I saw some of “Real World Austin,” but I don’t think that counts. My brother has some friends at UT, so I’m sure they will show us around a bit. But if anyone has any suggestions, I’m up for whatever.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Richard Linklater, “Dazed and Confused”; The South by Southwest Festival; “Texas Chainsaw Massacre”; “Real World Austin”; and “Friday Night Lights.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Jeanne Stern, ‘Les Malaventures de Zut-Alors’
Director: Jeanne Stern
Film: “Les Malaventures de Zut-Alors”
Category: Experimental Shorts
Sites: SXSW
Screening: 5 p.m. Monday, March 12; 2 p.m. Friday, March 16; both at Dobie
Film synopsis from SXSW.com: “Zut-Alors” uses mechanical puppetry to tell the story of Siamese brother and sister, Zut & Alors. Includes many bizarre wonders, including a parade of animals, pop-up gardens, and party blower puppetry. Puppets and set made of old books, World War II gummed paper, crepe paper, bicycle bells and more.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time having a film at SXSW. I’ve been to some free music shows before. My impression of SXSW — Austin is flooded by hipsters with matching black hair cuts.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I haven’t had a chance to attend similar festivals, so it’s hard to say. I hope the film industry continues to grow in Austin because I would love to be able to stay here and work.
What do you hope to take away from your time at the festival?
Inspiration for my work, new friends, opportunities to share my work, new connections…
Why should audiences be excited to see your film?
Because there are Siamese twins, a miniature parade of paper animals, and party blower puppetry. Plus, it was shot on 35mm film by the magnificent Jason Eitelbach.
Are there any other films screening that you hope to see?
I’ve been so busy with my current film, I haven’t had a chance to look yet.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I live in Austin! The weather in Austin is so amazing in March, really anywhere outside — the botanical gardens, Zilker Park. I’d recommend renting a bicycle and taking a ride around.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Going to film school at UT.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: David Redmon, ‘Kamp Katrina’
Director: David Redmon
Film: “Kamp Katrina”
Category: Documentary Features (World Premiere)
Sites: SXSW
Screening: 12 p.m. Saturday; 2:30 p.m. Tuesday; both at Dobie
Film synopsis from SXSW.com: “Kamp Katrina” is a verite documentary set in post-Katrina New Orleans (yet, it is not a Hurricane Katrina film). The film follows Ms. Pearl, a 56-year-old Upper Ninth Ward resident and Native American, over the course of six months. Ms. Pearl enthusiastically offers her backyard and 10 people immediately move into “Kamp Katrina,” their self-made tent community. She ends up playing the role of bouncer, psychologist, nurse, mother, domestic abuse counselor, housing advocate, and even tourist in her beloved city.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time at SXSW; we’re excited and thrilled to be part of the festival.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I love Austin. In fact, I lived in Georgetown, TX (just down the street from Austin) for two years and spent almost all my time in Austin.
What do you hope to take away from your time at the festival?
A lot of screenings, new ideas for the next films, contacts with distributors, and distribution interest in “Kamp Katrina.”
Why should audiences be excited to see your film?
Because it’s a well-crafted story and in-depth experience inside a world which you can’t stop thinking about after it ends.
Are there any other films screening that you hope to see?
As many documentaries as possible.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Spiderhouse.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“The Texas Chainsaw Massacre;” “Paris, Texas;” “Cowboy Del Amor.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Erika Houle, ‘Devil Town Music Video’
Director: Erika Houle
Film: “Devil Town Music Video”
Category: High School Shorts
Sites: SXSW
Screening: 7 p.m. Friday, March 9; 5 p.m. Saturday, March 17; both at Dobie
Film synopsis from SXSW.com: A high-school student put together a music video together for this sincere song, mostly from stop-motion animation created in her laundry room lighted by a flashlight.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
No, I have attended the past two years. I have thoroughly enjoyed the unconventional and delightful world of independent film. As a young American, it is hard to find a fulfilling outlet for offbeat entertainment and SXSW is the perfect place to spend my spring break. I am rarely disappointed with any film shown at SXSW, as they only accept the most innovative and unique films.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I have not attended any other film festivals, but I feel it would be hard to find one run as smoothly and filled with so many great films. I have lived and visited many places around the world and Austin definitely has the best movie venues I have ever experienced. From the Alamo Drafthouses to the Paramount and the Dobie, there is always something interesting showing and it is nice to find a break from the mainstream cinemas.
What do you hope to take away from your time at the festival?
As a young filmmaker, watching any film is a great way to learn about the business and the art. I hope to learn how to tell a story in a documentary from the panels and watching a few documentaries since I have a documentary taped and ready to edit. I also hope to meet people in the business and hear how they started and what kind of work they have done.
Why should audiences be excited to see your film?
My film was simply made for my college application portfolio, but turned out to be much more than just a high-school kid video. It is an innovative mix of claymation and live action video. The song is of the local Austin legend, Daniel Johnston and sure to please any crowd. Most of all, everyone is shocked to find out that the entire video was taped in a laundry room.
Are there any other films screening that you hope to see?
I have not looked at the schedule closely enough but the balloon-twisting documentary sounds very interesting.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
If one wants to take a break from the screen, another great form of entertainment comes from Esther’s Follies on Sixth Street, a great show sure to please anyone. Any visitor should also be sure to hit South Congress Avenue for a relaxing stroll past funky shops and unique dining establishments. You really can’t go wrong turning down any street in Austin. There is sure to be a pleasant surprise around any corner.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Austin and the Alamo Drafthouses. This is the cultural hot spot of the entire South and one of the most exciting and safe cities in the country. If the East or West Coast is just too fast or polluted for you, Austin is definitely the perfect place to take a breath of fresh air and experience something completely different. Although I am attending NYU’s film school this coming fall, I know I will long for the trips back home to warm Austin.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Kazuhiro Soda, ‘Campaign’
Director: Kazuhiro Soda
Film: “Campaign”
Category: Documentary Features (North American Premiere)
Sites: Official | SXSW
Screening: 1:30 p.m. Saturday at Austin Convention Center; 1:30 p.m. Tuesday at Alamo South; 1:30 p.m. Friday, March 16 at Alamo South
Film synopsis from SXSW.com: Can a candidate with no political experience and no charisma win an election if he is backed by the political giant Prime Minister Koizumi and his Liberal Democratic Party? This cinema-verite documentary closely follows a heated election campaign in Kawasaki, Japan, revealing the true nature of “democracy.”
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Yes, this is my first time at SXSW, and I’m so excited!
What are your impressions of the festival compared to others of its kind around the country and of Austin as a film town, in general?
So far, my impression on SXSW is that it has a very casual and friendly attitude despite the fact that it is one of the largest and most prestigious film festivals in the US.
What do you hope to take away from your time at the festival?
First of all, I’m looking forward to meeting the audience in Austin. SXSW is my North American premiere, so I’m curious how American people would respond to a documentary about a local election in Kawasaki, Japan. I’m also looking for a North American theatrical/DVD distributor to work with.
Why should audiences be excited to see your film?
I had an unprecedented access to behind the scenes of an election campaign by the Liberal Democratic Party (LDP) which has been ruling Japan mostly for the past 50 years. It is just so rare to see it because they are usually very secretive and closed. I was lucky to gain such an access because the candidate I followed around was my old school mate! Campaign is also very funny and fun to watch (I believe).
Are there any other films screening that you hope to see?
There are so many movies I want to see at SXSW! Especially, I do not want to miss any of the election related movies such as “Running With Arnold,” “Election Day,” and “Run Granny Run.”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I have no idea where to go. Somebody, please show me around!
When you think of Texas and the movies, what is the first thing that comes to your mind?
Richard Linklater’s “Slacker.” When I visited Austin for the first time to report the Crawford premiere of “Fahrenheit 911” as a Japanese TV correspondent, the cameraman I worked with happened to be Lee Daniel who shot “Slacker.” I was very surprised and honored.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Debbie Melnyk and Rick Caine, ‘Manufacturing Dissent’
Directors: Debbie Melnyk and Rick Caine
Film: “Manufacturing Dissent”
Category: Documentary Features (World Premiere)
Site: SXSW
Screenings: 9:30 p.m. Saturday, March 10 at The Paramount; 4:30 p.m. Tuesday, March 13 at Alamo South; 11:00 a.m. Saturday, March 17 at Alamo South
Film synopsis from SXSW.com: “Manufacturing Dissent” seeks to separate fact, fiction and legend tracks Michael Moore on tour during the release of the explosive “Fahrenheit 911” (and the subsequent Slacker Uprising Tour and 2004 US election), all the while chronicling the politically supercharged climate in America that has fueled Moore’s transition from mere filmmaker to icon of the political left.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
We’re SXSW virgins, please be gentle with us! Although co-prod/co-dir Rick Caine lived in Austin in the early ‘80s and hopes to return to Raul’s to listen to the Big Boys and avoid anyone he still owes money.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
A little too early to say, see virgin thing above. But Austin being a film town you’re certainly on the map, damn you. We’re Toronto-based and our volume in terms of film production peaked in 2001 at $928 million and has been in steady decline since and was down another 23% last year to $594 million. So we’re kinda pissed off about it and if we can blame Austin that works pretty well for us. Don’t mess with Texas, we’ll see about that.
What do you hope to take away from your time at the festival?
Other than cool chum like a swag bag and a SXSW t-shirt, some decent hangovers and hickies.
Why should audiences be excited to see your film?
Because it’s not boring. We hate the way those kinds of films have ruined the name of docs.
Are there any other films screening that you hope to see?
Yes. To name a few: “Third Ward, TX” about Houston’s Third Ward; the political doc “Running With Arnold” to see how that happened, another doc “Fall From Grace” about that nut bar Rev. Fred Phelps and his hate-mongering acolytes; “The Lookout”, we find Jeff Daniels one of the consistently best actors working today (OK maybe not “Dumb & Dumber” but, hey, a man’s gotta eat) and “Suffering Man’s Charity”, because Allan Cummings does remarkable things and a couple of cool and fun Canuck flicks: “Monkey Warfare” and “Trailer Park Boys”. And there are many tasty music events and music related films here which we hope to check.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
We hope to go skinny dipping at Hippie Hollow (hey we’re Canuck we’ll swim no matter what temperature it is) and get hammered along 6th Street. Our nephew hopes to bump into LonelyGirl15 and give her a piece of his mind now that he knows she’s fake. Oh yeah and we’d like to play bongo drums with Matthew McConaughey while we’re in town.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“The Last Picture Show” and Cybill Shepherd before she could play Martha Stewart.
Permalink | Comments (3) | Categories: SXSW Directors Interviews
SXSW Interview: Jonathan Browning, ‘The Job’
Director: Jonathan Browning
Film: “The Job”
Category: Narrative Shorts
Sites: Official | SXSW
Screening: 1:30 p.m. Saturday, March 10; 1:30 p.m. Monday, March 12; 1:30 p.m. Thursday, March 15; all at Alamo South
Film synopsis from SXSW.com: An off-beat look at one of the political hot-button issues of the year.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Not only is this my first time at SXSW, it’s my first film festival as a filmmaker. I couldn’t be more excited to be a part of this incredible festival.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Let me start by saying that the staff of SXSW has been incredibly supportive and amazingly helpful. As I said before, this is my initial foray into the film festival circuit. I’ve had a million questions and I’m sure I’ve broken every film festival etiquette in the book. But the good people at SXSW have done nothing but smile and help me out.
SXSW has a reputation for being a laid back festival for passionate professionals! I can’t begin to tell you how wonderful it is to tell people that we got accepted into the festival. Every single time, their eyes light up and they say, “That is the BEST festival!”
What do you hope to take away from your time at the festival?
I am really hoping to connect with other like-minded filmmakers. I’m coming to the festival with a short film, so the pressure to get a “huge distribution deal” isn’t there for me. I hope people enjoy the short, because it truly represents my sense of humor and my take on the world. If they like “The Job” and find it funny, there is a good chance they would like to hang out with me for a beer. The short was made because we have spent years surrounding ourselves with passionate talented artist. I am hoping to expand that circle to other filmmakers from around the world. Maybe that sounds like a naïve answer, but that’s what is so great about being naïve…you don’t know any better.
Why should audiences be excited to see your film?
I can tell you why we were excited to make it. Immigration is a hot button political issue, not only in California, but across the country. It was an issue that continues to divide people. Rather than come out and swinging on the issue, we thought it might be more effective to come out laughing. Our premise is a simple “what if” situation that is funny but will hopefully make people consider what it would be like to be in someone else’s shoes.
Are there any other films screening that you hope to see?
I love that you have the “other films” in the question. Otherwise we would all just say our own film. So I will buck that intention first and say that I am excited for my father to see my short. He has been incredibly supportive and was suppose to be in my film. But a family illness caused him to miss the shoot. Having him sitting beside me in the theatre is the next best thing to having him on the screen. With that said…I am very excited to see as many short film programs as I can get into. There are several great features at SXSW but I am a huge fan of the short film! I am constantly amazed by the ingenuity a short filmmaker must use to tell a story in a short amount of time. It is truly an art form in itself. I am a shorts groupie!
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
The only other time I was in Austin was for an old friend’s wedding. So my Austin knowledge consist of a very cute Methodist Church and a very sad strip club.
I am very interested in recommendations made by the locals.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Well, Robert Rodriguez is the five-ton gorilla in the Texas room.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Aldo Velasco, ‘Hinge’
Director: Aldo Velasco
Film: “Hinge”
Category: Experimental Shorts
Site: SXSW
Screenings: 5 p.m. Monday, March 12; 2 p.m. Friday, March 16; all at Dobie
Film synopsis from SXSW.com: “Hinge” is a three-minute tone poem in honor of that happy device, the Hinge, which has changed the course of human history. Music, graphics, history lessons, and personal testimonials all weave together to pay a richly deserved homage to our gentle servant, the Hinge.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
Yes, this is my first time at SXSW. In fact, it will be my first time setting foot in the state of Texas, if you can believe it.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I’ve heard nothing but good things about the festival, that it’s very human-scaled, interested in new ideas and talent, and not bogged down by too much industry meddling.
What do you hope to take away from your time at the festival?
I’d love to walk away with a year’s-worth of inspiration for my next projects. And of course, I’m always looking for investors for my feature film project, “SuperMacho.”
Why should audiences be excited to see your film?
“Hinge” is a funny, absurdist celebration of the simple Hinge, that small apparatus upon which so much of our lives depends. I can say without a doubt that there has never been another film like it. No other film has so boldly covered this territory. And it’s only three-minutes long.
Are there any other films screening that you hope to see?
I’m definitely going to see “American Zombie,” a documentary about Zombies in contemporary society.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I know nothing about Austin, so I’m just going to show up and follow my nose. A friend of mine lives there; I’m sure she’ll show me a good time.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Paris, Texas.” That opening shot… Does Texas really look like that?
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Matthew Ross, ‘Lola’
Director: Matthew Ross
Film: “Lola”
Category: Narrative Shorts
Sites: Official | SXSW
Screening: 4:30 p.m. Sunday, March 11; 11 a.m. Tuesday, March 13; 11 a.m. Thursday, March 15; all at Alamo Downtown
Film synopsis from SXSW.com: Curtis (Daniel Sauli) lies in bed, housebound with a badly broken leg in a ramshackle Brooklyn walk-up. Meanwhile, his girlfriend, Lola (Cordelia Reynolds), is getting ready for a night out. She tells Curtis that she’s seeing her mother and some family friends, while Curtis, jealous and insecure, wants her to stay in. As it turns out, Lola is headed to dinner with Alan (Dean Wareham), a well-known novelist and notorious ladies’ man. As the night goes on, Lola continues to test the boundaries of fidelity, and ends up finding herself in over her head.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first one, and I’m very excited.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I’ve never been to Austin, but I’ve heard nothing but terrific things about the city, the film community, and the festival. Plus, I’m a huge music fan, so I’m looking forward to checking out some bands when I’m not watching movies.
What do you hope to take away from your time at the festival?
I’d love to see some great films, meet talented people, and have fun.
Why should audiences be excited to see your film?
Well, if they’re fans of Luna or Galaxie 500, the film stars Dean Wareham, the former frontman from both of those great bands. Plus, it’s a short, so if they hate it I’ve only wasted.
Are there any other films screening that you hope to see?
I’m really looking forward to seeing the films that some very talented friends are bring to SXSW: Michael Tully’s “Silver Jew” documentary, Stephen Kijak’s “30th Century Man,” which is about Scott Walker, and “Hannah Takes the Stairs,” which my good friend Andrew Bujalski plays a role in.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I’m a newbie, so I’ll go where the tide takes me.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Terrence Malick — he’s a god to me.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Aaron Katz, ‘Quiet City’
Director: Aaron Katz
Film: “Quiet City”
Category: Narrative Features (World Premiere)
Sites: Official | SXSW
Screening: 4 p.m. Monday, March 12; 4 p.m. Wednesday, March 14; 1:30 p.m. Friday, March 16; all at Alamo South
Film synopsis from SXSW.com: Jamie is 21. She’s from Atlanta. She’s come to Brooklyn to visit her friend Samantha, but she can’t find her. Jamie tries calling, but Samantha’s phone is dead. Jamie meets Charlie when she asks him for directions. Nothing to do and nothing but time leads them to bowls of coleslaw, footraces in the park, art shows, and after parties. “Quiet City” is a exploration of connection between strangers and the possibilities that arise when you have no idea what you’re doing.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my second time at SXSW. Last year my film “Dance Party, USA” was in the festival. I remember not having very much money and eating more free chips and salsa at parties than I had eaten during the rest of my life combined. I also remember SXSW being a great place to meet people. More than the other festivals I’ve been to I’ve gotten to be good friends with people I first met in Austin.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
I don’t know much about Austin as a film town in general. I’ve only been there during the festival and my impression is that SXSW takes it over — downtown at least. Either way, I enjoyed being in Austin. It felt like people from the city were genuinely interested in what was going on at SXSW. One thing I liked about the festival is that it’s big enough to help a film just by association, but, unlike some of the other big festivals, SXSW is willing to take more chances on exciting films from unknown filmmakers.
What do you hope to take away from your time at the festival?
Well, for one thing, I’m looking forward to playing this board game called Blokus with Joe Swanberg. I hope we have time to do that. Besides that I’m looking forward to spending time with some other filmmakers from different cities that I don’t get to see very often. And I get to hang out with cast and crew members from my film who don’t live in New York. Also, hopefully being at the the festival will open some more doors for “Quiet City.”
Why should audiences be excited to see your film?
I’m excited about the performances. I was lucky enough to get the chance to work with a group of actors who were willing to take risks in how we approached the film. We had a full script that we used as a blueprint, but the actors always used their own words. They also brought a lot of themselves to the story. The result of this was that they were able to get to something truthful about what we experience as humans. Not the sensationalized human experience, but the everyday real one. The one that’s more exciting because it’s simple and true.
Are there any other films screening that you hope to see?
I’m excited about “Trigger Man”, “Great World of Sound,” and “Orphans”. “Frownland” sounds interesting too. Two films that I’ve seen and encourage other people to see are “Silver Jew” and “Hannah Takes the Stairs.”
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Last year I liked a place that I think was called The Peacock or The Peacock Lounge. I also liked this diner that was just on the other side of the freeway from downtown. I think that place was called Starlight. (Ed. note: Probably referring to StarSeeds.) Anyway, I love a good diner and I recall that place being really good. Good grilled cheese as I recall. I’d like to eat another one of those. Last year I didn’t spend enough time exploring Austin outside of SXSW events. This year I think I’m going to look into any old country or blues stuff that might be around.
When you think of Texas and the movies, what is the first thing that comes to your mind?
“Hud.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Art Bell, ‘Ride’
Director: Art Bell
Film: “Ride”
Category: Experimental Shorts
Site: SXSW
Screening: 5 p.m. Monday, March 12; 2 p.m. Friday, March 16; both at Dobie
Film synopsis from SXSW.com: “Ride” is an experiment in ‘hopeful protest’ that uses a speech given by John F. Kennedy at his inauguration played against scenes of everyday America. As part of the experiment, “Ride” like a previous short - “Ice” - was shot with the Canon point and shoot Elph camera.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
My first time.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Absolutely the best organized i have ever been a part of (of maybe 30 fests).
What do you hope to take away from your time at the festival?
How the audience perceives my experiment.
Why should audiences be excited to see your film?
Because it is an experiment in storytelling and micro small digital filming technology.
Are there any other films screening that you hope to see?
I have had no time to even look - in the middle of two commercials before I leave Vermont.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
The Austin Motel, I hear, is a trip.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Oh my god - it’s John Wayne.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Chris Peckover, ‘Alive and Well’
Director: Chris Peckover
Film: “Alive and Well”
Category: Narrative Shorts
Sites: SXSW
Screening: 9:30p.m. Friday, March 9; 9:45p.m. Saturday, March the 10; both at the Alamo South
Film synopsis from SXSW.com: After an emergency landing in a field, a hungry pilot tries to convince his onboard badminton team that they need to resort to cannibalism.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time.
Why should audiences be excited to see your film?
Audiences should be excited to see my film because Neil Flynn is the funniest damn comedian around, and he is alive and quite well.
Are there any other films screening that you hope to see?
I’m really looking forward to seeing “Shortbus.” John Cameron Mitchell’s husband taught a class I took at Yale; they’re hyper intelligent.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
If I’m not laughing at my own jokes and making an utter dolt of myself at David Cross’ party by the end of the week, I’m walking home.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Cool, air-conditioned theaters…such as Alamo Lamar 1. Come there to check out “Alive & Well,” screening with “American Zombie” at 9:30pm on the opening nights of the festival! I’ll have a DVD with extras of Neil Flynn’s hilarity that’s worth fighting for!
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Judith Keenan, ‘JPod’
Director: Judith Keenan
Film: “JPod”
Cateogry: Narrative Shorts (World Premiere)
Sites: Official | SXSW
Screening: 9:30 p.m. Saturday, March 10; Alamo Downtown
Film synopsis from SXSW.com: Adapted from Douglas Coupland’s novel of the same name, “JPod” centers on Ethan’s stunted but sincere efforts to win the amorous attentions of ‘the new girl’ Kaitin Boyce, an unwilling recruit to the survival cult of video game programmers, themselves thrown together in gray cubby-holed work-spaces by virtue of last-name bureaucratic alphabetized efficiency.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
SXSW 2007 is the very first year I’ve attended the festival personally, although I have been an enormous fan since 1994. At that time, I was one of the three original founders of SonicNet, which eventually became MTV Online. Tim Nye, Donald Newman and later Nick Butterworth and Sam Brumbaugh would attend SXSW Music to try to get musicians, bands, labels and other music biz types hyped about getting online. Can you imagine that? LOL — just a short, what, DOZEN years ago! They always came back to our office in Manhattan ranting and raving, and quite rightly. We signed a lot of labels to the network because of SXSW. Ironic that when I do finally attend, it’s not for the Music Fest, not for Interactive (man, I musta launched dozens and dozens of companies online between ’94 and ’01) but for Film, the medium in which I am, in fact, quite the newbie.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Austin as a film town has been most excellent to me. Way back in 1994, I had just moved from Toronto to New York. I had just launched my own little PR agency, and was representing an author by the name of Douglas Cooper. He was a first time author, literary fiction, smallish publishing house. Long story short, we decided to make a short film to promote him and his book. No one had done that before.
It was the feature article in your paper, the Austin American-Statesman, covering the fact that we made that film based on his book, that launched his national tour and so catapulted him to so so much press coverage that we had to reprint the books twice, he toured a dozen U.S. cities, even signed a deal with (at the time) Time Warner Pathfinder and because the first-ever non-linear fiction writer published on the web and got signed to a second book deal. And that whole experience later became, what do ya know, voila, tah dah, BookShorts! So I’d say Austin is an excellent town for grabbing hold of new ideas and not being afraid to take the steps to kick ‘em out to the wider world.
What do you hope to take away from your time at the festival?
Man, if what happened twice now, with two of my previous companies, could happen again with BookShorts this time around, and I actually get to BE there to do it, that would be pretty great. That the BookShort we made based on Douglas Coupland’s novel of the same name piques enough interest from filmmakers, authors and distributors, especially new media distributors, that the idea catches on, that would be most excellent.
Why should audiences be excited to see your film?
Audiences should be excited to see “JPod” because (at least we think) it captures the spirit of Douglas Coupland’s biting humour, his insightful take on pop culture and ultimately the stuff he makes you ponder. Our screenwriter Bruce Pirrie said it best — in our JPod adaptation is about the relationship between Ethan and Kaitlin, about the fact that “everything” in their pod-world is in the way of the relationship, in the way of people actually communicating, of having a deep profound relationship with each other, including themselves.
Are there any other films screening that you hope to see?
The cool thing about being into short films is that you get to see a lot of ‘em in one sitting! I hope to see a lot of ‘em.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
It’s been a long time since I’ve had the chance to visit Austin — I drove my 1964 Chevy Impala from New York City to Austin and back, just because that’s what those cars were made for, but that was back in the late ’90s. It’ll be fun to see how the city has changed since then.
When you think of Texas and the movies, what is the first thing that comes to your mind?
A laid-back intensity and freedom to explore.
Permalink | Comments (1) | Categories: SXSW Directors Interviews
SXSW Interview: Rick Guinan, ‘Potl’
Director: Rick Guinan
Film: “Potl”
Category: Animated Shorts
Sites: Official | SXSW
Screenings: 2 p.m. Sunday, March 11; 11:15 a.m. Thursday, March 15; both at Alamo South
Film synopsis from SXSW.com: At the mercy of the natural and unnatural elements surrounding him, Potl’s chances for survival greatly increase when a drunken sailor drops a gun in the penguin’s lap. But will this new found power corrupt our small hero?
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time to attend the entire conference. I lived in Austin for a while and could never afford the time or money to attend.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
This is exciting. I’ve never received so much accompanying requests with a festival invitation. Austin is a great film town that works hard on accommodating all kinds of productions.
What do you hope to take away from your time at the festival?
A little recognition and some contacts.
Why should audiences be excited to see your film?
It’s good. Who isn’t excited to see a 3.5 min. cartoon?
Are there any other films screening that you hope to see?
I’m going to play it by ear.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I want to hit Hut’s for a good burger and Curra’s for some Tex Mex. I miss good Tex Mex.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Rodriguez and Linklater.
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SXSW Interview: Nate Meyer, ‘Pretty in the Face’
Director: Nate Meyer
Film: “Pretty in the Face”
Category: Narrative Feature Competition (World Premiere)
Sites: Official | SXSW
Screenings: 4:30 p.m. Sunday, March 11; 11 a.m. Tuesday, March 13; 11 a.m. Thursday, March 15; all at the Alamo Downtown
Film synopsis from SXSW.com: Dispirited by an overwhelming sense of inadequacy, Maggie’s (26) sexual curiosity leads her through a series of precarious decisions. Daniel (14), overweight and insecure, resents his mother’s obesity and worries he’s destined to for the same fate. United through tragedy, they help each other recognize the ways they sabotage their potential.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This is my first time at SXSW though I have heard wonderful things about the festival over the years. I am honored and excited to have my film make its World Premiere at SXSW.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
Austin is known as being a true indie mecca - for film, music, etc. Anyone paying attention over the last decade can appreciate what Robert Rodriguez, Richard Linklater and others have done to draw attention to Austin as a killer place to make and appreciate films. Everyone in the film industry that I have told my movie is going to premiere at SXSW has responded with pure enthusiasm.
What do you hope to take away from your time at the festival?
I’m eager to hear an audience’s impression to the film and meet a bunch of other filmmakers. That’s my hope. And taste the region’s best BBQ.
Why should audiences be excited to see your film?
“Pretty in the Face” deals with instantly recognizable and universally relatable issues of feelings of inadequacy, self-image and sexual curiosity. It astounds me that more movies don’t explore these themes because they are parts of all our lives. My goal was to integrate them honestly into a story that doesn’t come off melodramatic or cheesy. The response so far from others is that the film achieves this goal in a unique way.
Are there any other films screening that you hope to see?
I want to see the other films in the Narrative Features Competition, particularly “Orphans” and “Frownland.” I also want to see my good friend Mike Tully’s documentary “Silver Jew” and another good friend Craig Zobel’s Sundance hit “Great World of Sound,” which will be a blast to see with an audience. “Crazy, Sexy Cancer” sounds fascinating, too. I hope I have time to see tons more. In fact, I happen to like movies very much.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
Growing up in North Carolina made me a connoisseur of all things BBQ. Several places in the downtown area boast themselves as the best BBQ in the land. I will be the judge.
When you think of Texas and the movies, what is the first thing that comes to your mind?
I’m sure I’m not the first to say “The Last Picture Show.”
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Karl Hearne, ‘Monday Night’
Director: Karl Hearne
Film: “Monday Night”
Category: Narrative Shorts
Sites: Official | SXSW
Screenings: 11:30 a.m. Sunday, March 11; 11:15 a.m. Tuesday, March 13; 11 a.m. Friday, March 16; all at Alamo South
Film synopsis from SXSW.com: A man comes unhinged on the squash court, while his partner tries to schmooze money out of him.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This will be my first time at SXSW.
What are your impressions of the festival compared with others of its kind around the country, and of Austin as a film town, in general?
The film festival seems more fun and laid-back than a lot of others, probably because it’s combined with a bigger event.
What do you hope to take away from your time at the festival?
I’d like to meet some Texans.
Why should audiences be excited to see your film?
Because it’s short, angry, and funny.
Are there any other films screening that you hope to see?
I’d like to see a bit of everything.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
I’ll wait for the suggestions of the in-towners.
When you think of Texas and the movies, what is the first thing that comes to your mind?
I don’t know — “Paris, Texas,” I guess.
Permalink | | Categories: SXSW Directors Interviews
SXSW Interview: Evan Mather, ‘Scenic Highway’
Director: Evan Mather
Film: Scenic Highway
Category: Documentary Shorts
Site: SXSW
Screenings: 4:30 p.m. Saturday, March 10; 11:30 a.m. Monday, March 12; 11:15 a.m. Friday, March 16, all at Alamo South
Film synopsis from SXSW.com: Due to the recent unpleasantness, Baton Rouge has eclipsed New Orleans as the largest city in Louisiana. Is the city destined for greatness? Scenic Highway is the name of US Highway 61 as it passes through northern Baton Rouge. It is also this trip to the city and such landmarks as Huey Long’s art deco State Capitol building and Buckminster Fuller’s hidden geodesic dome. This darkly affectionate memoir is also an expose of the city’s colorful history, told through the use of animated motion graphics, archival Super 8 footage, and re-created & faux-created elements.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
This will be my first time in person to SXSW, although a few films of mine have played in previous years — “Fansom the Lizard” and “Red Vines” in 2002, and “Icarus of Pittsburgh” in 2003.
Why should audiences be excited to see your film?
In my autobiographic-mockumentary short film, “Scenic Highway,” they will be treated to a tour of that other midsized college town/state capital in the south-central United States — Baton Rouge, my hometown. There has always been a bit of a rivalry between the two cities — not the least of which involved Baton Rouge standing in for Austin in the 1975 television movie “The Deadly Tower” about the Charles Whitman killings.
Are there any other films screening that you hope to see?
Gary Hustwit’s “Helvetica” film.
When you think of Texas and the movies, what is the first thing that comes to your mind?
The Zapruder film.
Permalink | | Categories: SXSW Directors Interviews
‘What chew talkin’ ‘bout, Willis?’
Todd Bridges (aka Willis Jackson) let about 60 people know what Willis was talking about Saturday night at the Alamo Drafthouse Downtown. In addition to introducing screenings of three episodes of the 70’s and 80’s hit show “Diff’rent Strokes,” Bridges fielded questions from the audience.
Bridges regaled the audience with behind-the-scenes stories from the show, in addition to some anecdotes about living the fast and loose Hollywood lifestyle. Apparently the tagline made famous by Gary Coleman came from a typo that Coleman read verbatim, leading to riotous laughter from the show’s staff. After seeing the hilarious effects of the line, writers figured out a way to work the quip into each episode. Apparently Bridges’ diminutive co-star maintains some bitter resentment toward the show and his attachment to the character. He also has some very hard feelings towards Bridges, saying he will work with any actor not named Todd Bridges. Bridges has taken the slight in stride, although he could not refuse the chance to take a shot or two Coleman. “It’s not my fault his mom came on to me when I was 16,” Bridges told the crowd. “I even got the kid a job at Disney World at It’s a Small World.” Oh snap!
Though he joked that his life of drugs and petty crime came from “being raised by a rich white dude,” Bridges admitted that his widely publicized misguided life of drugs was a result of the gluttonous times and that most child stars of the ’70s and ’80s suffered from being taken advantage of by producers. “The secret of the entertainment industry is lifetime money,” he said. Bridges said that while producers and industry executives got rich off of the show’s success, he did not make enough money to last his lifetime. He went on to say that child stars of today have more avenues for making big bucks through parlaying their television work into film work and the like, an opportunity he said was forbidden of him while on “Diff’rent Strokes.”
Although Bridges endured painful times following his fame as a child actor, he also admitted that he got to reap quite a few rewards of stardom, including hanging regularly at the Playboy Mansion and dating Janet Jackson as a teenager. While he was somewhat tight-lipped about the nature of that relationship, he did admit that Janet’s older, much weirder, brother Michael used to try and “intimidate” him and even followed them on a date. Creepy. As Bridges said, “I wouldn’t send my kids over there (to Michael’s house).”
Bridges was gregarious throughout, if not completely coherent in developing arguments. In one such argument, he attempted to explain the difference between TV shows in the ’70s and ’80s versus now. His point seemed to be that comedies back then were situational, whereas now they focus on “jokes;” although he basically relied on the crutch, “Shows were different then, you know?” Um, ok, I’ll go with you on that one, Todd. More than willing to joke about his missteps and proudly speak about his 14 years of sobriety and exciting future in television (he has a small role on Chris Rock’s “Everybody Hates Chris” on the WB, for which Rock said he hired Bridges because he knocked out Vanilla Ice on “Celebrity Boxing”) and stand-up comedy, Bridges proved to be a former child star who has come to terms with his past and is loving the present.
Image taken from the Alamo Drafthouse
Permalink | | Categories: Television
