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SXSW Interview: Steven Cantor, ‘James Blunt: Return to Kosovo’

Director: Steven Cantor
Film: “James Blunt: Return to Kosovo”
Category: Documentary Feature (World Premiere)
Sites: SXSW
Screenings: 4 p.m. Thursday, March 15 at Alamo South
Film synopsis from SXSW.com: In September 2006, Grammy-nominated singer/songwriter James Blunt flew to the UN protectorate of Kosovo where, seven years earlier, he led a tank squadron as part of NATO’s liberation forces. As his jet touched down on the Pristina airstrip, the two worlds of James Blunt (that of international pop star and that of a former British Army Captain) came together for a unique, emotional experience that neither he, nor his fans, will soon forget. In JAMES BLUNT: RETURN TO KOSOVO, the artist reunites with several of the young Albanian interpreters who had worked with his troop during the liberation of Kosovo. Together they retrace their steps, visiting several outlying towns James the solider was charged with protecting, including the site of a mass grave his unit happened upon during his time there. We also see James’ own home video footage of the war-torn Kosovo of 1999. The sharp contrast between Kosovo past and present reveals a country much changed and improved through the efforts of NATO troops, yet remains possessed by a distinct haunting rawness from the still-recent atrocities committed there. During his visit, James also plays for a large crowd of NATO troops still stationed in Pristina, during which we experience a tangible, intimate connection between James and the audience. Expertly captured by Academy Award-nominated director Steven Cantor, James’ signature voice shines and his thoughtful, sensitive lyrics take on new meaning during this truly special show.
Is this your first time at SXSW? If not, what has your experience been like in previous years?
I premiered my Pixies movie last year and it was a great experience. The screenings were packed and the crowd was enthusiastic. Plus, I love Austin going back to my days making a Willie Nelson American Masters film, so it’s always great to be there.
What are your impressions of the festival compared to others of its kind around the country, and of Austin as a film town, in general?
It’s got a cooler vibe than the others, partially due to the music festival connection, but largely to the general hipness of the city and excellence of the barbecue and Mexican food.
What do you hope to take away from your time at the festival?
Well, to be honest, my film is for sale. In all territories. So the business angle trumps any other hopes. The good time is a given.
Why should audiences be excited to see your film?
It is a completely unique rock film and considering that it was paid for and produced by Atlantic Records, it is probably one of the strangest artist-promotional vehicles ever made. James Blunt had significant responsibility in the Balkan crisis, and we revisited the places and people he served, so the film has a sharp social and political edge that most people would not necessarily associate with James.
Are there any other films screening that you hope to see?
Unfortunately, I am in and out this year. But I have to see “Audience of One.” I almost helped produce that and it’s a pretty incredible story told by a talented up and coming filmmaker.
Any restaurants, parties, tourist locations you want to get to while in town? If you live in Austin, where do you suggest out-of-towners visit while in town?
The after-party to our screening will be great. It’s at Beauty Bar and James is flying in for it. Can’t miss breakfast at Las Manitas.
When you think of Texas and the movies, what is the first thing that comes to your mind?
Roy Rogers
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