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Friday, March 14, 2008
Capsule review: ‘Stop-Loss’
Still-green actor Ryan Phillippe has undermined yet another promising film. This time it’s the Austin-shot “Stop-Loss,” which premiered at the Paramount Theatre on Thursday during the last days of the South by Southwest Film Festival. Phillippe plays an Iraq war veteran with post traumatic stress disorder who is pressed back into service after his expected discharge through a procedure known as “stop loss.” In early combat scenes, Phillippe, focused by the action, plays a believable leader who helps his men through the mess of street fighting. His crucial scenes, however, transforming from a disciplined member of the armed forces into a rebellious fugitive from the law are unconvincing. His platoon mates fare no better: Joseph Gordon-Levitt, so hypnotizing last year in “The Lookout,” plays a generic depressive. Jar-headed Channing Tatum certainly looks the part of a soldier (actually built more like a U.S. Marine), but his range runs from threat of violence to confusion about the threat of violence. Although “The Deer Hunter” set a precedent, writer/director Kimberly Peirce does not convince us that these and other damaged vets all came from the tiny fictional Texas town of Brazos, and the 1978 film was helped by infinitely more talented actors.
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